Related Research Articles
A drum kit – also called a drum set, trap set or simply drums – is a collection of drums, cymbals and other percussion instruments, which are set up on stands to be played by a single player, with drumsticks held in both hands and the feet operating pedals that control the hi-hat cymbal and the beater for the bass drum. Sometimes, there may be two bass drum pedals to assist the player in playing faster rhythms. A drum kit consists of a mix of drums and idiophones – most significantly cymbals, but can also include the woodblock and cowbell. In the 2020s, some kits also include electronic instruments. Also, both hybrid and entirely electronic kits are used.
A subwoofer is a loudspeaker designed to reproduce low-pitched audio frequencies known as bass and sub-bass, lower in frequency than those which can be (optimally) generated by a woofer. The typical frequency range for a subwoofer is about 20–200 Hz for consumer products, below 100 Hz for professional live sound, and below 80 Hz in THX-certified systems. Subwoofers are never used alone, as they are intended to augment the low-frequency range of loudspeakers that cover the higher frequency bands. While the term "subwoofer" technically only refers to the speaker driver, in common parlance, the term often refers to a subwoofer driver mounted in a speaker enclosure (cabinet), often with a built-in amplifier.
A microphone, colloquially called a mic or mike, is a transducer that converts sound into an electrical signal. Microphones are used in many applications such as telephones, hearing aids, public address systems for concert halls and public events, motion picture production, live and recorded audio engineering, sound recording, two-way radios, megaphones, and radio and television broadcasting. They are also used in computers for recording voice, speech recognition, VoIP, and for other purposes such as ultrasonic sensors or knock sensors.
Quadraphonic sound – equivalent to what is now called 4.0 surround sound – uses four audio channels in which speakers are positioned at the four corners of a listening space. The system allows for the reproduction of sound signals that are independent of one another.
Ambisonics is a full-sphere surround sound format: in addition to the horizontal plane, it covers sound sources above and below the listener.
Surround sound is a technique for enriching the fidelity and depth of sound reproduction by using multiple audio channels from speakers that surround the listener. Its first application was in movie theaters. Prior to surround sound, theater sound systems commonly had three screen channels of sound that played from three loudspeakers located in front of the audience. Surround sound adds one or more channels from loudspeakers to the side or behind the listener that are able to create the sensation of sound coming from any horizontal direction around the listener.
The low-frequency effects (LFE) channel is a band-limited audio track that is used for reproducing deep and intense low-frequency sounds in the 3–120 Hz frequency range.
Dolby Pro Logic is a surround sound processing technology developed by Dolby Laboratories, designed to decode soundtracks encoded with Dolby Surround.
Stereophonic sound or, more commonly, stereo, is a method of sound reproduction that recreates a multi-directional, 3-dimensional audible perspective. This is usually achieved by using two independent audio channels through a configuration of two loudspeakers in such a way as to create the impression of sound heard from various directions, as in natural hearing.
The ORTF stereo technique, also known as side-other-side, is a microphone technique used to record stereo sound.
The Decca Tree is a spaced microphone array most commonly used for orchestral recording. It was originally developed as a sort of stereo A–B recording method adding a center fill. The technique was developed in the early 1950s and first commercially used in 1954 by Arthur Haddy, Roy Wallace, and later refined by engineer Kenneth Ernest Wilkinson and his team at Decca Records, to provide a strong stereo image.
A boundary microphone is one or more small omnidirectional or cardioid condenser mic capsule(s) positioned near or flush with a boundary (surface) such as a floor, table, or wall. The capsule(s) are typically mounted in a flat plate or housing. The arrangement provides a directional half-space pickup pattern while delivering a relatively phase-coherent output signal.
The Shure SM58 is a professional cardioid dynamic microphone, commonly used in live vocal applications. Produced since 1966 by Shure Incorporated, it has built a strong reputation among musicians for its durability and sound, and is still considered the industry standard for live vocal performance microphones to this day. The SM58 is the most popular live vocal microphone in the world. It is a development of the SM57 microphone; in both cases SM stands for studio microphone.
The Shure SM57 is a low-impedance cardioid dynamic microphone made by Shure Incorporated and commonly used in live sound reinforcement and studio recording. It is one of the best-selling microphones in the world. It is used extensively in amplified music and has been used for speeches by every U.S. president since its introduction in 1965. In 2004, honoring its four decades of "solid, dependable performance", it was inducted into the first-ever TEC Awards TECnology Hall of Fame.
There are a number of well-developed microphone techniques used for recording musical, film, or voice sources or picking up sounds as part of sound reinforcement systems. The choice of technique depends on a number of factors, including:
The H2 Handy Recorder is a handheld digital audio recorder from Zoom first announced at the NAMM tradeshow in February 2007. It records very high quality digital stereo or 4-channel audio on a hand-held unit, and has been called "the studio on a stick."
The proximity effect in audio is an increase in bass or low frequency response when a sound source is close to a directional or cardioid microphone. Proximity effect is a change in the frequency response of a directional pattern microphone that results in an emphasis on lower frequencies. It is caused by the use of ports to create directional polar pickup patterns, so omni-directional microphones do not exhibit the effect
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product.
The Electro-Voice RE20 is an American professional cardioid dynamic microphone, commonly used in broadcasting applications since 1968. Designed by Electro-Voice using the company's patented Variable-D technology and a large-diaphragm element, it has been described as an industry standard "iconic" microphone for its natural sound and its wide usage in radio, television and recording studios. In 2015, the RE20 was inducted into the TEC Awards Technology Hall of Fame.
References
- ↑ "Double MS Plugin" (PDF). Archived from the original (PDF) on 2020-07-03.
- ↑ "The Double Mid-Sides Array".