Double Vision is one of the earliest and best known video works by American (born 1937) artist Peter Campus. [1] Running 14 minutes and 22 seconds, it is a single channel video created with two video cameras fed through a mixer, providing the effect of a photographic double exposure. The video is divided into seven parts, [2] each referencing a phenomenal mode of perception or form of biological sight. Each part utilizes a different configuration of the video cameras to record the interior of a small loft space. It opens with the title Double Vision superimposed over a photograph of a fundus (the back layer of the retina) taken through an ophthalmoscope. [3] Campus described the video as "an exploration of double or two-camera images, relating to the evolution of sight in animals. The tape begins with an uncoordinated two-camera image and works its way up to an eye-brain model, always conscious of how this model differed from its subject matter." [4] Campus's contemporary Bill Viola wrote in Art in America: "Unlike many of his contemporaries who used the surveillance camera as a detached, fixed observer documenting the performer’s actions, Campus assigned an active, independent ontological status to the camera eye." [5] The room the video takes place in has also been said to take on the role of subject. Campus said in 2003, "When I was young I made myself a prisoner of my room. It became part of me, an extension of my being. I thought of the walls as my shell. The room as a container had some relationship to the imaginary space inside a monitor." [5]
The two cameras pan wildly around the room in dizzying combinations, resulting in confusing juxtapositions of images. Objects such as a chair, window, and plant come in and out of view.
Copilia are copepods with a unique visual system that has been compared to a television camera. R.L. Gregory describes the creature's eye as "a single channel scanning eye, like a simple mechanical television camera, feeding information of spatial structure down a single neural channel in time." [6] Each of Copilia's two eyes consists of a pair of lenses, with a large anterior lens and smaller posterior lens. The posterior lens engages in "continual and lively motion, apparently moving across the image plane of the anterior lens," [6] "transmitting spatial information by conversion into a time-series by scanning, as in television." [6] Copilia does not have a retina, rather the posterior lens is connected to "a single functional receptor unit, transmitting its information to the central brain down a single pathway." [6] Campus's video cameras playfully mirror this biological system: a camera pans wildly for each posterior lens, as the information it captures is transmitted along a single cable into the mixer.
The two cameras are positioned next to each other and move as a unit, panning slowly through the room. They rotate at times, and capture the floor and ceiling in addition to objects in the room. There is a slight horizontal discrepancy between the images captured by each camera, and as the camera-unit rotates, the individual images rotate around a central point.
In vision, binocular disparity is the difference between two retinal images. This disparity serves as the basis for stereopsis, one of the most important depth cues in human sight. [3] In Campus' video, however, the two disparate images are mixed on a single monitor, rendering stereoscopic perception of the image impossible.
The cameras are positioned next to each other at waist height. They point down the length of the room and the combined image shows two widely disparate views. Campus walks down the length of the room, and the viewer sees two images of his body doing so. He walks back to the cameras and adjusts them, rotating one slightly inward and then the other. As he walks down the room again, the two images of him are much closer together. At a point close up to the cameras, the images converge to make a single image of his body. He again approaches the cameras and turns them further inward. As he walks the length of the room this time, the images of his body are much closer together. The point where they appear as one is far away, at the other side of the room, indicating that he did not only rotate the cameras inwards, but also may have inadvertently moved them closer together.
In vision, convergence is a term signifying the ability of the eyes to turn inward, typically used to focus on objects that are close up. Convergence reduces the disparity of these objects to zero. [3] This is why on the second iteration of Campus's walk we see a single image of his body when he is close to the camera and a double image when he is further away. On the third iteration, had he perfectly rotated the cameras further inward, the point of convergence would be located even closer to the camera. The imperfection in his process has been said to underscore the difference between the mode of sight performed by the cameras and human perception. [4]
The two images are combined in a new way. In the center of the screen Campus's body is silhouetted by a spotlight. He is holding a video camera and slowly rotates his upper body, panning the camera around the room. The overlaid image takes up the entire screen and noticeably corresponds to the camera Campus is holding in the center image, although it is zoomed in quite far. Campus initially points the camera outside the window (this is the only moment where the outside is visible in detail: a neighbor's brick window) then continues to pan around the room. Because the camera is zoomed in, the image moves jerkily.
In vision, the fovea is the center of the retina. It has the highest concentration of cones and no rods. Significantly, it produces the highest visual acuity and serves as the center of fixation, only registering a small part of the visual field. [3] Campus's use of zoom mirrors the small section of the world the fovea has access to. Additionally, the circular spotlight silhouetting Campus in the center of the screen references the circular fovea. At this point in the video, the camerawork is no longer tied as directly to the mechanics of human perception as it was before, but uses technological means to reference biological sight, relocating it outside of the body. In the upcoming sections, configurations becomes further divorced from the human sensory apparatus, imagining new possibilities for sight.
