Donatien of Reims (also known as Donatien or Donat) was a 4th-century French saint [1] and the 8th Bishop of Reims. [2]
He died in AD 389, and in AD 863 the count of Flanders Baldwin I transferred his relics to the Church Saint-Agricol de Reims at Bruges, where his cult is still active. He is revered as a saint and his feast day is locally celebrated on 14 October. [1]
A legend has it that he was thrown as a child into a river, where a holy man took five candles and placed them on a water wheel which showed where the child had gone, and he was able to recover the child. [3] Saint Donatien is represented holding a wheel bearing candles.
Gerard David was an Early Netherlandish painter and manuscript illuminator known for his brilliant use of color. Only a bare outline of his life survives, although some facts are known. He may have been the Meester gheraet van brugghe who became a master of the Antwerp guild in 1515. He was very successful in his lifetime and probably ran two workshops, in Antwerp and Bruges. Like many painters of his period, his reputation diminished in the 17th century until he was rediscovered in the 19th century.
Hans Memling was a painter active in Flanders, who worked in the tradition of Early Netherlandish painting. He was born in the Middle Rhine region, and probably spent his childhood in Mainz. He moved to the Netherlands and spent time in the Brussels workshop of Rogier van der Weyden. He was subsequently made a citizen of Bruges in 1465, where he became one of the leading artists, running a large workshop, which painted religious works that often incorporated donor portraits of his wealthy patrons. Memling's patrons included burghers, clergymen, and aristocrats.
Blaise of Sebaste was a physician and bishop of Sebastea in historical Armenia who is venerated as a Christian saint and martyr.
Adriaen Isenbrandt or Adriaen Ysenbrandt was a painter in Bruges, in the final years of Early Netherlandish painting, and the first of the Dutch and Flemish Renaissance painting of the Northern Renaissance. Documentary evidence suggests he was a significant and successful artist of his period, even though no specific works by his hand are clearly documented. Art historians have conjectured that he operated a large workshop specializing in religious subjects and devotional paintings, which were executed in a conservative style in the tradition of the Early Netherlandish painting of the previous century. By his time, the new booming economy of Antwerp had made this the centre of painting in the Low Countries, but the previous centre of Bruges retained considerable prestige.
Hincmar, archbishop of Reims, was a Frankish jurist and theologian, as well as the friend, advisor and propagandist of Charles the Bald. He belonged to a noble family of northern Francia.
The Roman Catholic Archdiocese of Reims is an archdiocese of the Latin Rite of the Roman Catholic Church in France. Erected as a diocese around 250 by St. Sixtus, the diocese was elevated to an archdiocese around 750. The archbishop received the title "primate of Gallia Belgica" in 1089.
Petrus Christus was an Early Netherlandish painter active in Bruges from 1444, where, along with Hans Memling, he became the leading painter after the death of Jan van Eyck. He was influenced by van Eyck and Rogier van der Weyden and is noted for his innovations with linear perspective and a meticulous technique which seems derived from miniatures and manuscript illumination. Today, some 30 works are confidently attributed to him. The best known include the Portrait of a Carthusian (1446) and Portrait of a Young Girl ; both are highly innovative in the presentation of the figure against detailed, rather than flat, backgrounds.
Donatien-Marie-Joseph de Vimeur, vicomte de Rochambeau was a French military commander, the son of Jean-Baptiste Donatien de Vimeur, comte de Rochambeau.
Jacobus Pamelius was a Flemish theologian who was named bishop of Saint-Omer.
Pieter Jansz. Pourbus was a Flemish Renaissance painter, draftsman, engineer and cartographer who was active in Bruges during the 16th century. He is known primarily for his religious and portrait paintings.
Thomas Fabri was a composer from the Southern Netherlands (Flanders), who worked during the early 15th century.
Lancelot Blondeel, also Lanceloot, was a Flemish painter, designer of sculptures, tapestries and jewelry, architect, city planner, surveyor and cartographer who was active in Bruges.
The Virgin and Child with Canon van der Paele is a large oil-on-oak panel painting completed around 1434–1436 by the Early Netherlandish painter Jan van Eyck. It shows the painting's donor, Joris van der Paele, within an apparition of saints. The Virgin Mary is enthroned at the centre of the semicircular space, which most likely represents a church interior, with the Christ Child on her lap. St. Donatian stands to her right, Saint George—the donor's name saint—to her left. The panel was commissioned by van der Paele as an altarpiece. He was then a wealthy clergyman from Bruges, but elderly and gravely ill, and intended the work as his memorial.
The Exposition des primitifs flamands à Bruges was an art exhibition of paintings by the so-called Flemish Primitives held in the Provinciaal Hof in Bruges between 15 June and 5 October 1902.
William Henry James Weale was a British art historian who lived and worked most of his life in Bruges and was one of the first to research the Early Netherlandish painting extensively. He was also a pioneer in the study of early bookbinding, and a staunch promoter of Gothic Revival architecture.
The Master of the Legend of Saint Catherine is the Notname for an unknown late 15th century Early Netherlandish painter. He was named after a painting with Scenes from the Legend of Saint Catherine, now kept in the Royal Museums of Fine Arts of Belgium. He was active between c. 1470 and c. 1500, probably around Brussels.
Betause was a 4th-century Bishop of Reims.
The Mystic Marriage of St. Catherine is a c. 1480 oil-on-oak painting by the Early Netherlandish painter Hans Memling, now in the Metropolitan Museum of Art, New York. The panel shows an enthroned Virgin holding the Child. St Catherine of Alexandria and St Barbara are seated alongside. Angels playing instruments flank the throne, while the male figure to left is presumably the person who commissioned it as a devotional donor portrait.
Arthur Carolus De Schrevel (1850–1934) was a Belgian priest and historian, specialising in the 16th and 17th centuries, and in particular Catholic Church history during the Dutch Revolt. He was also a prolific contributor to the Biographie Nationale de Belgique.
Louis IV, called d'Outremer or Transmarinus, reigned as king of West Francia from 936 to 954. A member of the Carolingian dynasty, he was the only son of king Charles the Simple and his second wife Eadgifu of Wessex, daughter of King Edward the Elder of Wessex. His reign is mostly known thanks to the Annals of Flodoard and the later Historiae of Richerus.
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