This article needs additional citations for verification .(October 2017) |
Donna N. Schuster (born in Milwaukee, Wisconsin 1883) was an American easel painter, who created work in the style of modern impressionism using the medium of oil and watercolor. She focused her work in Wisconsin then later moved to Los Angeles, California where she died in 1953.
Schuster got her education at the Art Institute of Chicago, then later attended Boston Museum School along with Edmund C. Tarbell and Frank W. Benson.
In 1914 she was a student at the William Merritt Chase Summer School of Art in Carmel-by-the-Sea, California. Despite the brutal murder of her fellow student Helena Wood Smith, she returned to Carmel in 1916 and sent her paintings to the Woman’s Exhibition at the Oakland Art Gallery.
In 1923, Schuster built a studio-home in the hills of Griffith Park and joined the faculty of Otis Art Institute. She also had a second home and studio in Laguna Beach where she spent her summers.
She returned as an exhibitor to the Oakland Art Gallery in 1924 when Director William Clapp organized a show of regional “Impressionists,” which was so successful that it was sent to the Los Angeles Museum. [1] Schuster expanded her horizons when she was able to join a painting tour through Belgium. She co-founded the California Art Club and Women Painters of the West [2]
She was a member of the Group of Eight, who considered themselves modernist in their use of rich color, expressive techniques, and an emphasis on the figure. She also was a great admirer of Claude Monet and, in fact, built a lily pond in her backyard that she used for a series of lily pond studies, not unlike those of Monet. Toward the end of the 1920s Schuster studied with modernist artist Stanton Macdonald-Wright (1890-1973), leading her to experiment with Cubism and later, Abstract Expressionism. [3]
Her art was exhibited at the Los Angeles County Museum of Art in 1914, 1917, 1920, 1927 and 1929. Later, in the 1930s, she had shows at the San Francisco Art Association, the New York Academy of Fine Art and the New York Watercolor Society. She was a founding member of the California Watercolor Society and was involved with their exhibitions from 1921 until the mid 1940s.
In 1953, Schuster died, trapped inside her home as it was destroyed in a brush-fire. [4]
Edgar Alwin Payne was an American painter. He was known as a Western landscape painter and muralist.
Rowena Fischer Meeks Abdy was an American modernist painter. She primarily painted landscapes and worked in Northern California.
Guy Orlando Rose was an American Impressionist painter and California resident, who received national recognition in the late 19th and early 20th centuries.
Theodore Nikolai Lukits was a Romanian American portrait and landscape painter. His initial fame came from his portraits of glamorous actresses of the silent film era, but since his death, his Asian-inspired works, figures drawn from Hispanic California and pastel landscapes have received greater attention.
Timothy J. Clark is an American artist best known for his large watercolor paintings of urban landscapes, still lifes, and interiors, and for his oil and watercolor portraits. His paintings and drawings are in the permanent collections of more than twenty art museums.
The terms California Impressionism and California Plein-Air Painting describe the large movement of 20th century artists who worked out of doors, directly from nature in California, United States. Their work became popular in the San Francisco Bay Area and Southern California in the first three decades after the turn of the 20th century. Considered to be a regional variation on American Impressionism, the California Impressionists are a subset of the California Plein-Air School.
Alexandra Bradshaw, also known as Alexandra Bradshaw Hoag, was a Canadian-American watercolor artist and art professor. She studied art in the United States and Paris and became an instructor and head of the Fine Arts department at Fresno State College in California. Her works were exhibited in group and solo exhibitions throughout California and the United States from the 1930s through the 1960s. She married late in life to Clarence Hoag, the founder of Hoag Press in Boston. Their residence in Wakefield, Massachusetts, was Castle Clare and Bradshaw kept her house in South Laguna, California.
Harold Frank (1921–1995) was an American abstract expressionist artist, born in Southampton, England.
Anne Bremer was a California painter, influenced by Post-Impressionism, who was called "the most 'advanced' artist in San Francisco" in 1912 after art studies in New York and Paris. She was described in 1916 as "one of the strong figures among the young moderns" and later as "a crusader for the modern movement." She had numerous solo exhibitions, including one in New York.
Mary Evelyn McCormick was an American Impressionist who lived and worked around San Francisco and Monterey, California at the turn of the 20th century.
