Dorothy Ker (born 1965) is a New Zealand-born composer of instrumental and vocal music who has lived in the UK since 1992. She is known for her inter-disciplinary collaborations and experimentation with live electronic music performances. [1]
Ker was born in Carterton, in the North Island of New Zealand in 1965. [2]
Ker completed B.Mus and M.Mus degrees at the University of Auckland, where she studied composition and electronic music with John Rimmer. [3] She emigrated to the UK in 1992, [4] and completed a Ph.D in composition at the University of York in 1998. [5]
Following her graduation, Ker took up a position at the University of Reading. She later moved to the position of Research Fellow at the University of Sheffield, [6] before becoming a lecturer in Composition there, [7] and most recently, a Senior Lecturer in Music. [8]
In 2008, a collaboration with the mathematician Marcus du Sautoy resulted in the creation and performance of a piece of experimental music, The 19th Step. [9] The research with du Sautoy was later the basis for a mixed-media theatre piece produced in collaboration with the sculptor Kate Allen in 2010. [10]
In July 2013, Ker began a year-long position in Wellington, New Zealand, as a Research Teaching Associate at the New Zealand School of Music. [11]
In 2015, Ker received the 2015 Composers Association of New Zealand Trust Fund Award for her contribution to music composition. [12]
Ker's music has been heard at international festivals in Auckland, Belfast, Darmstadt, Huddersfield, Perth, Taipei, Seoul, at the International Society for Contemporary Music, in London and on BBC Radio 3 and Radio New Zealand. [13] [14]
John Stanley Body was a New Zealand composer, ethnomusicologist, photographer, teacher, and arts producer. As a composer, his work comprised concert music, music theatre, electronic music, music for film and dance, and audio-visual gallery installations. A deep and long-standing interest in the music of non-Western cultures – particularly South-East Asian – influenced much of his composing work, particularly his technique of transcribing field recordings. As an organiser of musical events and projects, Body had a significant impact on the promotion of Asian music in New Zealand, as well as the promotion of New Zealand music within the country and abroad.
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