Mayan or Maya mythology is part in of Mesoamerican mythology and comprises all of the Maya tales in which personified forces of nature, deities, and the heroes interacting with these play the main roles. The legends of the era have to be reconstructed from iconography. Other parts of Mayan oral tradition are not considered here.
Xibalba, roughly translated as "place of fright", is the name of the underworld in Maya mythology, ruled by the Maya death gods and their helpers. In 16th-century Verapaz, the entrance to Xibalba was traditionally held to be a cave in the vicinity of Cobán, Guatemala. Cave systems in nearby Belize have also been referred to as the entrance to Xibalba. In some Maya areas, the Milky Way is viewed as the road to Xibalba.
The Mesoamerican ballgame was a sport with ritual associations played since at least 1650 BC by the pre-Columbian people of Ancient Mesoamerica. The sport had different versions in different places during the millennia, and a modernized version of the game, ulama, is still played by the indigenous populations in some places.
Maya ceramics are ceramics produced in the Pre-Columbian Maya culture of Mesoamerica. The vessels used different colors, sizes, and had varied purposes. Vessels for the elite could be painted with very detailed scenes, while utilitarian vessels were undecorated or much simpler. Elite pottery, usually in the form of straight-sided beakers called "vases", used for drinking, was placed in burials, giving a number of survivals in good condition. Individual examples include the Princeton Vase and the Fenton Vase.
The Maya Hero Twins are the central figures of a narrative included within the colonial Kʼicheʼ document called Popol Vuh, and constituting the oldest Maya myth to have been preserved in its entirety. Called Hunahpu and Xbalanque in the Kʼicheʼ language, the Twins have also been identified in the art of the Classic Mayas. The twins are often portrayed as complementary forces.
Sacrifice was a religious activity in Maya culture, involving the killing of humans or animals, or bloodletting by members of the community, in rituals superintended by priests. Sacrifice has been a feature of almost all pre-modern societies at some stage of their development and for broadly the same reason: to propitiate or fulfill a perceived obligation towards the gods.
Cerros is an Eastern Lowland Maya archaeological site in northern Belize that functioned from the Late Preclassic to the Postclassic period. The site reached its apogee during the Mesoamerican Late Preclassic and at its peak, it held a population of approximately 1,089 people. The site is strategically located on a peninsula at the mouth of the New River where it empties into Chetumal Bay on the Caribbean coast. As such, the site had access to and served as an intermediary link between the coastal trade route that circumnavigated the Yucatán Peninsula and inland communities. The inhabitants of Cerros constructed an extensive canal system and utilized raised-field agriculture.
The traditional Maya or Mayan religion of the extant Maya peoples of Guatemala, Belize, western Honduras, and the Tabasco, Chiapas, Quintana Roo, Campeche and Yucatán states of Mexico is part of the wider frame of Mesoamerican religion. As is the case with many other contemporary Mesoamerican religions, it results from centuries of symbiosis with Roman Catholicism. When its pre-Hispanic antecedents are taken into account, however, traditional Maya religion has already existed for more than two and a half millennia as a recognizably distinct phenomenon. Before the advent of Christianity, it was spread over many indigenous kingdoms, all with their own local traditions. Today, it coexists and interacts with pan-Mayan syncretism, the 're-invention of tradition' by the Pan-Maya movement, and Christianity in its various denominations.
Ancient Maya art comprises the visual arts of the Maya civilization, an eastern and south-eastern Mesoamerican culture made up of a great number of small kingdoms in present-day Mexico, Guatemala, Belize and Honduras. Many regional artistic traditions existed side by side, usually coinciding with the changing boundaries of Maya polities. This civilization took shape in the course of the later Preclassic Period, when the first cities and monumental architecture started to develop and the hieroglyphic script came into being. Its greatest artistic flowering occurred during the seven centuries of the Classic Period.
