Dora Apel (born January 22, 1952) [1] is an American art historian, cultural critic, author, and W. Hawkins Ferry Endowed Chair Professor Emerita of Modern and Contemporary Art [2] at Wayne State University in Detroit, where she taught from 1994 to 2019. Her work focuses on issues of trauma, memory, race, gender, national identity, war, and the ruins of capitalism. Her book, Calling Memory into Place, includes essays that delineate her family's history during and after the Holocaust. [3] Two of her books address the history of lynching black people in the United States. [4] [5]
Apel was born on January 22, 1952, in Philadelphia, Pennsylvania. Her parents are Samuel and Ethel (Ajzenkrantz) Apel. [1] In 1974, Apel received double degrees from the State University of New York Binghamton: B.A. Anthropology and B.A. Studio Art. She followed with a M.A. in History of Art, from Wayne State University, in 1989. [1] She received her Ph.D. in Art History and Ph.D. Certificate in Cultural Studies from the University of Pittsburgh in 1995. [2]
Her books have been reviewed at length in various publications. [3] [5] [6] [7] A review published in PopMatters points out that her first book, Memory Effects: The Holocaust and the Art of Secondary Witnessing (2002), explored the work of artists who chose the Holocaust as their topic although they did not personally experience it, whereas Calling Memory into Place (2020) used her own family's Holocaust-related experiences during and after World War II, which "...strips away the academic analysis to get down to the way history hurts not in the abstract, but as embodied in the flesh." [3] A review of Beautiful Terrible Ruins describes Apel's take on "ruin lust," and the contrast between viewing decaying stone structures of past cultures as examples of our superiority, versus seeing the acute decline of a modern city, Detroit, as an anxiety-inducing fear of our own possible future. [6]
Shock rock is the combination of rock music or heavy metal music with highly theatrical live performances emphasizing shock value. Performances may include violent or provocative behavior from the artists, the use of attention-grabbing imagery such as costumes, masks, or face paint, or special effects such as pyrotechnics or fake blood. Shock rock also often includes elements of horror.
Richard Patrick McCormick was a historian, former university professor of history, administrator, professor emeritus at Rutgers University in New Brunswick, New Jersey, and president of the New Jersey Historical Society. McCormick was internationally recognized for his expertise in New Jersey and early American political history.
Susan Jean Palmer is a Canadian sociologist of religion and author whose primary research interest is new religious movements. Formerly a professor of religious studies at Dawson College in Westmount, Quebec, she is currently an Affiliate Professor at Concordia University, and is also the Principal Investigator on the four-year SSHRC-funded research project, "Children in Sectarian Religions" at McGill University in Montreal, where she teaches courses on new religious movements.
Susan Silas is a visual artist working primarily in video, sculpture and photography. Her work, through self-portraiture, examines the meaning of embodiment, the index in representation, and the evolution of our understanding of the self. She is interested in the aging body, gender roles, the fragility of sentient being and the potential outcome of the creation of idealized selves through bio-technology and artificial intelligence.
Holocaust studies, or sometimes Holocaust research, is a scholarly discipline that encompasses the historical research and study of the Holocaust. Institutions dedicated to Holocaust research investigate the multidisciplinary and interdisciplinary aspects of Holocaust methodology, demography, sociology, and psychology. It also covers the study of Nazi Germany, World War II, Jewish history, religion, Christian-Jewish relations, Holocaust theology, ethics, social responsibility, and genocide on a global scale. Exploring trauma, memories, and testimonies of the experiences of Holocaust survivors, human rights, international relations, Jewish life, Judaism, and Jewish identity in the post-Holocaust world are also covered in this type of research.
Laura and L. D. Nelson were an African-American mother and son who were lynched on May 25, 1911, near Okemah, Okfuskee County, Oklahoma. They had been seized from their cells in the Okemah county jail the night before by a group of up to 40 white men, reportedly including Charley Guthrie, father of the folk singer Woody Guthrie. The Associated Press reported that Laura was raped. She and L. D. were then hanged from a bridge over the North Canadian River. According to one source, Laura had a baby with her who survived the attack.
Arkady Samoylovich Shaikhet was a prominent Soviet photojournalist and photographer. In the history of Soviet photography, Shaikhet is known for a type of journalistic photography called "artistic reportage," and for photographs of industrialization in the 1920s and 1930s.
Margaret Randall is an American writer, photographer, activist and academic. Born in New York City, she lived for many years in Spain, Mexico, Cuba, and Nicaragua, and spent time in North Vietnam during the last months of the U.S. war in that country. She has written extensively on her experiences abroad and back in the United States and has taught at Trinity College in Hartford, Connecticut, and other colleges.
