Dan Flavin was an American minimalist artist famous for creating sculptural objects and installations from commercially available fluorescent light fixtures.
Donald Clarence Judd was an American artist associated with minimalism. In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy. He is generally considered the leading international exponent of "minimalism," and its most important theoretician through such writings as "Specific Objects" (1964). Judd voiced his unorthodox perception of minimalism in Arts Yearbook 8, where he says, "The new three dimensional work doesn't constitute a movement, school, or style. The common aspects are too general and too little common to define a movement. The differences are greater than the similarities."
Robert Morris was an American sculptor, conceptual artist and writer. He was regarded as having been one of the most prominent theorists of Minimalism along with Donald Judd, but also made important contributions to the development of performance art, land art, the Process Art movement, and installation art. Morris lived and worked in New York. In 2013 as part of the October Files, MIT Press published a volume on Morris, examining his work and influence, edited by Julia Bryan-Wilson.
Robert W. Irwin is an American installation artist who has explored perception and the conditional in art, often through site-specific, architectural interventions that alter the physical, sensory and temporal experience of space.
John Angus Chamberlain, was an American sculptor and filmmaker. At the time of his death he resided and worked on Shelter Island, New York.
Eva Hesse was a German-born American sculptor known for her pioneering work in materials such as latex, fiberglass, and plastics. She is one of the artists who ushered in the postminimal art movement in the 1960s.
Ellsworth Kelly was an American painter, sculptor, and printmaker associated with hard-edge painting, Color Field painting and minimalism. His works demonstrate unassuming techniques emphasizing line, color and form, similar to the work of John McLaughlin and Kenneth Noland. Kelly often employed bright colors. He lived and worked in Spencertown, New York.
Mario Merz was an Italian artist, and husband of Marisa Merz.
Joel Elias Shapiro is an American sculptor renowned for his dynamic work composed of simple rectangular shapes. The artist is classified as a Minimalist as demonstrated in his works, which were mostly defined through the materials used, without allusions to subjects outside of the works. He lives and works in New York City. He is married to the artist Ellen Phelan.
John Harvey McCracken was a minimalist artist. He lived and worked in Los Angeles, Santa Fe, New Mexico, and New York.
Josephine Gail Baer is an American painter associated with minimalist art. She began exhibiting her work at the Fischbach Gallery, New York, and other venues for contemporary art in the mid-1960s. In the mid-1970s, she turned away from non-objective painting. Since then, Baer has fused images, symbols, words, and phrases in a non-narrative manner, a mode of expression she once termed "radical figuration." She lives and works in Amsterdam, Netherlands.
Charles Albert Ginnever, was an American sculptor known primarily for large-scale abstract steel sculptures that defy simple understanding, as the works seem to constantly change form as one moves around them in time and space.
Mega-Gem is an outdoor sculpture by American artist John Francis Torreano. It is located on the Indiana University-Purdue University Indianapolis (IUPUI) campus, which is near downtown Indianapolis, Indiana, and is owned by the Indianapolis Museum of Art. The oversized sculpture, made of aluminum, is shaped like a round-cut diamond resting on one its facets and studded with 36 smaller, colored-metal rosettes.
Gary Freeman (1937–2014), is an American sculptor from Indianapolis, Indiana. He is Professor Emeritus of Indiana University-Purdue University Indianapolis (IUPUI) and served as head of the Herron School of Art Sculpture Department for 33 years, from 1968 until his retirement in 2001.
George Earl Ortman was an American painter, printmaker, constructionist and sculptor. His work has been referred to as Neo-Dada, pop art, minimalism and hard-edge painting. His constructions, built with a variety of materials and objects, deal with the exploration off visual language derived from geometry—geometry as symbol and sign.
LOVE is an artwork by American pop artist Robert Indiana (1928–2018), located at the Indianapolis Museum of Art at Newfields in Indianapolis, Indiana, United States. It was created in 1970 as the first sculptural form of the artist's 1965 LOVE painting and has been on continuous exhibition at the Indianapolis Museum of Art since it was acquired in 1975.
Minimalism describes movements in various forms of art and design, especially visual art and music, where the work is set out to expose the essence, essentials or identity of a subject through eliminating all non-essential forms, features or concepts. As a specific movement in the arts it is identified with developments in post–World War II Western Art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with this movement include Ad Reinhardt, Nassos Daphnis, Tony Smith, Donald Judd, John McCracken, Agnes Martin, Dan Flavin, Robert Morris, Larry Bell, Anne Truitt, Yves Klein and Frank Stella. Artists themselves have sometimes reacted against the label due to the negative implication of the work being simplistic. Minimalism is often interpreted as a reaction to abstract expressionism and a bridge to postminimal art practices.
Modern sculpture is generally considered to have begun with the work of Auguste Rodin, who is seen as the progenitor of modern sculpture. While Rodin did not set out to rebel against the past, he created a new way of building his works. He "dissolved the hard outline of contemporary Neo-Greek academicism, and thereby created a vital synthesis of opacity and transparency, volume and void". Along with a few other artists in the late 19th century who experimented with new artistic visions in sculpture like Edgar Degas and Paul Gauguin, Rodin invented a radical new approach in the creation of sculpture. Modern sculpture, along with all modern art, "arose as part of Western society's attempt to come to terms with the urban, industrial and secular society that emerged during the nineteenth century".
