Arthur Bowen Davies was an avant-garde American artist and influential advocate of modern art in the United States c. 1910–1928.
Allan D'Arcangelo was an American artist and printmaker, best known for his paintings of highways and road signs that border on pop art and minimalism, precisionism and hard-edge painting, and also surrealism. His subject matter is distinctly American and evokes, at times, a cautious outlook on the future of this country.
June Claire Wayne was an American painter, printmaker, tapestry innovator, educator, and activist. She founded Tamarind Lithography Workshop (1960–1970), a then California-based nonprofit print shop dedicated to lithography.
Pat Steir is an American painter and printmaker. Her early work was loosely associated with conceptual art and minimalism, however, she is best known for her abstract dripped, splashed and poured "Waterfall" paintings, which she started in the 1980s, and for her later site-specific wall drawings.
Rosemary Feit Covey is an American printmaker, whose work focuses on wood engraving.
Virginia Berresford was a painter, printmaker, and art gallery owner. Her works are exhibited in major galleries.
Squeak Carnwath is a contemporary American painter and arts educator. She is a Professor Emerita of Art at University of California, Berkeley.
Roland Conrad Petersen is a Danish-born American painter, printmaker, and professor. His career spans over 50 years, primarily in the San Francisco Bay Area and is perhaps best-known for his "Picnic series" beginning in 1959 to today. He is part of the Bay Area Figurative Movement.
Bertha Boynton Lum was an American artist known for helping popularize the Japanese and Chinese woodblock print outside of Asia.
Riva Helfond was an American artist and printmaker best known for her social realist studies of working people's lives.
Marion Lerner-Levine is British-born American a painter, printmaker, and teacher who creates "emotionally expressive" still life paintings in oil and watercolor, which "transform the traditional form of the still life into whimsical portraits of everyday life."
Edda Renouf is an American painter and printmaker. Renouf creates minimalist abstract paintings and drawings developed from her close attention to subtle properties of materials, such as the woven threads in linen canvas and the flax and cotton fibers of paper. Renouf often alters these supports by removing threads from the weave of a canvas, or in her drawings, creating lines by incising the paper.
Frances Gearhart was an American printmaker and watercolorist known for her boldly drawn and colored woodcut and linocut prints of American landscapes. Focused especially on California's coasts and mountains, this body of work has been called "a vibrant celebration of the western landscape." She is one of the most important American color block print artists of the early 20th century.
Ynez Johnston was an American painter, sculptor, printmaker and educator. Known for her work in painting, printmaking, and mixed media, Johnston was particularly inspired by Byzantine art, as well as Tibetan, Indian, Mexican, and Nepalese art from her extensive travels. Johnston was based in Los Angeles.
Suzanne Jackson is an American visual artist, gallery owner, poet, dancer, educator, and set designer; with a career spanning five decades. Her work has been exhibited in museums and galleries around the world. Since the late 1960s, Jackson has dedicated her life to studio art with additional participation in theatre, teaching, arts administration, community life, and social activism. Jackson's oeuvre includes poetry, dance, theater, costume design, paintings, prints, and drawings.
Donna N. Schuster was an American easel painter, who created work in the style of modern impressionism using the medium of oil and watercolor. She focused her work in Wisconsin then later moved to Los Angeles, California where she died in 1953.
Beatrice Sophia Steinfeld Levy was an American printmaker and painter, draftsman, and instructor.
Augusta Payne Briggs Rathbone was an American painter, etcher and printmaker. She studied at the University of California, Berkeley and in Paris. She depicted people and locations from San Francisco, the Sierra, New York City, the West Coast of Canada, the Canadian Rockies, and France. In 1938, she published a book of aquatints of French Riviera Villages with photographs by Juliet Thompson and text by Virginia Thompson. Her work appeared internationally in group and solo exhibitions, and continues to appear in retrospectives of American printmaking.
Deborah Roberts is an American contemporary artist living and working in Austin, Texas. Roberts is a mixed media collage artist whose figurative works depict the complexity of Black subjecthood and explores themes of race, identity, and gender politics taking on the subject of otherness as understood against the backdrop of existing societal norms of race and beauty. Her work has been exhibited internationally across the US and Europe. Roberts’s work is in the collections of the Whitney Museum of American Art, New York; Brooklyn Museum, New York; The Studio Museum in Harlem, New York; and Los Angeles County Museum of Art, California. Roberts was named 2023 Texas Medal of Arts Award Honoree for the Visual Arts. Roberts was selected to participate in the Robert Rauschenberg Residency (2019) and is a recipient of the Anonymous Was A Woman Grant (2018), the Pollock-Krasner Foundation Grant (2016), and the Ginsburg-Klaus Award Fellowship (2014). She received her MFA from Syracuse University, New York. She lives and works in Austin, Texas. Roberts is represented by Stephen Friedman Gallery, London, and Vielmetter Los Angeles.
Sylvia Solochek Walters is an American artist and educator. She has produced drawings, paintings and collage works in her career, but is best known for complex woodcut prints created through the "reduction and stencil" process. Her work combines elements of realist, decorative and formalist art, flat and illusionistic space, and varied patterning and textures. She has largely focused on portraits, still lifes and domestic interiors, and collage-like combinations of personal symbolism—concerns that writers often align with early feminist art.
