For the British footballer, see Dominic Thomas.
Dominic Thomas | |
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Alma mater | University College London Yale University |
Occupation | Academic |
Employer | University of California, Los Angeles |
Dominic Thomas is a British academic. He is the Madeleine L. Letessier Professor and chair of the Department of French and Francophone Studies at the University of California, Los Angeles (UCLA). He is the author and editor of several books comparative literature and postcolonialism, with a focus on francophone African studies.
Dominic Thomas graduated from University College London, where he earned a bachelor's degree in French and Philosophy in 1989. [1] He earned a PhD in French from Yale University in 1996. [1] [2]
Thomas was the Dr William M. Scholl Collegiate Professor in Romance Languages and Literatures at the University of Notre Dame from 1996 to 2000. [1] He was professor of French, Francophone Studies and Comparative Literature at the University of California, Los Angeles (UCLA) from 2000 to 2013. [1] Since 2013, [1] he has the Madeleine L. Letessier Professor at UCLA, where he is also the chair of the Department of French and Francophone Studies. [3] He is the author and editor of several books. [2] He became an officer of the Order of Academic Palms in 2016. [3]
His 2002 book, Nation-Building, Propaganda, and Literature in Francophone Africa, focuses on the works of Emmanuel Dongala, Henri Lopès and Sony Lab'ou Tansi, and the way politicians in the Republic of the Congo have used them to craft a narrative of nationalism. Reviewing it for The International Journal of African Historical Studies, professor Phyllis Taoua of the University of Arizona dismissed the book as "a bit thin", adding that it "sheds a rather dim light on the current realities in that deeply troubled region." [4] Professor Claire L. Dehon of Kansas State University agreed, concluding, "Had the author widened his scope of analysis beyond the Congo and explored, even briefly, other national literatures in Francophone Africa, the book would have been more deserving of its title." [5] However, in French Forum, professor Kasongo Mulenda Kapanga of the University of Richmond called it, "a valuable contribution to the study of Congolese novelists [6] Similarly, Harvard University professor Abiola Irele noted, " the work as it stands presents the fundamental preoccupations of Congolese writers and the major lines of articulation of their literature, a corpus that emerges from this study as one of the major areas of contemporary francophone literature." [7]
His 2007 book, Black France: Colonialism, Immigration, and Transnationalism, is a study of comparative literature by francophone African authors like Alain Mabanckou, Bernard Binlin Dadié, Calixthe Beyala, Camara Laye, Fatou Diome, Ferdinand Oyono, Ousmane Sembène, etc. [8] It uses an "interdisciplinary" approach, and "borrows concepts from sociology, literary studies, philosophy, cultural studies, and political science." [9] In the African Studies Review , Professor Jonathan Gosnell of Smith College called it "a short book that will be particularly useful for specialists." [10] Reviewing it for The Journal of African History, Professor Gregory Mann of Columbia University called it "a keen and compelling work of contemporary scholarship." [8] Lydie Moudileno, a professor at the University of Pennsylvania, noted in The International Journal of African Historical Studies that Thomas' book was "timely" given then-President Nicolas Sarkozy's focus on national identity. [11] In The French Review, professor Marjorie Attignol Salvodon of Suffolk University adds that the book "examines the fraught history of the colonial relationship between France and several sub-Saharan African countries with intelligence and lucidity." [9] In a review for French Forum , professor Peter J. Bloom of the University of California, Santa Barbara praised the book, concluding that, "Thomas' deft reassignment of literary and postcolonial categories demonstrates how literary production offers the means by which to redefine and renegotiate the crushing realities often heralded under the rubric of globalization." [12]
In Africa and France: Postcolonial Cultures, Migration, and Racism, Thomas "discusses several aspects of postcolonial contexts with France in mind as well as cultures, migration and racism." [13]
In 2017, Thomas argued that, "Trump’s position on the international stage has led to a widespread consensus that—essentially, that America has vacated the world of foreign policy leadership and ethics and are turning to new leaders." [14]
Postcolonial literature is the literature by people from formerly colonized countries, originating from all continents except Antarctica. Postcolonial literature often addresses the problems and consequences of the decolonization of a country, especially questions relating to the political and cultural independence of formerly subjugated people, and themes such as racialism and colonialism. A range of literary theory has evolved around the subject. It addresses the role of literature in perpetuating and challenging what postcolonial critic Edward Said refers to as cultural imperialism.
