Don't Marry | |
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Directed by | James Tinling |
Written by | Randall Faye William Kernell |
Story by | Philip Klein Sidney Lanfield |
Starring | Lois Moran Neil Hamilton Henry Kolker |
Cinematography | Joseph H. August |
Production company | |
Distributed by | Fox Film |
Release date |
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Running time | 60 minutes |
Country | United States |
Language | Silent (English intertitles) |
Don't Marry is a 1928 American silent comedy film directed by James Tinling and starring Lois Moran, Neil Hamilton, and Henry Kolker. [1]
A flapper masquerades as her strait-laced cousin to try and impress a potential suitor.
James Neil Hamilton was an American stage, film and television actor, best remembered for his role as Commissioner Gordon on the Batman TV series of the 1960s, having first played a character by that name in 1928's Three Week-Ends. During his motion picture career, which spanned more than a half century, Hamilton performed in over 260 productions in the silent and sound eras.
Lois Moran was an American film and stage actress.
Joseph Henry Kolker was an American stage and film actor and director.
The Last September is a 1929 novel by the Anglo-Irish writer Elizabeth Bowen, concerning life in Danielstown, Cork during the Irish War of Independence, at a country mansion. John Banville wrote a screenplay based on the novel; the film adaptation was released in 1999.
Stella Dallas is a 1925 American silent drama film that was produced by Samuel Goldwyn, adapted by Frances Marion, and directed by Henry King. The film stars Ronald Colman, Belle Bennett, Lois Moran, Alice Joyce, Jean Hersholt, and Douglas Fairbanks Jr. Prints of the film survive in several film archives.
Behind That Curtain is a 1929 American Pre-Code mystery film directed by Irving Cummings and starring Warner Baxter, Lois Moran and Gilbert Emery. It was the first Charlie Chan film to be made at Fox Studios. It was based on the 1928 novel of the same name. Charlie Chan, who is played by the Chinese American E. L. Park, gets one mention early in the film, then makes a few momentary appearances after 75 minutes. Park, in fact, was the first Chinese American to play Charlie Chan on-screen. Producer William Fox chose this film to open the palatial Fox Theatre in San Francisco on June 28, 1929. It was a sound film.
I Loved a Woman is a 1933 American pre-Code drama directed by Alfred E. Green, starring Kay Francis, Edward G. Robinson, and Genevieve Tobin. According to producer Hal Wallis' autobiography, Robinson and Francis "were oddly matched. Kay was so tall that we had to put Eddie [Robinson] on a box in some scenes to bring him level with her and, understandably he was humiliated. Irritable and self-conscious, he argued with Kay frequently. But he [...] gave credit to her fine acting." However, it was Wallis and other executives who also made the choice to cut three of Kay's scenes, leaving her presence in the film really as a supporting actress.
Honeymoon Limited is a 1935 American film.
My Weakness is a 1933 American pre-Code musical film directed by David Butler and starring Lilian Harvey, Lew Ayres and Charles Butterworth. It was the second of four films made by the British-German actress Harvey in Hollywood, who had emerged as major star during Weimar Germany.
They Wanted to Marry is a 1937 romantic comedy film directed by Lew Landers from a screenplay by Paul Yawitz and Ethel Borden, based on a story by Larry Bachmann and Daniel L. Teilhet. RKO produced and distributed the film, releasing it on February 5, 1937. The picture stars Betty Furness and Gordon Jones.
Padlocked is a 1926 American silent drama film directed by Allan Dwan and written by Rex Beach, Becky Gardiner, and James Shelley Hamilton. The film stars Lois Moran, Noah Beery Sr., Louise Dresser, Helen Jerome Eddy, Allan Simpson, Florence Turner, and Richard Arlen. The film was released on August 2, 1926, by Paramount Pictures.
Anybody's War is a 1930 American pre-Code Two Black Crows comedy film directed by Richard Wallace and written by Lloyd Corrigan, Hector Turnbull and Walter Weems. The film stars George Moran, Charles Mack, Joan Peers, Neil Hamilton, Walter Weems and Betty Farrington. The film was released on July 10, 1930, by Paramount Pictures.
One Exciting Adventure is a 1934 American comedy film directed by Ernst L. Frank and starring Binnie Barnes, Neil Hamilton and Paul Cavanagh. It is a remake of the 1933 German film What Women Dream.
The Music Master is a 1927 American silent drama film directed by Allan Dwan and written by Philip Klein, adapted from the play The Music Master by David Belasco. The film stars Alec B. Francis, Lois Moran, Neil Hamilton, Norman Trevor, Charles Lane and William T. Tilden. The film was released on January 23, 1927, by Fox Film Corporation.
Grand Ole Opry is a 1940 American comedy film directed by Frank McDonald and written by Dorrell McGowan and Stuart E. McGowan. The film stars the vaudeville comedy troupe the Weaver Brothers and Elviry, with Lois Ranson, Allan Lane and Henry Kolker. The film was released on June 25, 1940, by Republic Pictures.
Blind Date is a 1934 American drama film directed by Roy William Neill and starring Ann Sothern, Neil Hamilton, and Paul Kelly.
The Spy is a 1931 American pre-Code drama film directed by Berthold Viertel and written by Ernest Pascal. The film stars Kay Johnson, Neil Hamilton, John Halliday, Milton Holmes, Freddie Burke Frederick and Austen Jewell. The film was released on April 26, 1931, by Fox Film Corporation.
Making the Grade is a 1929 sound part-talkie American Pre-Code comedy film directed by Alfred E. Green. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Movietone sound-on-film system. The film stars Lois Moran, Edmund Lowe and Lucien Littlefield.
Soft Living is a 1928 American silent comedy film directed by James Tinling and starring Madge Bellamy, Johnny Mack Brown and Mary Duncan.
Hell's Four Hundred, sometimes listed as Hell's 400, is a 1926 American silent drama film directed by John Griffith Wray and starring Margaret Livingston, Harrison Ford, and Henry Kolker. An allegorical dream sequence towards the end of the film where the Vance character visualizes her sins as monsters was shot using two-strip Technicolor.