Dogs in Mesoamerican folklore and myth

Last updated

The Aztec day sign Itzcuintli (dog) from the Codex Laud. Signo Itzcuintli.png#/media/File:Signo Itzcuintli.png
The Aztec day sign Itzcuintli (dog) from the Codex Laud.

Dogs have occupied a powerful place in Mesoamerican folklore and myth since at least the Classic Period right through to modern times. [1] A common belief across the Mesoamerican region is that a dog carries the newly deceased across a body of water in the afterlife. Dogs appear in underworld scenes painted on Maya pottery dating to the Classic Period and even earlier than this, in the Preclassic, the people of Chupícuaro buried dogs with the dead. [2] In the great Classic Period metropolis of Teotihuacan, 14 human bodies were deposited in a cave, most of them children, together with the bodies of three dogs to guide them on their path to the underworld. [3]

Contents

The Xoloitzcuintli is a hairless dog from Mesoamerica. Archaeological evidence has been found in the tombs of the Colima, Mayan, Toltec, Zapotec, and Aztec people dating the breed to over 3500 years ago. Long regarded as guardians and protectors, the indigenous peoples believed that the Xolo would safeguard the home from evil spirits as well as intruders. In ancient times the Xolos were often sacrificed and then buried with their owners to act as guide to the soul on its journey to the underworld. These dogs were considered a great delicacy, and were consumed for sacrificial ceremonies – including marriages and funerals. [4]

In many versions of the 20-day cycle of the Mesoamerican calendar, the tenth day bears the name dog. [5] This is itzcuintli in Nahuatl, the language of the Aztecs, tz'i' in the Kʼicheʼ Maya language and oc in Yucatec Maya. Among the Mixtecs, the tenth day was taken by the coyote, ua. [6]

The Maya

Spiked vessel or incense burner in the form of a dog, Guatemala, Lake Atitlan, Maya, 900-1200 AD, earthenware - De Young Museum - DSC00629.JPG
Postclassic Maya vessel or incense burner in the form of a dog. De Young Museum.
Colima - Dog Effigy - Walters 20092051 - Three Quarter Front.jpg
Dogs were associated with the deity Xolotl, the god of death. The roundness of the body might suggest its value as food for the posthumous soul. [7] The Walters Art Museum.

Maya burials from the Classic Period are frequently found with associated animal remains, often dogs. [8] For example, in the ruins of the Classic Maya city of Kaminaljuyu in Guatemala, a dog was found interred with a sitting skeleton, along with grave goods offered to the deceased. [9] The frequent finds of dog skeletons in Classic Maya burials confirms that the belief that dogs guided the souls of the departed on their journey into the underworld already existed at this time. [10]

The dog is sometimes depicted carrying a torch in the surviving Maya codices, which may be a reference to the Maya tradition that the dog brought fire to mankind. [11]

In the Postclassic Popul Vuh of the Kʼicheʼ Maya of highland Guatemala, dogs and turkeys killed the people of the second age in retaliation for the people beating them. The people who escaped this fate were transformed into monkeys. [2] Another account in the Popol Vuh describes the Hero twins sacrificing a dog that belonged to the Lords of the Underworld, also known as Xibalba. After the dog was dead, the Hero Twins brought it back to life. The Lords were so impressed that they asked the twins to sacrifice and resurrect them. In the end, the Hero Twins sacrificed the Lords of Xibalba and did not follow through on bringing them back to life. This made it possible for humans to live on earth. The story linked dogs with renewal and human life. Dogs are associated with death and have the job of leading people into the Underworld. They represent fire and are protectors of the hearth, two components of Maya life.

