Gallery
Yeomans' Haida Totem Pole, Galleri Astley, Uttersberg, Sweden
Yeomans' Totem Pole at Vancouver International Airport
Yeomans: Where Cultures Meet, 2009
Don Yeomans (born 1958) is a Haida artist from Prince Rupert, British Columbia best known for his silkscreen art. His art is in the collection of Museum of Anthropology at UBC and on permanent display at the Canadian Museum of History.
Yeomans was born in 1958 [1] in Prince Rupert, British Columbia and at the age of twelve years was taught to carve by his aunt Freda Diesing. [2] [3] Robert Davidson and Bill Reid taught him to carve. [3]
In the 1980's, Yeomans undertook a two-year apprenticeship under Gitxzan artist Phil Janzé. [1]
Yeomans is best known for his silk screen printing [3] many of which are amongst the 30 pieces of his art kept in the collection of the Museum of Anthropology at UBC. [4]
His 1983 Thunderbird Spirit mask was featured in Gary Wyatt's 1994 book Spirit Faces and was one of many that were forged and mass produced in Indonesia. [5] The forgeries were identified by Montreal art dealer Stephen Lazarous. [5]
His 1987 piece Gunarh and the Whale is on display at the Canadian Museum of History. [6]
In 1998, Yeoman carved and painted the burial chest of his former mentor Bill Reid. [7]
He carved the 40-foot-tall The Stanford Legacy totem pole in 2002, which is located in Stanford Law School. [8]
Yeomans is partly the subject of the book chapter The impulse to create: Daina Augaitis in conversations with Robert Davidson, Michael Nicoll Yahgulanaas and Don Yeoman, one of eleven chapters of the 2008 book Raven travelling : two centuries of Haida art by Daina Augaitis, Marianne Jones, and Peter Macnair. [3]
Yeomans is married to his wife Trace and they have a son Kyran and a daughter Crystal and he collaborates with all three on art. [1]
William Ronald Reid Jr. was a Haida artist whose works include jewelry, sculpture, screen-printing, and paintings. Producing over one thousand original works during his fifty-year career, Reid is regarded as one of the most significant Northwest Coast artists of the late twentieth century.
The Haida are an Indigenous group who have traditionally occupied Haida Gwaii, an archipelago just off the coast of British Columbia, Canada, for at least 12,500 years.
Totem poles are monumental carvings found in western Canada and the northwestern United States. They are a type of Northwest Coast art, consisting of poles, posts or pillars, carved with symbols or figures. They are usually made from large trees, mostly western red cedar, by First Nations and Indigenous peoples of the Pacific Northwest Coast including northern Northwest Coast Haida, Tlingit, and Tsimshian communities in Southeast Alaska and British Columbia, Kwakwaka'wakw and Nuu-chah-nulth communities in southern British Columbia, and the Coast Salish communities in Washington and British Columbia.
The Museum of Anthropology at the University of British Columbia (UBC) campus in Vancouver, British Columbia, Canada displays world arts and cultures, in particular works by First Nations of the Pacific Northwest. As well as being a major tourist destination, MOA is a research and teaching museum, where UBC courses in art, anthropology, archaeology, conservation, and museum studies are given. MOA houses close to 50,000 ethnographic objects, as well as 535,000 archaeological objects in its building alone.
Robert Charles Davidson LL. D. D.F.A., is a Canadian artist of Haida heritage. Davidson's Haida name is G̲uud San Glans, which means "Eagle of the Dawn". He is a leading figure in the renaissance of Haida art and culture. He lives in White Rock, British Columbia.
Wilson Duff was a Canadian archaeologist, cultural anthropologist, and museum curator.
Dempsey Bob, is a Northwest Coast woodcarver and sculptor from British Columbia, Canada, who is of Tahltan and Tlingit First Nations descent. He was born in the Tahltan village of Telegraph Creek on the Stikine River in northwestern B.C., and is of the Wolf clan.
Freda Diesing was a Haida woman of the Sadsugohilanes Clan, one of very few female carvers of Northwest Coast totem poles and a member of the Council of the Haida Nation of British Columbia, Canada. Her Haida name is Skil Kew Wat, meaning "magical little woman."
Florence Edenshaw Davidson (1896–1993) was a Canadian First Nations artist from Haida Gwaii. She created basketry and button-blankets and was a respected elder in her village of Masset, Haida Gwaii, British Columbia.
Charles Edenshaw was a Haida artist from Haida Gwaii, British Columbia. He is known for his woodcarving, argillite carving, jewellery, and painting. His style was known for its originality and innovative narrative forms, created while adhering to the principles of formline art characteristic of Haida art. In 1902, the ethnographer and collector Charles F. Newcombe called Edenshaw “the best carver in wood and stone now living.”
Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
Chief Mungo Martin or Nakapenkem, Datsa, was an important figure in Northwest Coast style art, specifically that of the Kwakwaka'wakw Aboriginal people who live in the area of British Columbia and Vancouver Island. He was a major contributor to Kwakwaka'wakw art, especially in the realm of wood sculpture and painting. He was also known as a singer and songwriter.
Henry Hunt was a First Nations woodcarver and artist from the Kwakwaka'wakw people of coastal British Columbia. He carved a number of totem poles which are on public display in Canada and internationally.
Norman Tait was a Nisga'a First Nations sculptor and totem pole carver from northwestern British Columbia, Canada.
Gerry Marks is a Canadian First Nations artist of Haida ancestry.
Primrose Adams was a Canadian First Nations artist and member of the Raven Clan from the Haida nation. She wove hats and baskets in the Haida method and is most notable for her spruce root basketry, which involves working in the traditional manner of collecting and dyeing her own spruce root. Adams died in January 2020.
Doug Cranmer (1927–2006), also known as Pal'nakwala Wakas and Kesu', was a Kwakwaka'wakw carver and artist as well as a 'Namgis chief. Cranmer was a significant figure in the Northwest Coast art movement, both in its traditional form and in a modern contemporary form that he created and developed.
The Nisga'a and Haida Crest Poles of the Royal Ontario Museum are a collection of four large totem poles, hand carved from western red cedar by the Nisga’a people and Haida people of British Columbia's coast. The poles are referred to as: Three Persons Along (Nisga'a); the Pole of Sag̱aw̓een (Nisga'a); the Shaking Pole of Kw’ax̱suu (Nisga'a); and House 16: Strong House Pole (Haida). Each of the crest poles tell a family story, as carved figures represent crests that commemorate family history by describing family origins, achievements and experiences. These memorial poles were typically placed in front of the owners' house along the beach.
James Hart is a Canadian and Haida artist and a chief of the Haida Nation.
The Raven and the First Men is a sculpture by Haida artist Bill Reid. It depicts the Haida creation myth. It was carved from a single block of laminated yellow cedar, beginning in the fall of 1978, and took two years to complete, with work completing on April 1, 1980. Raven and the First Men is depicted on the reverse of the former Canadian twenty dollar bill of the Canadian Journey series.
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