Don Moore (born 1937) is an American jazz double-bassist. [1]
Moore was born in Philadelphia, Pennsylvania. [1] He became interested in the bass around the age of 18. [1] He played and recorded with Archie Shepp, Don Cherry and others in the New York Contemporary Five in Europe in 1963. [1] Later in the 1960s Moore worked with Jackie McLean. [1] He recorded with Elvin Jones in 1966 and Clifford Thornton in 1967. [1]
With Elvin Jones
With Jackie McLean
With The New York Art Quartet
With Archie Shepp
With Clifford Thornton
With Rahsaan Roland Kirk
Joseph Rudolph "Philly Joe" Jones was an American jazz drummer.
Archie Shepp is an American jazz saxophonist, educator and playwright who since the 1960s has played a central part in the development of avant-garde jazz.
James Emory Garrison was an American jazz double bassist. He is best remembered for his association with John Coltrane from 1961 to 1967.
Grachan Moncur III was an American jazz trombonist. He was the son of jazz bassist Grachan Moncur II and the nephew of jazz saxophonist Al Cooper.
Clifford Osbourne Jarvis was an American hard bop and free jazz drummer, who in the 1980s moved to London, England, where he spent the remainder of his career.
Herbie Lewis was an American jazz double bassist and jazz educator. He played or recorded with Cannonball Adderley, Stanley Turrentine, Bobby Hutcherson, Freddie Hubbard, Harold Land, Jackie McLean, Archie Shepp, Tete Montoliu and McCoy Tyner.
Cecil McBee is an American jazz bassist. He has recorded as a leader only a handful of times since the 1970s, but has contributed as a sideman to a number of classic jazz albums.
Thomas Walter Turrentine, Jr. was a swing and hard bop trumpeter and composer who was active between the 1940s and the 1960s. He rarely worked as a bandleader, and was known for his work as a sideman with drummer Max Roach and his younger brother, the saxophonist Stanley Turrentine.
Reginald Workman is an American avant-garde jazz and hard bop double bassist, recognized for his work with both John Coltrane and Art Blakey, in addition to Alice Coltrane, Mal Waldron, Max Roach, Archie Shepp, Trio Three, Trio Transition, the Reggie Workman Ensemble, and collaborative projects with dance, poetry and drama.
Clifford Edward Thornton III was an American jazz trumpeter, trombonist, political activist, and educator. He played free jazz and avant-garde jazz in the 1960s and '70s.
Albert Preston Dailey was an American jazz pianist.
J.C. Moses was an American jazz drummer.
The New York Contemporary Five was an avant-garde jazz ensemble active from the summer of 1963 to the spring of 1964. It has been described as "a particularly noteworthy group during its year of existence -- a pioneering avant-garde combo" and "a group which, despite its... short lease on life, has considerable historical significance." Author Bill Shoemaker wrote that the NYCF was "one of the more consequential ensembles of the early 1960s." John Garratt described them as "a meteor that streaked by too fast."
Consequences is the debut album by the New York Contemporary Five featuring saxophonists Archie Shepp and John Tchicai, trumpeter Don Cherry, bassist Don Moore and drummer J. C. Moses. The album was released on the Fontana label in 1966. In 2020, the Ezz-thetics label re-released the material from Consequences, along with the three NYCF tracks from the B side of Bill Dixon 7-tette/Archie Shepp and the New York Contemporary 5, on a remastered compilation CD titled Consequences Revisited.
Archie Shepp & the New York Contemporary Five is a live album by the New York Contemporary Five recorded at the Jazzhus Montmartre in Copenhagen, Denmark, on November 15, 1963, and featuring saxophonists Archie Shepp and John Tchicai, trumpeter Don Cherry, bassist Don Moore and drummer J. C. Moses. The album was originally released on the Sonet label in 1964 as New York Contemporary 5 in two separate volumes on LP and later as an edited concert on a single CD, removing the track "Cisum."
West Wind Records was a jazz record label that released albums by many notable musicians during the 1980s. Some of these albums were previously issued on labels such as Circle Records.
Arthur Jones was an American Free Jazz alto saxophonist known for his highly energetic but warm tones.
In the late 1960s, Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments broke through. There are two main varieties: Afro-Cuban jazz was played in the US right after the bebop period, while Brazilian jazz became more popular in the 1960s. Afro-Cuban jazz began as a movement in the mid-1950s as bebop musicians such as Dizzy Gillespie and Billy Taylor started Afro-Cuban bands influenced by such Cuban and Puerto Rican musicians as Xavier Cugat, Tito Puente, and Arturo Sandoval. Brazilian jazz such as bossa nova is derived from samba, with influences from jazz and other 20th-century classical and popular music styles. Bossa is generally moderately paced, with melodies sung in Portuguese or English. The style was pioneered by Brazilians João Gilberto and Antônio Carlos Jobim. The related term jazz-samba describes an adaptation of bossa nova compositions to the jazz idiom by American performers such as Stan Getz and Charlie Byrd.
Archie Shepp discography.
Freedom & Unity is an album by valve trombonist Clifford Thornton. It was recorded in July 1967 at Sound City Studios in New York City, and was released by Third World Records in 1969. On the album, Thornton is joined by members of the Clifford Thornton New Art Ensemble: saxophonist Sonny King, trumpeter Joe McPhee, cornetist Edward Avent, vibraphonist Karl Berger, bassists Don Moore, Jimmy Garrison, and Tyrone Crabb, and drummer Harold (Nunding) Avent.