The Aztecs and their contemporaries

In Aztec mythology, the Fourth Sun disappeared in a great flood. A man and a woman survived inside a log and were washed up upon a beach, where they promptly built a fire and roasted some fish. The smoke from the fire upset the stars Citlallatonac and Citlalicue, angering the great god Tezcatlipoca. In his fury, he severed their heads and stitched them onto their rears, creating the first dogs. [12]

Xolotl from the 15th century Codex Fejervary-Mayer Xolotl 1.jpg
Xolotl from the 15th century Codex Fejervary-Mayer

Among the Aztecs, the god Xolotl was a monstrous dog. [13] During the creation of the Fifth Sun, Xolotl was hunted by Death and escaped him by transforming himself first into a sprout of maize, then into maguey leaves and finally as a salamander in a pool of water. The third time that Death found Xolotl, he trapped and killed him. Three important foodstuffs were produced from the body of this mythological dog. [12] Mictlantecuhtli, Lord of the Dead, had the bones of man in the underworld, kept over from the previous creations. Xolotl descended to the underworld to steal these bones so that man could be reborn in the new creation of the Fifth Sun. Xolotl managed to recover the bones and brought man to life by piercing his penis and bleeding upon them. [14] Xolotl was seen as an incarnation of the planet Venus as the Evening Star (the Morning Star was his twin brother Quetzalcoatl). Xolotl was the canine companion of the Sun, following its path through both the sky and the underworld. [15] Xolotl's strong connection with the underworld, death and the dead is demonstrated by the symbols he bore. In the Codex Borbonicus Xolotl is pictured with a knife in his mouth, a symbol of death, and has black wavy hair like the hair worn by the gods of death. [14]

The fourteenth 13-day period of the tonalpohualli ritual calendar started with the day ce itzcuintli (1-dog) and people, especially rulers, were fated to be especially lucky if born on this day. The tenth day of the xiuhpohualli 20-day agricultural calendar, itzcuintli (dog), was governed by Mictlantecuhtli, the grim lord of the dead. [16] In the Postclassic, when an Aztec commoner died he had to pass through each of the nine levels of Mictlan, the underworld. Mictlan was only reached after four years of wandering, accompanied by a dog that had been cremated with the deceased. The first level of Mictlan was called Apanoayan (where one crosses the river), this place was also known as Itzcuintlan (the Place of Dogs) because of the many dogs that roamed the near shore. A dog that recognised its former owner would carry him across the river on its back. [17] In some accounts, the dogs on the shore act differently according to their colour, yellow dogs would carry the soul of the deceased across the river, while white dogs refuse because they have just washed themselves and black dogs refuse because either they have just swum the river [2] or because they are dirty. [18]

In Aztec folklore, the ahuizotl was a dog-like water monster with a hand on the end of its coiled tail. It was said to dwell underwater near river banks and would drag the unwary to a watery death. The victim's soul would be carried off to Tlalocan, one of the three Aztec paradises. [19] A similar belief existed among the neighbouring Purépechas, their dog-god was called Uitzimengari and he saved the souls of drowned people by carrying them across to the Land of the Dead. [2]

Modern folklore

Xoloitzcuintli. YoungLaka MexicanHairless.jpg
Xoloitzcuintli.

In modern times, the Chinantecs and Mixes of Oaxaca believe that a black dog will help the newly dead to cross a body of water, either a river or a sea, to the land of the dead. [20] [21] The Huitzilan believe that a dog carries the dead across the water to reach the underworld home of the Devil. [2]

Across much of Mexico, evil sorcerers are believed to be able to transform themselves into a black dog in order to prey upon the livestock of their neighbours. In the states of central Mexico (such as Oaxaca, Tlaxcala and Veracruz) such a sorcerer is known as a nahual, in the Yucatan Peninsula they go by the name of huay chivo . Another supernatural dog in the folklore of Yucatan is the huay pek (witch-dog in Yucatec Maya), an enormous phantom black dog that attacks anybody that it meets and is said to be an incarnation of the Kakasbal, an evil spirit. [22] [23] [24]

A folktale from Tlaxcala tells how some hunters saw an enormous black dog one night and decided to capture and keep it. It fled at their approach, so one hunter shot at it, wounding it in one leg. Following the blood trail they came to a richly furnished peasant hut, whose owner was tending a wound in his leg. They gave up the chase and headed for the nearest village, where the locals told them that the peasant had been a nahual who could transform into a dog to steal riches. [25]

