Dora Carr was an American musician, best known for her work in the early and mid-1920s with pianist and arranger Cow Cow Davenport. Carr is best remembered for the song "Cow Cow Blues" and playing boogie-woogie. Dora Carr was also a vocalist who went on tour in the 1920s performing at venues.
According to Harlem Renaissance Lives (edited by Henry Louis Gates and Evelyn Brooks Higginbotham), Davenport and Carr met in 1922 [1] and toured the Theater Owners Booking Association as "Davenport and Company". [2] [3] Eight songs were released by Vocalion Records in the vaudevillian duet style. The band broke up when Carr left Davenport for another man, whom she later married.
Mamie Smith was an American singer. As a vaudeville singer, she performed in multiple styles, including jazz and blues. In 1920, she entered blues history as the first African-American artist to make vocal blues recordings. Willie "The Lion" Smith described the background of these recordings in his autobiography Music on My Mind (1964).
Lucille Nelson Hegamin was an American singer and entertainer and an early African-American blues recording artist.
Charles Edward "Cow Cow" Davenport was an American boogie-woogie and piano blues player as well as a vaudeville entertainer. He also played the organ and sang.
The All-African People's Revolutionary Party (A-APRP) is a socialist political party founded by Kwame Nkrumah and organized in Conakry, Guinea in 1968. The party expanded to the United States in 1972 and claims to have recruited members from 33 countries. According to the party, global membership in the party is "in the hundreds".
Porter Grainger was an American pianist, songwriter, playwright, and music publisher.
Mattie Hite was an American blues singer in the classic female blues style.
Clarissa Scott Delany, neeClarissa Mae Scott (1901–1927) was an African-American poet, essayist, educator and social worker associated with the Harlem Renaissance.
Pete George Hampton was an American vocalist, harmonicist, banjo player, and vaudevillian from Bowling Green, Kentucky. He was part of various Vaudeville groups of which the most important were In Dahomey and his own Darktown Entertainers. He made more than 150 recordings during his career in the United Kingdom and Germany between 1903 and 1911. In 1904, he made the first harmonica recording by an African American, regarded as a pioneering example in the development of the blues harmonica style.
Lawrence Benjamin Brown was an American singer, composer and pianist born in Jacksonville, Florida. He is best known for his arrangements of Negro spirituals, many of which he performed as accompanist for Paul Robeson, performing on piano and singing harmony.
"Echoes of Harlem", also known as "Cootie's Concerto", is a 1936 composition by Duke Ellington. A piece with a jazz blues sound in F minor with an ostinato piano pattern, it has been cited as one of Ellington's "mood" pieces. It opens with trumpet, playing blues sounds in F minor over the ostinato pattern, followed by a segment of 14 bars with some harmony. The third part, played in velvet sound, by the saxophone section, is in Ab majeur, but starts with Db, the subdominant of Ab. The piece contains thus 3 segments. The original recording features Cootie Williams on trumpet, playing in what Lawrence McClellan describes as "muted" and "in a somber minor key". It has been performed by Roy Eldridge, with Oscar Peterson and Herb Ellis.
Thomas Fletcher was an African-American vaudeville entertainer, actor, and writer.
Minto Cato was a mezzo-soprano opera singer and show performer during the Harlem Renaissance from the 1920s to the late 1940s.
Minnie Buckingham Harper was an American politician and housewife.
Georgia Rose was a 1930 film. It was directed by Harry Gant and stars Clarence Brooks. It followed the 1928 film Absent with Brooks as its star.
Dunbar Theatre was a 1600-seat theatre and jazz club on the corner of Lombard Street and Broad Street in Philadelphia, Pennsylvania. It opened in 1919 and was later called the Gibson Theatre and Lincoln Theatre.
John Trusty Gibson was an African-American businessman, theatrical producer and manager and real estate investor, who was one of the pioneers of black entertainment in Philadelphia, Pennsylvania. He was the wealthiest African-American in Philadelphia in the 1920s due to his ownership of the Standard and Dunbar theatres and management of various African-American vaudeville and black musical acts. He was appointed the vice president of the Managers and Performers vaudeville circuit in 1922.
Gertrude Elizabeth Curtis, also known as Gertrude Curtis McPherson, was an American dentist. She had a longtime practice in Harlem.
William McKnight Farrow (1885–1967) was an American artist and curator active in the early twentieth century. Recognized as a printmaker in his own right, he is best known for his promotion and inspiration of fellow African-American artists who became prominent in the mid-twentieth century.
Reform School is a 1939 Million Dollar Productions American film produced by Harry M. Popkin, directed by Leo C. Popkin, written by Joseph O'Donnell and Hazel Jamieson and starring Louise Beavers.