The Music Box is a Laurel and Hardy short film comedy released in 1932. It was directed by James Parrott, produced by Hal Roach and distributed by Metro-Goldwyn-Mayer. The film, which depicts the pair attempting to move a piano up a long flight of steps, won the first Academy Award for Best Live Action Short (Comedy) in 1932. In 1997, it was selected for preservation in the National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". The film is widely seen as the most iconic Laurel and Hardy short, with the featured stairs becoming a popular tourist attraction.
Sally O'Neil was an American film actress of the 1920s. She appeared in more than 40 films, often with her name above the title.
On with the Show! is a 1929 American pre-Code musical film produced by Warner Bros. Filmed in two-color Technicolor, the film became the first all-talking, all-color feature-length film, and the second color film released by Warner Bros.; the first was the partly color musical The Desert Song (1929).
Hold Everything is a 1930 American pre-Code film. This musical comedy film was photographed entirely in early two-color Technicolor. The first all Technicolor musical comedy film was "On With the Show" in 1929. "Hold Everything" was adapted from the DeSylva-Brown-Henderson Broadway musical of the same name that had served as a vehicle for Bert Lahr and starred Winnie Lightner and Joe E. Brown as the comedy duo. The romantic subplot was played by Georges Carpentier and Sally O'Neil. Only three songs from the stage show remained: "You're the Cream in My Coffee", "To Know You Is To Love You", and "Don't Hold Everything". New songs were written for the film by Al Dubin and Joe Burke, including one that became a hit in 1930: "When The Little Red Roses Get The Blues For You". The songs in the film were played by Abe Lyman and his orchestra.
Back to the Farm is a 1914 silent comedy short film produced by the Lubin Manufacturing Company and co-starring Oliver Hardy and Bert Tracy. It is the earliest Hardy film known to survive.
The Battle of the Sexes is a 1928 American synchronized sound comedy film directed by D. W. Griffith. While the film has no audible dialog, it was released with a synchronized musical score, singing and sound effects using both the sound-on-disc and sound-on-film process. The film starred Jean Hersholt, Phyllis Haver, Belle Bennett, Don Alvarado, and Sally O'Neil. It was released by United Artists. The film was a remake by Griffith of an earlier film he directed in 1914, which starred Lillian Gish. Both films are based on the novel The Single Standard by Daniel Carson Goodman; the story was adapted for this production by Gerrit J. Lloyd.
The Great Love is a lost 1925 American silent comedy film directed by Marshall Neilan based upon his own story, scripted by Benjamin Glazer. The film stars Robert Agnew, Viola Dana, and ZaSu Pitts.
The Auction Block is a 1926 American silent comedy film directed by Hobart Henley. The film stars Charles Ray and Eleanor Boardman. It is written by Fanny and Frederic Hatton and is based on the novel of the same name by Rex Beach.
Mike is a 1926 American silent comedy drama film directed by Marshall Neilan. The film is a modest production, featuring Sally O'Neil and William Haines.
A Certain Young Man is a 1928 comedy film directed by Hobart Henley. The film stars Ramon Novarro, Marceline Day, Renée Adorée, Carmel Myers and Bert Roach. The film is considered lost. A trailer for the film is preserved at the Library of Congress.
Kathleen Mavourneen is a 1937 British-Irish musical drama film directed by Norman Lee and starring Sally O'Neil, Tom Burke and Jack Daly. The story had been filmed several times previously, including a silent version (1919), starring Theda Bara and a 1930 Tiffany talkie also starring Sally O'Neil. This version, also known as "Kathleen", was filmed in Ireland, and features the character of Old Mother Riley who appeared in her own film series. It was shot at Welwyn Studios.
Enchantment is a 1921 American silent romantic comedy film produced by Cosmopolitan Productions and released by Paramount Pictures. The film was directed by Robert G. Vignola and starred Marion Davies. A print of the film exists in the Library of Congress.
Jack Straw is a 1920 American silent comedy film produced by Famous Players–Lasky and distributed by Paramount Pictures. William C. deMille directed the film and Robert Warwick and Carroll McComas star. The film is based on a 1908 stage play by W. Somerset Maugham starring John Drew and a young Mary Boland. In 1926 Paramount attempted a remake of this film called The Waiter from the Ritz which was begun and/or completed but never released. James Cruze directed and Raymond Griffith starred; this film, if completed, is now lost. The 1920 film survives at the Library of Congress.
Girl of the Port is a 1930 pre-Code melodramatic adventure/romance American film directed by Bert Glennon. The screenplay was written by Beulah Marie Dix and Frank Reicher based on the short story "The Fire-walker" by John Russell. The film stars Sally O'Neil, Reginald Sharland, Mitchell Lewis and Duke Kahanamoku.
The Fate of a Flirt is a 1925 silent romantic comedy film directed by Frank R. Strayer, which stars Dorothy Revier, Forrest Stanley, and Thomas Ricketts. It was released by Columbia Pictures on November 15, 1925.
Easy to Make Money, originally titled It's Easy to Make Money is a 1919 American silent comedy film directed by Edwin Carewe. It stars Bert Lytell, Gertrude Selby, and Frank Currier, and was released on August 4, 1919.
The Gilded Butterfly is a lost 1926 American silent drama film directed by John Griffith Wray and starring Alma Rubens, Bert Lytell, and Huntley Gordon.
Golf Widows is a 1928 American silent comedy film directed by Erle C. Kenton and starring Vera Reynolds, Harrison Ford and Sally Rand.
The Witch is a lost 1916 American silent drama film directed by Frank Powell, produced by Fox Film Corporation, and starring Nance O'Neil, Alfred Hickman, and Frank Russell. Based on the 1903 play La Sorcière by French dramatist Victorien Sardou, this adaptation portrayed the challenges facing a young woman living in a territory in Mexico wracked by military and social unrest. It was filmed at Fox's studio in Fort Lee, New Jersey, where a Mexican village was constructed on the company's backlot and used as the principal set for outdoor scenes.
Casey at the Bat is a lost 1916 American silent sports drama film produced by Fine Arts Studios in Hollywood, directed by Lloyd Ingraham, and starring DeWolf Hopper with principal support from Marguerite Marsh, Frank Bennett, and Kate Toncray. The photoplay's scenario, written by William E. Wing, was based on Ernest Thayer's 1888 baseball poem of the same title.