Hun Hunahpu "One Hunahpu" is a figure of Late Postclassic Maya mythology whose name connects him to the XXth day of the day count, Hunahpu. His tale is part of the early-colonial "Popol Vuh" manuscript. According to this source, Hun Hunahpu is the father of the Maya Hero Twins, Hunahpu and Xbalanque. He is also the father of the twins' half-brothers, the patrons of artisans and writers, Hun-Chowen and Hun-Batz. Hun Hunahpu is paired with his brother, Vucub-Hunahpu "Seven Hunahpu". These two brothers of the generation preceding that of the hero twins were tricked into the Dark House by the lords of the Underworld (Xibalba) and sacrificed. Hun Hunahpu's head was suspended in a trophy tree and changed to a calabash. Its saliva impregnated Xquic, a daughter of one of the lords of Xibalba. She fled the Underworld and conceived the Twins. After defeating the Underworld lords, the twins recovered the remains of their father and their father's brother, but could not resuscitate them.
Death rituals were an important part of Maya religion. The Maya greatly respected death; they were taught to fear it and grieved deeply for the deceased. They also believed that certain deaths were more noble than others.
Ancient Maya cuisine was varied and extensive. Many different types of resources were consumed, including maritime, flora, and faunal material, and food was obtained or produced through strategies such as hunting, foraging, and large-scale agricultural production. Plant domestication concentrated upon several core foods, the most important of which was maize.
The Museo Popol Vuh is home to one of the major collections of Maya art in the world. It is located on the campus of the Universidad Francisco Marroquín in Zone 10, Guatemala City. The museum is known for its extensive collection of pre-Columbian and colonial art of the Maya culture.
Dogs have occupied a powerful place in Mesoamerican folklore and myth since at least the Classic Period right through to modern times. A common belief across the Mesoamerican region is that a dog carries the newly deceased across a body of water in the afterlife. Dogs appear in underworld scenes painted on Maya pottery dating to the Classic Period and even earlier than this, in the Preclassic, the people of Chupícuaro buried dogs with the dead. In the great Classic Period metropolis of Teotihuacan, 14 human bodies were deposited in a cave, most of them children, together with the bodies of three dogs to guide them on their path to the underworld.
Norman Hammond is a British archaeologist, academic and Mesoamericanist scholar, noted for his publications and research on the pre-Columbian Maya civilization.
Cuello is a Maya archaeological site in northern Belize. The site is that of a farming village with a long occupational history. It was originally dated to 2000 BC, but these dates have now been corrected and updated to around 1200 BC. Its inhabitants lived in pole-and-thatch houses that were built on top of low plaster-coated platforms. The site contains residential groups clustered around central patios. It also features the remains of a steam bath dating to approximately 900 BC, making it the oldest steam bath found to date in the Maya lowlands. Human burials have been associated with the residential structures; the oldest have no surviving burial relics, but from 900 BC onwards, they were accompanied by offerings of ceramic vessels.
Colha, Belize is a Maya archaeological site located in northern portion of the country, about 52 km. north of Belize City, near the town of Orange Walk. The site is one of the earliest in the Maya region and remains important to the archaeological record of the Maya culture well into the Postclassic Period. According to Palma Buttles, “Archaeological evidence from Colha allows for the interpretation occupation from the Early Preceramic (3400-1900B.C.) to Middle Postclassic with population peaks occurring in the Late Preclassic and again in the Late Classic ”. These peaks in population are directly related to the presence of stone tool workshops at the site. Colha's proximity to an important source of high quality chert that is found in the Cenozoic limestone of the region and well traveled trade routes was utilized by the inhabitants to develop a niche in the Maya trade market that may have extended to the Greater Antilles. During the Late Preclassic and Late Classic periods, Colha served as a primary supplier of worked stone tools for the region. It has been estimated that the 36 workshops at Colha produced nearly 4 million chert and obsidian tools and eccentrics that were dispersed throughout Mesoamerica during the Maya era. This made it an important player in the trade of essential good throughout the area.
During the pre-Columbian era, human sacrifice in Maya culture was the ritual offering of nourishment to the gods and goddesses. Blood was viewed as a potent source of nourishment for the Maya deities, and the sacrifice of a living creature was a powerful blood offering. By extension, the sacrifice of human life was the ultimate offering of blood to the gods, and the most important Maya rituals culminated in human sacrifice. Generally, only high-status prisoners of war were sacrificed, and lower status captives were used for labor.
The Preclassic or Formative Period of Belizean, Maya, and Mesoamerican history began with the Maya development of ceramics during 2000 BC – 900 BC, and ended with the advent of Mayan monumental inscriptions in 250 AD.