Pat Ward Williams is an African-American photographer whose work often engages with the complexities of race, gender, and history. In addition to her smaller-scale photographs and installations, she has designed three public artworks in Los Angeles.
Edith Altman is a German Jewish-American artist. She emigrated from Germany to the United States at a young age. Her work investigates the lowest and the highest levels of any hierarchy. She explores systems of power, and the powerless. Altman is "a student of Jewish mysticism", which has influenced her work.
Joshua D. Zimmerman holds the Eli and Diana Zborowski Professorial Chair in Holocaust Studies and East European Jewish History at Yeshiva University. He is the author or editor of several works about the Holocaust, including Contested Memories. Poles and Jews during the Holocaust and Its Aftermath (2003) and The Polish Underground and the Jews, 1939–1945 (2015).
Andrew Lambdin Moore is an American photographer and filmmaker known for large format color photographs of Detroit, Cuba, Russia, the American High Plains, and New York's Times Square theaters. Moore's photographs employ the formal vocabularies of architectural and landscape photography and the narrative approaches of documentary photography and journalism to detail remnants of societies in transition. His photographic essays have been published in monographs, anthologies, and magazines including The New York Times Magazine, Time, The New Yorker, National Geographic, Harper's Magazine, The New York Review of Books, Fortune, Wired, and Art in America. Moore's video work has been featured on PBS and MTV; his feature-length documentary about the artist Ray Johnson, How to Draw a Bunny, won the Special Jury Prize at the 2002 Sundance Film Festival. Moore teaches in the MFA Photography, Video and Related Media program at the School of Visual Arts in New York.
Bill Rauhauser was an American photographer and educator who documented the city of Detroit from the 1940s.
A lynching postcard is a postcard bearing the photograph of a lynching—a vigilante murder usually motivated by racial hatred—intended to be distributed, collected, or kept as a souvenir. Often a lynching postcard would be inscribed with racist text or poems. Lynching postcards were in widespread production for more than fifty years in the United States; although their distribution through the United States Postal Service was banned in 1908.
The Law Is Too Slow is a 1923 lithograph by American artist George Bellows (1882-1925), depicting the victim of a racist lynching. Originally commissioned to illustrate an anti-lynching story by Mary Johnston, the image came to be used by publications and organizations including the NAACP to advocate against lynching, and for federal anti-lynching legislation.
This Is Her First Lynching is a 1934 anti-lynching cartoon by American artist Reginald Marsh. It shows a white crowd attending a lynching; a woman in the crowd has a young child on her shoulders, and says to her neighbor, "This is her first lynching". The cartoon was shown in one of two 1935 New York anti-lynching exhibitions that aimed to support anti-lynching legislation. Scholars regard it as showing a young white girl's initiation in a communal process of racist violence.
Death is a statue by Isamu Noguchi, depicting a dead body of a person who had been lynched, inspired by the 1930 lynching of George Hughes in Texas. The almost life-sized statue was exhibited at one of two 1935 New York anti-lynching exhibitions, where its bad and overtly racist reception caused its creator to change career direction.
The 1935 New York anti-lynching exhibitions were two separate but consecutive art exhibitions held in early 1935 by two different organizations, both in response to a 1934 bill in the United States Congress that dealt with lynching. The organizations involved were the NAACP and the Artists Union, the latter in conjunction with groups including the John Reed Club, the League of Struggle for Negro Rights, and the International Labor Defense.
Aaron Goodelman was an American sculptor. He graduated from art school in Odessa, fleeing Eastern Europe for the United States in 1904 because of antisemitic violence.. He attended a number of major art schools in New York and Paris, and at the outbreak of World War I returned to New York and became a sculptor there. He joined the Communist Party, and took part in an important exhibition denouncing the lynching of African Americans. Following World War II, he began to make art related to the Holocaust, and taught art at CUNY.
Judith Kapstein Brodsky is an American artist, curator, and author known for her contributions to feminist discourse in the arts. She received her B.A. from Harvard University where she majored in Art History, and an M.F.A. from Tyler School of Art at Temple University. She is Professor Emerita in the Department of Visual Arts at Rutgers, State University of New Jersey. A printmaker herself, Brodsky is founding Director of the Rutgers Center for Innovative Print and Paper in 1996, later renamed the Brodsky Center in her honor in September 2006, and which later joined the Philadelphia Academy of Fine Arts (PAFA) in 2018. She was also co-founder, with Ferris Olin, of the Center for Women in the Arts and Humanities at Rutgers University in 2006. She was the first artist appointed as president of the Women's Caucus for Art, an active Affiliated Society of the College Art Association.