Author | Mary M. Talbot |
---|---|
Illustrator | Bryan Talbot |
Publisher | Jonathan Cape |
Publication date | 2 Feb 2012 |
Media type | Hardback |
ISBN | 0224096087 |
Dotter of Her Father's Eyes is a 2012 graphic novel written by Mary M. Talbot with artwork by her husband, Bryan Talbot. It is part memoir, and part biography of Lucia Joyce, daughter of modernist writer James Joyce.
Mary Talbot recounts her childhood in Preston, Lancashire, focusing upon her relationship with her father, Joycean scholar James S. Atherton. [1] Talbot became a scholar herself, working in critical discourse analysis and publishing about language and gender. [2]
The book juxtaposes Talbot's childhood with that of Lucia Joyce, the daughter of James Joyce. Inspired by Carol Shloss's 2003 biography of Lucia, it covers her ambitions in dance and her deteriorating mental condition.
Bryan Talbot reflects on the differences in collaborating with his wife and his normal collaborations with writers. Explaining the process to the Sunderland Echo , Talbot says, "[t]he usual state of affairs is you get a script through the post or by email and that is the end of the collaboration. You illustrate, you design the page and tell the story. But this time, Mary would come down to the studio to watch me work and suggest things. I would suggest changes to the script to make it clearer or to get a point across, then we would discuss it over dinner.” [3] Rather than have Bryan rework the art, Mary identified inaccuracies by inserting footnotes throughout the book. [1]
The book was largely received positively by critics. Writing for The Observer , Rachel Cooke wrote that "[b]oth narratives are elegantly done. Talbot has a keen eye for the revealing detail, an important skill if you are working in comics. She makes connections, but never labours them." [4] The Telegraph's review was similarly positive, labelling the book: "ambitious, entertaining and perceptive and blends a first-time script from Mary Talbot with stunning drawings and design from her husband, Bryan (Luther Arkwright, Grandville , Alice in Sunderland ). It’s a small triumph." [5] The book won the 2012 Costa biography award. [6]
Ulysses is a modernist novel by the Irish writer James Joyce. Partially serialized in the American journal The Little Review from March 1918 to December 1920, the entire work was published in Paris by Sylvia Beach on 2 February 1922, Joyce's fortieth birthday. It is considered one of the most important works of modernist literature and has been called "a demonstration and summation of the entire movement".
Bryan Talbot is a British comics artist and writer, best known as the creator of The Adventures of Luther Arkwright and its sequels Heart of Empire and The Legend of Luther Arkwright, as well as the Grandville series of books. He collaborated with his wife, Mary M. Talbot to produce Dotter of Her Father's Eyes, which won the 2012 Costa biography award.
Nora Barnacle was the muse and wife of Irish author James Joyce. Barnacle and Joyce had their first romantic outing in 1904 on a date celebrated worldwide as "Bloomsday" after his modernist novel Ulysses. Barnacle did not, however, enjoy the novel. Their sexually explicit letters have aroused much curiosity, especially as Joyce normally disapproved of coarse language, and they fetch high prices at auction. In 2004, an erotic letter from Joyce to Barnacle sold at Sotheby's for £240,800.
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Lucia Anna Joyce was an Irish professional dancer and the daughter of Irish writer James Joyce and Nora Barnacle. Once treated by Swiss psychiatrist Carl Jung, Joyce was diagnosed as schizophrenic in the mid-1930s and institutionalized at the Burghölzli psychiatric clinic in Zurich. In 1951, she was transferred to St Andrew's Hospital in Northampton, where she remained until her death in 1982. She was the aunt of Stephen James Joyce.
Alice in Sunderland: An Entertainment is a 2007 graphic novel by comics writer and artist Bryan Talbot. It explores the links between Lewis Carroll and the Sunderland area, with wider themes of history, myth and storytelling. It was described in a review by Michel Faber as a "gloriously ambitious mix of myth, history and autobiography", and by Rachel Cooke as "one the most exhilarating books read in years" and "a minor masterpiece".
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Mary Talbot is a British academic and author. She has written several well received academic works in critical discourse analysis and since 2009 has turned her hand to freelance writing. Her first graphic novel Dotter of Her Father's Eyes, published by Jonathan Cape in 2012 and illustrated by her husband Bryan Talbot won the 2012 Costa biography prize.
Rachel Cooke is a British journalist and writer.
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Olivia Laing is a British writer, novelist and cultural critic. They are the author of five works of non-fiction, To the River, The Trip to Echo Spring,The Lonely City, Everybody, The Garden Against Time, as well as an essay collection, Funny Weather, and a novel, Crudo. In 2018, they were awarded the Windham-Campbell Literature Prize for non-fiction and in 2019, the 100th James Tait Black Memorial Prize for Crudo. In 2019 they became an elected Fellow of the Royal Society of Literature.
Kate Charlesworth is a British cartoonist and artist who has produced comics and illustrations since the 1970s. Her work has appeared in LGBT publications such as The Pink Paper, Gay News, Strip AIDS, Dyke's Delight, and AARGH, as well as The Guardian, The Independent, and New Internationalist. Lesbian and Gay Studies: A Critical Introduction calls her a "notable by-and-for lesbian" cartoonist.
Spinning is a graphic novel memoir by cartoonist Tillie Walden that was first published by First Second Books on September 12, 2017. The memoir chronicles Walden's years coming-of-age as a competitive figure skater, as she navigates romance, bullying and various traumas. It won the 2018 Eisner Award for Best Reality-Based Work.
Comica, the London International Comics Festival, was a comics festival held in London. Organized by Paul Gravett, the festival generally took place over a number of weeks. In the beginning, the festival's main venue was London's Institute of Contemporary Arts (ICA); thus the name, "ComICA".