The Tzeltal and Tzotzil Maya of highland Chiapas in Mexico say that a white dog mated with Eve in the Third Creation, producing Ladinos, while a yellow dog fathered the indigenous peoples. [12]

A Jakaltek tale from the Guatemalan Highlands relates how the first dog witnessed the creation of the world and ran everywhere telling everyone the secrets of creation. Hunab' Kuh, the Creator-God, was furious and swapped the dog's head for its tail and its tail for its head. Now, whenever a dog wants to talk and give away its secrets, it cannot speak, instead it may only wag its tail. [26]

See also

Notes

  1. Burchell 2007, p.10.
  2. 1 2 3 4 5 Read & Gonzalez 2000, p.172.
  3. Heyden 1998, p.26.
  4. "Xoloitzcuintli Club of America, Inc. - ABOUT XOLOS". xoloitzcuintliclubofamerica.org. Archived from the original on 2019-01-07. Retrieved 2016-08-19.
  5. Read & Gonzalez 2000, p.170.
  6. Burchell 2007, p.25.
  7. "Dog Effigy". The Walters Art Museum.
  8. Garza 1999, p.133.
  9. Braswell 2003, p.94.
  10. Garza 1999, p.135.
  11. Neumann 1975, p.19.
  12. 1 2 3 Read & Gonzalez 2000, p.171.
  13. Fernández 1992, 1996, p.160
  14. 1 2 Neumann 1975, p.16.
  15. Read & Gonzalez 2000, pp.171-172.
  16. Matos Moctezuma & Solis Olguín 2002, pp.206, 417.
  17. Burchell 2008, pp.5, 25.
  18. Fernández 1992, 1996, p.38
  19. Burchell 2008, p.6.
  20. Pardo & Robledo Hernandez 2002.
  21. Torres Cisneros 2004, p.12.
  22. Burchell 2007, pp.23-27.
  23. Burchell 2008, pp.4-5.
  24. Jijena Sánchez 1952, p.108.
  25. Valadez Azúa & Téllez Estrada 2001.
  26. Montejo 2000, p.41.

Related Research Articles

<span class="mw-page-title-main">Aztec mythology</span> Religious folklore of the Nahua peoples of the Triple Alliance (Aztec Empire)

Aztec mythology is the body or collection of myths of the Aztec civilization of Central Mexico. The Aztecs were Nahuatl-speaking groups living in central Mexico and much of their mythology is similar to that of other Mesoamerican cultures. According to legend, the various groups who became the Aztecs arrived from the North into the Anahuac valley around Lake Texcoco. The location of this valley and lake of destination is clear – it is the heart of modern Mexico City – but little can be known with certainty about the origin of the Aztec. There are different accounts of their origin. In the myth, the ancestors of the Mexica/Aztec came from a place in the north called Aztlan, the last of seven nahuatlacas to make the journey southward, hence their name "Azteca." Other accounts cite their origin in Chicomoztoc, "the place of the seven caves", or at Tamoanchan.

<span class="mw-page-title-main">Teotihuacan</span> Ancient Mesoamerican city

Teotihuacan is an ancient Mesoamerican city located in a sub-valley of the Valley of Mexico, which is located in the State of Mexico, 40 kilometers (25 mi) northeast of modern-day Mexico City.

<span class="mw-page-title-main">Mictlān</span> Underworld of Aztec mythology

Mictlan is the underworld of Aztec mythology. Most people who die would travel to Mictlan, although other possibilities exist. Mictlan consists of nine distinct levels.

<span class="mw-page-title-main">Xolotl</span> Aztec god of fire and lightning

In Aztec mythology, Xolotl was a god of fire and lightning. He was commonly depicted as a dog-headed man and was a soul-guide for the dead. He was also god of twins, monsters, death, misfortune, sickness, and deformities. Xolotl is the canine brother and twin of Quetzalcoatl, the pair being sons of the virgin Chimalma. He is the dark personification of Venus, the evening star, and was associated with heavenly fire. The axolotl is named after him.