One camera pans throughout the room, while the other is fixed on what appears to be an oscilloscope screen. The first camera scans through light and dark areas of the room, while the graph on the screen is visibly responsive to the light levels detected by the first camera. The shot no longer mimes biological sight, but imagines the possibility of machinic sight. This new sight, now divorced from a mimetic relationship to the body, compels the viewer to consider the relationship between human and machinic vision.
The two cameras are on opposite sides of the room, initially at an oblique angle to each other. Campus walks back and forth between them, gradually adjusting them so that they face each other. The combined image shows him walking away from and towards the viewer at the same time. This section introduces a sense of space not yet seen, and highlights technology's potential to extend the human sensory apparatus.
For the first time, the image is not mixed like a photographic double exposure. Campus places a small CRT monitor in the foreground and walks behind it. The image on the monitor perfectly matches up to the background, creating the illusion that the monitor is an empty frame. The illusion is subverted, however, when Campus walks behind the monitor and disappears. The image on the monitor then begins to shift. It pauses on a patch of sunlight coming in from the window onto the floor, as well as other sections of the floor and wall, making a full rotation before stopping on the original illusionistic image. Campus walks off camera and the video ends. This effect has been said to compel the viewer to consider their own relationship to the monitor, where machinic and biological sight form a dialogical relationship that leads to the question of what sight really is and can be. [4] [5]
The sound in the video consists of a mixture of noises coming from inside and outside of the room, as well as the hum of the videotape itself. Sounds coming from inside are mostly the sounds of Campus walking and shuffling about. Outside, sounds such as cars driving and honking and dogs barking can be heard.
In 2011, Katherine Lee created the online work Quadruple Vision, the title a reference to Campus's Double Vision. She writes, "If "double vision" is to the self and its surroundings, then "quadruple vision" is to phenomenal self - phenomenal surroundings - digital surroundings - digital self." [7]
The retina is the innermost, light-sensitive layer of tissue of the eye of most vertebrates and some molluscs. The optics of the eye create a focused two-dimensional image of the visual world on the retina, which then processes that image within the retina and sends nerve impulses along the optic nerve to the visual cortex to create visual perception. The retina serves a function which is in many ways analogous to that of the film or image sensor in a camera.
A saccade is a quick, simultaneous movement of both eyes between two or more phases of fixation in the same direction. In contrast, in smooth pursuit movements, the eyes move smoothly instead of in jumps. The phenomenon can be associated with a shift in frequency of an emitted signal or a movement of a body part or device. Controlled cortically by the frontal eye fields (FEF), or subcortically by the superior colliculus, saccades serve as a mechanism for fixation, rapid eye movement, and the fast phase of optokinetic nystagmus. The word appears to have been coined in the 1880s by French ophthalmologist Émile Javal, who used a mirror on one side of a page to observe eye movement in silent reading, and found that it involves a succession of discontinuous individual movements.
Eyes are organs of the visual system. They provide living organisms with vision, the ability to receive and process visual detail, as well as enabling several photo response functions that are independent of vision. Eyes detect light and convert it into electro-chemical impulses in neurons. In higher organisms, the eye is a complex optical system which collects light from the surrounding environment, regulates its intensity through a diaphragm, focuses it through an adjustable assembly of lenses to form an image, converts this image into a set of electrical signals, and transmits these signals to the brain through complex neural pathways that connect the eye via the optic nerve to the visual cortex and other areas of the brain. Eyes with resolving power have come in ten fundamentally different forms, and 96% of animal species possess a complex optical system. Image-resolving eyes are present in molluscs, chordates and arthropods.
Night vision is the ability to see in low-light conditions, either naturally with scotopic vision or through a night-vision device. Night vision requires both sufficient spectral range and sufficient intensity range. Humans have poor night vision compared to many animals such as cats, in part because the human eye lacks a tapetum lucidum, tissue behind the retina that reflects light back through the retina thus increasing the light available to the photoreceptors.
Stereoscopy is a technique for creating or enhancing the illusion of depth in an image by means of stereopsis for binocular vision. The word stereoscopy derives from Greek στερεός (stereos) 'firm, solid', and σκοπέω (skopeō) 'to look, to see'. Any stereoscopic image is called a stereogram. Originally, stereogram referred to a pair of stereo images which could be viewed using a stereoscope.
Depth perception is the visual ability to perceive the world in three dimensions (3D) and the distance of an object. Depth sensation is the corresponding term for non-human animals, since although it is known that they can sense the distance of an object, it is not known whether they perceive it in the same subjective way that humans do.
The field of view (FoV) is the extent of the observable world that is seen at any given moment. In the case of optical instruments or sensors it is a solid angle through which a detector is sensitive to electromagnetic radiation.