Postcolonial feminism is a form of feminism that developed as a response to feminism focusing solely on the experiences of women in Western cultures and former colonies. Postcolonial feminism seeks to account for the way that racism and the long-lasting political, economic, and cultural effects of colonialism affect non-white, non-Western women in the postcolonial world. Postcolonial feminism originated in the 1980s as a critique of feminist theorists in developed countries pointing out the universalizing tendencies of mainstream feminist ideas and argues that women living in non-Western countries are misrepresented.
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Elleke Boehmer, FRSL, FRHistS is Professor of World Literature in English at the University of Oxford, and a Professorial Governing Body Fellow at Wolfson College. She is an acclaimed novelist and a founding figure in the field of Postcolonial Studies, internationally recognised for her research in colonial and postcolonial literature and theory. Her main areas of interest include the literature of empire and resistance to empire; sub-Saharan African and South Asian literatures; modernism; migration and diaspora; feminism, masculinity, and identity; nationalism; terrorism; J. M. Coetzee, Katherine Mansfield, and Nelson Mandela; and life writing.
Postcolonialism is the critical academic study of the cultural, political and economic legacy of colonialism and imperialism, focusing on the impact of human control and exploitation of colonized people and their lands. The field started to emerge in the 1960s, as scholars from previously colonized countries began publishing on the lingering effects of colonialism, developing a critical theory analysis of the history, culture, literature, and discourse of imperial power.
Postcolonial international relations is a branch of scholarship that approaches the study of international relations (IR) using the critical lens of postcolonialism. This critique of IR theory suggests that mainstream IR scholarship does not adequately address the impacts of colonialism and imperialism on current day world politics. Despite using the language of post-, scholars of Postcolonial IR argue that the legacies of colonialism are ongoing, and that critiquing International Relations with this lens allows scholars to contextualize global events. By bridging postcolonialism and International Relations, scholars point to the process of globalization as a crucial point in both fields, due to the increases in global interactions and integration. Postcolonial IR focuses on the re-narrativization of global politics to create a balanced transnational understanding of colonial histories, and attempts to tie non-Western sources of thought into political praxis.
Discourse on Colonialism is an essay by Aimé Césaire, a poet and politician from Martinique who helped found the négritude movement in Francophone literature. Césaire first published the essay in 1950 in Paris with Éditions Réclame, a small publisher associated with the French Communist Party. Five years later, he then edited and republished it with the anticolonial publisher Présence africaine. The 1955 edition is the one with the widest circulation today and serves as a foundational text of postcolonial literature that discusses what Césaire described as the appalling affair of the European civilizing mission. Rather than elevating the non-Western world, the colonizers de-civilize the colonized.
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Françoise Lionnet serves as acting chair of the Committee on Degrees in Studies of Women, Gender and Sexuality at Harvard University, where she is professor of Romance languages and literatures, comparative literature, and African and African American studies. She is distinguished research professor of comparative literature and French and Francophone studies at UCLA, and a research associate of the Centre for Indian Studies in Africa at the University of Witwatersrand, Johannesburg. She served as director of the African Studies Center and Program Co-Director of UCLA's Mellon Postdoctoral Fellowship in the Humanities: Cultures in Transnational Perspective.
Frieda Ekotto is a Francophone African woman novelist and literary critic. She is Professor of AfroAmerican and African Studies and Comparative Literature at the University of Michigan and is currently the Hunting Family Fellow at the Institute for the Humanities. She is best known for her novels, which focus on gender and sexuality in Sub-Saharan Africa, and her work on the writer Jean Genet, particular her political analysis of his prison writing, and his impact as a race theorist in the Francophone world. Her research and teaching focuses on literature, film, race and law in the Francophone world, spanning France, Africa, the Caribbean and the Maghreb.
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