Jessie Hazel Arms Botke was an Illinois and California painter noted for her bird images and use of gold leaf highlights.
Frances Gearhart was an American printmaker and watercolorist known for her boldly drawn and colored woodcut and linocut prints of American landscapes. Focused especially on California's coasts and mountains, this body of work has been called "a vibrant celebration of the western landscape." She is one of the most important American color block print artists of the early 20th century.
Mary DeNeale Morgan also known as M. DeNeale Morgan, was an American plein air painter, especially in watercolor, and printmaker. She was the director the Carmel Summer School of Art sponsored by the Carmel Arts and Crafts Club and a founding member of the Carmel Art Association (CAA) in Carmel-by-the-Sea, California.
Theodore Criley was an American hotel manager and landscape artist. He joined the art colony in Carmel-by-the-Sea, where he was a watercolorist, portrait painter, and wood engraver. His artwork was well received by fellow artists Jennie V. Cannon and Percy Gray, as well as art critics for the San Francisco Chronicle and the Oakland Tribune. His work can be seen at the Mills College Art Museum in Oakland, California.
Clarence Keiser Hinkle was born in Auburn, California on June 19, 1880 and died July 21, 1960. Hinkle was an American painter and art educator. His art studio was in Laguna Beach, California and later in Santa Barbara, California.
Nell Walker Warner was an American artist. Born in Nebraska, she was an oil painter in La Cañada Flintridge, California until she moved to Carmel-by-the-Sea in 1950. Her work is in the permanent collection of the Museum of Nebraska Art.
Susan Landauer (1958–2020) was an American art historian, author, and curator of modern and contemporary art based in California. She worked for three decades, both independently and as chief curator of the San Jose Museum of Art (SJMA) and co-founder of the San Francisco Center for the Book. Landauer was known for championing movements and idioms of California art, overlooked artists of the past, women artists, and artists of color. She organized exhibitions that gained national attention; among the best known are: "The San Francisco School of Abstract Expressionism", "Visual Politics: The Art of Engagement", and retrospectives of Elmer Bischoff, Roy De Forest, and Franklin Williams. Her work was recognized with awards and grants from the International Association of Art Critics, National Endowment for the Arts and Henry Luce Foundation, among others. Critics, including Roberta Smith and Christopher Knight, praised her scholarship on San Francisco Abstract Expressionism, De Forest, Richard Diebenkorn, and Bernice Bing, among others, as pioneering. In 2021, Art in America editor and curator Michael Duncan said that "no other scholar has contributed as much to the study of California art." Landauer died of lung cancer at age 62 in Oakland on December 19, 2020.
John O'Shea was a California impressionist painter known for his landscape, marine, figure, and portrait paintings. He was one of the major artists in Carmel-by-the-Sea, California between 1917-1945, and resident of Carmel for 36 years. His works are held in the permanent collections of several locations, including the Harrison Memorial Library, Monterey Museum of Art, Municipal Gallery of Modern Art, and the Bohemian Club.
Laura W. Maxwell, also known as Laura Maxwell, was an American artist. She played a role in the artistic community of Carmel-by-the-Sea, California, where she settled. Maxwell contributed to the establishment of the Carmel Art Association. Maxwell's artistic ability extended beyond the borders of Carmel and the Monterey Peninsula, as her floral paintings, marines, and landscapes in both oil and watercolor gained recognition in various art centers worldwide. Her works reached audiences as far as Paris, France, and made their way to exhibitions in Peking, China.
Astrid Preston is a Swedish-American artist, painter and writer born in Stockholm, Sweden. She lives in Santa Monica, California where she received a B.A. in English Literature from University of California, Los Angeles in 1967. Her work has been exhibited in Laguna Art Museum, Saginaw Art Museum, Wichita Falls Museum, Ella Sharp Museum and Arts College International. Her works has appeared in Los Angeles Times, Forbes, Art in America and Artforum. Most of her artistry works are in Bakersfield Museum of Art, Los Angeles County Museum of Art, Orange County Museum of Art, Long Beach Museum of Art, Hammer Museum, McNay Art Museum, Oakland Museum of California and Nevada Museum of Art.