The visual system comprises the sensory organ and parts of the central nervous system which gives organisms the sense of sight as well as enabling the formation of several non-image photo response functions. It detects and interprets information from the optical spectrum perceptible to that species to "build a representation" of the surrounding environment. The visual system carries out a number of complex tasks, including the reception of light and the formation of monocular neural representations, colour vision, the neural mechanisms underlying stereopsis and assessment of distances to and between objects, the identification of a particular object of interest, motion perception, the analysis and integration of visual information, pattern recognition, accurate motor coordination under visual guidance, and more. The neuropsychological side of visual information processing is known as visual perception, an abnormality of which is called visual impairment, and a complete absence of which is called blindness. Non-image forming visual functions, independent of visual perception, include the pupillary light reflex and circadian photoentrainment.
An autostereogram is a single-image stereogram (SIS), designed to create the visual illusion of a three-dimensional (3D) scene from a two-dimensional image. Most people with normal binocular vision are capable of seeing the depth in autostereograms, but to do so they must overcome the normally automatic coordination between accommodation and horizontal vergence. The illusion is one of depth perception and involves stereopsis: depth perception arising from the different perspective each eye has of a three-dimensional scene, called binocular parallax.
The fovea centralis is a small, central pit composed of closely packed cones in the eye. It is located in the center of the macula lutea of the retina.
Diplopia is the simultaneous perception of two images of a single object that may be displaced horizontally or vertically in relation to each other. Also called double vision, it is a loss of visual focus under regular conditions, and is often voluntary. However, when occurring involuntarily, it results in impaired function of the extraocular muscles, where both eyes are still functional, but they cannot turn to target the desired object. Problems with these muscles may be due to mechanical problems, disorders of the neuromuscular junction, disorders of the cranial nerves that innervate the muscles, and occasionally disorders involving the supranuclear oculomotor pathways or ingestion of toxins.
The human eye is a sensory organ, part of the sensory nervous system, that reacts to visible light and allows us to use visual information for various purposes including seeing things, keeping our balance, and maintaining circadian rhythm.
The accommodation reflex is a reflex action of the eye, in response to focusing on a near object, then looking at a distant object, comprising coordinated changes in vergence, lens shape (accommodation) and pupil size. It is dependent on cranial nerve II, superior centers (interneuron) and cranial nerve III. The change in the shape of the lens is controlled by ciliary muscles inside the eye. Changes in contraction of the ciliary muscles alters the focal distance of the eye, causing nearer or farther images to come into focus on the retina; this process is known as accommodation. The reflex, controlled by the parasympathetic nervous system, involves three responses: pupil constriction, lens accommodation, and convergence.
Entoptic phenomena are visual effects whose source is within the human eye itself.
Eye movement includes the voluntary or involuntary movement of the eyes. Eye movements are used by a number of organisms to fixate, inspect and track visual objects of interests. A special type of eye movement, rapid eye movement, occurs during REM sleep.
A vergence is the simultaneous movement of both eyes in opposite directions to obtain or maintain single binocular vision.
Vision is the most important sense for birds, since good eyesight is essential for safe flight. Birds have a number of adaptations which give visual acuity superior to that of other vertebrate groups; a pigeon has been described as "two eyes with wings". Birds are theropod dinosaurs, and the avian eye resembles that of other reptiles, with ciliary muscles that can change the shape of the lens rapidly and to a greater extent than in the mammals. Birds have the largest eyes relative to their size in the animal kingdom, and movement is consequently limited within the eye's bony socket. In addition to the two eyelids usually found in vertebrates, bird's eyes are protected by a third transparent movable membrane. The eye's internal anatomy is similar to that of other vertebrates, but has a structure, the pecten oculi, unique to birds.
Mammals normally have a pair of eyes. Although mammalian vision is not so excellent as bird vision, it is at least dichromatic for most of mammalian species, with certain families possessing a trichromatic color perception.
The eagle eye is among the sharpest in the animal kingdom, with an eyesight estimated at 4 to 8 times stronger than that of the average human. Although an eagle may only weigh 10 pounds (4.5 kg), its eyes are roughly the same size as those of a human. Eagle weight varies: a small eagle could weigh 700 grams (1.5 lb), while a larger one could weigh 6.5 kilograms (14 lb); an eagle of about 10 kilograms (22 lb) weight could have eyes as big as that of a human being who weighs 200 pounds (91 kg). Although the size of the eagle eye is about the same as that of a human being, the back side shape of the eagle eye is flatter. Their eyes are stated to be larger in size than their brain, by weight. Color vision with resolution and clarity are the most prominent features of eagles' eyes, hence sharp-sighted people are sometimes referred to as "eagle-eyed". Eagles can identify five distinctly colored squirrels and locate their prey even if hidden.
The chameleon is among the most highly visually-oriented lizards, using this sense in prey capture, mating behavior, and predator avoidance. Unique features of chameleon vision include a negative lens, a positive cornea, and monocular focusing. The development of the chameleon visual system could have evolved to aid in prey capture and/or in predator avoidance.