<span class="mw-page-title-main">Mictlāntēcutli</span> Aztec god of the dead

Mictlāntēcutli or Mictlantecuhtli, in Aztec mythology, is a god of the dead and the king of Mictlan (Chicunauhmictlan), the lowest and northernmost section of the underworld. He is one of the principal gods of the Aztecs and is the most prominent of several gods and goddesses of death and the underworld. The worship of Mictlantecuhtli sometimes involved ritual cannibalism, with human flesh being consumed in and around the temple. Other names given to Mictlantecuhtli include Ixpuztec, Nextepehua, and Tzontemoc.

<span class="mw-page-title-main">Xiuhtecuhtli</span> Aztec god of fire, day and heat

In Aztec mythology, Xiuhtēcuhtli, was the god of fire, day and heat. In historical sources he is called by many names, which reflect his varied aspects and dwellings in the three parts of the cosmos. He was the lord of volcanoes, the personification of life after death, warmth in cold (fire), light in darkness and food during famine. He was also named Cuezaltzin ("flame") and Ixcozauhqui, and is sometimes considered to be the same as Huehueteotl, although Xiuhtecuhtli is usually shown as a young deity. His wife was Chalchiuhtlicue. Xiuhtecuhtli is sometimes considered to be a manifestation of Ometecuhtli, the Lord of Duality, and according to the Florentine Codex Xiuhtecuhtli was considered to be the father of the Gods, who dwelled in the turquoise enclosure in the center of earth. Xiuhtecuhtli-Huehueteotl was one of the oldest and most revered of the indigenous pantheon. The cult of the God of Fire, of the Year, and of Turquoise perhaps began as far back as the middle Preclassic period. Turquoise was the symbolic equivalent of fire for Aztec priests. A small fire was permanently kept alive at the sacred center of every Aztec home in honor of Xiuhtecuhtli.

<span class="mw-page-title-main">Mesoamerican ballgame</span> Ancient game

The Mesoamerican ballgame was a sport with ritual associations played since at least 1650 BC by the pre-Columbian people of Ancient Mesoamerica. The sport had different versions in different places during the millennia, and a modernized version of the game, ulama, is still played by the indigenous populations in some places.

<span class="mw-page-title-main">Xoloitzcuintle</span> Hairless dog breed from Mexico

The Xoloitzcuintle is one of several breeds of hairless dog. It is found in standard, intermediate, and miniature sizes. The Xolo also comes in a coated variety, totally covered in fur. Coated and hairless can be born in the same litter as a result of the same combination of genes. The hairless variant is known as the Perro pelón mexicano or Mexican hairless dog. It is characterized by its wrinkles and dental abnormalities. In Nahuatl, from which its name originates, it is xōlōitzcuintli (singular) and xōlōitzcuintin (plural). The name comes from the god Xolotl that, according to ancient narratives, is its creator and itzcuīntli, meaning 'dog' in the Nahuatl language.

Siyaj Kʼakʼ, also known as Fire is Born, was a prominent political figure mentioned in the glyphs of Classic Period (250–800 CE) Maya civilization monuments, principally Tikal, as well as Uaxactun and the city of Copan. Epigraphers originally identified him by the nickname "Smoking Frog", a description of his name glyph, but later deciphered it as Siyaj Kʼakʼ, meaning "Fire is born". He is believed by some to have been the general of the Teotihuacano ruler Spearthrower Owl.

Tollan, Tolan, or Tolán is a name used for the capital cities of two empires of Pre-Columbian Mesoamerica; first for Teotihuacan, and later for the Toltec capital, Tula, both in Mexico. The name has also been applied to the Postclassic Mexican settlement Cholula.

<span class="mw-page-title-main">Mesoamerican chronology</span> Divides the history of pre-Columbian Mesoamerica into several periods

Mesoamerican chronology divides the history of prehispanic Mesoamerica into several periods: the Paleo-Indian ; the Archaic, the Preclassic or Formative (2500 BCE – 250 CE), the Classic (250–900 CE), and the Postclassic (900–1521 CE); as well as the post European contact Colonial Period (1521–1821), and Postcolonial, or the period after independence from Spain (1821–present).

<span class="mw-page-title-main">Mesoamerica</span> Pre-Columbian cultural area in the Americas

Mesoamerica is a historical region and cultural area that begins in the southern part of North America and extends to the Pacific coast of Central America, thus comprising the lands of central and southern Mexico, all of Belize, Guatemala, El Salvador, and parts of Honduras, Nicaragua and Costa Rica. As a cultural area, Mesoamerica is defined by a mosaic of cultural traits developed and shared by its indigenous cultures.

<span class="mw-page-title-main">Talud-tablero</span>

Talud-tablero is an architectural style most commonly used in platforms, temples, and pyramids in Pre-Columbian Mesoamerica, becoming popular in the Early Classic Period of Teotihuacan. Talud-tablero consists of an inward-sloping surface or panel called the talud, with a panel or structure perpendicular to the ground sitting upon the slope called the tablero. This may also be referred to as the slope-and-panel style.

<span class="mw-page-title-main">Feathered Serpent</span> Mesoamerican concept

The Feathered Serpent is a prominent supernatural entity or deity, found in many Mesoamerican religions. It is still called Quetzalcoatl among the Aztecs; Kukulkan among the Yucatec Maya; and Q'uq'umatz and Tohil among the K'iche' Maya.

<span class="mw-page-title-main">Classic Veracruz culture</span>

Classic Veracruz culture refers to a cultural area in the north and central areas of the present-day Mexican state of Veracruz, a culture that existed from roughly 100 to 1000 CE, or during the Classic era.

<span class="mw-page-title-main">Quetzalcōātl</span> Central deity in Aztec religion

Quetzalcoatl is a deity in Aztec culture and literature. Among the Aztecs, he was related to wind, Venus, Sun, merchants, arts, crafts, knowledge, and learning. He was also the patron god of the Aztec priesthood. He was one of several important gods in the Aztec pantheon, along with the gods Tlaloc, Tezcatlipoca and Huitzilopochtli. The two other gods represented by the planet Venus are Tlaloc and Xolotl.

Dogs in Mesoamerica of various sorts are known to have existed in prehispanic times as shown by archaeological and iconographical sources, and the testimonies of the 16th-century Spaniards. In the Central Mexican area, there were three breeds: the medium-sized furred dog (itzcuintli), the medium-sized hairless dog (xoloitzcuintli), and the short-legged, (tlalchichi) based in Colima and now extinct. Apart from other, more obvious functions, dogs were also used for food and ritual sacrifice.

<span class="mw-page-title-main">El Cóporo</span>

El Cóporo is a prehispanic archaeological site at the northern frontiers of the Mesoamerican cultural area, located at an elevation of 150 meters on the western slopes of the Santa Bárbara range, near the San José del Torreón community, and lies some 15 kilometres (9 mi) due south of its municipal seat and largest township, on the northwestern corner of Guanajuato state, Mexico.

<span class="mw-page-title-main">Mirrors in Mesoamerican culture</span>

The use of mirrors in Mesoamerican culture was associated with the idea that they served as portals to a realm that could be seen but not interacted with. Mirrors in pre-Columbian Mesoamerica were fashioned from stone and served a number of uses, from the decorative to the divinatory. An ancient tradition among many Mesoamerican cultures was the practice of divination using the surface of a bowl of water as a mirror. At the time of the Spanish conquest this form of divination was still practiced among the Maya, Aztecs and Purépecha. In Mesoamerican art, mirrors are frequently associated with pools of liquid; this liquid was likely to have been water.

<span class="mw-page-title-main">Mezcala culture</span> Mesoamerican Culture

The Mezcala culture is the name given to a Mesoamerican culture that was based in the southern Mexican state of Guerrero, in the upper Balsas River region. The culture is poorly understood but is believed to have developed during the Middle and Late Preclassic periods of Mesoamerican chronology, between 700 and 200 BC. The culture continued into the Classic period when it coexisted with the great metropolis of Teotihuacan.

References

Further reading