Doubting Thomas (disambiguation)

Last updated

A doubting Thomas is a skeptic who refuses to believe without direct personal experience.

Contents

Doubting Thomas may also refer to:

People and fictional characters

Art

Film and television

Literature

Music


Related Research Articles

<span class="mw-page-title-main">Caravaggio</span> Italian painter (1571–1610)

Michelangelo Merisida Caravaggio, known as simply Caravaggio, was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting.

<span class="mw-page-title-main">Thomas the Apostle</span> Early Christian, one of the twelve apostles and a saint

Thomas the Apostle, also known as Didymus, was one of the Twelve Apostles of Jesus according to the New Testament. Thomas is commonly known as "Doubting Thomas" because he initially doubted the resurrection of Jesus Christ when he was told of it ; he later confessed his faith on seeing the wounds left over from the crucifixion.

<span class="mw-page-title-main">Bartholomew the Apostle</span> Christian Apostle and Martyr

Bartholomew was one of the twelve apostles of Jesus according to the New Testament. Some identify Bartholomew as Nathanael or Nathaniel, who appears in the Gospel of John, although this is not supported by the Gospels, Acts, or any early, reliable Christian tradition.

<i>The Last Supper</i> (Leonardo) Mural painting by Leonardo da Vinci, c. 1495–1498

The Last Supper is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498. The painting represents the scene of the Last Supper of Jesus with the Twelve Apostles, as it is told in the Gospel of John – specifically the moment after Jesus announces that one of his apostles will betray him. Its handling of space, mastery of perspective, treatment of motion and complex display of human emotion has made it one of the Western world's most recognizable paintings and among Leonardo's most celebrated works. Some commentators consider it pivotal in inaugurating the transition into what is now termed the High Renaissance.

Saint Thomas or St. Thomas may refer to:

Jude may refer to:

<span class="mw-page-title-main">Doubting Thomas</span> Episode from the Gospel of John

A doubting Thomas is a skeptic who refuses to believe without direct personal experience — a reference to the Gospel of John's depiction of the Apostle Thomas, who, in John's account, refused to believe the resurrected Jesus had appeared to the ten other apostles until he could see and feel Jesus's crucifixion wounds.

<span class="mw-page-title-main">Five Holy Wounds</span> Five piercing wounds Jesus Christ suffered during the crucifixion

In Catholic tradition, the Five Holy Wounds, also known as the Five Sacred Wounds or the Five Precious Wounds, are the five piercing wounds that Jesus Christ suffered during his crucifixion. The wounds have been the focus of particular devotions, especially in the late Middle Ages, and have often been reflected in church music and art.

<i>The Incredulity of Saint Thomas</i> (Caravaggio) Painting by Caravaggio

The Incredulity of Saint Thomas is a painting of the subject of the same name. One of the most famous paintings by the Italian Baroque master Caravaggio, c. 1601-1602. There are two autograph versions of Caravaggio's "The Incredulity of Saint Thomas", an ecclesiastical "Trieste" version for Girolamo Mattei now in a private collection and a secular "Potsdam" version for Vincenzo Giustiniani that later entered the Royal Collection of Prussia and survived the Second World War unscathed and can now be admired in the Palais at Sanssouci, Potsdam.

<i>Christ on the Mount of Olives</i> (Caravaggio) Painting by Caravaggio

Christ on the Mount of Olives (1604-1606) was a painting by Michelangelo Merisi da Caravaggio, formerly in the Kaiser Friedrich Museum painting gallery, Berlin, but destroyed in 1945.

<i>Maestà</i> (Duccio) Altarpiece by Duccio for Siena Cathedral, dismembered and partially lost

The Maestà, or Maestà of Duccio is an altarpiece composed of many individual paintings commissioned by the city of Siena in 1308 from the artist Duccio di Buoninsegna and is his most famous work. The front panels make up a large enthroned Madonna and Child with saints and angels, and a predella of the Childhood of Christ with prophets. The reverse has the rest of a combined cycle of the Life of the Virgin and the Life of Christ in a total of forty-three small scenes; several panels are now dispersed or lost. The base of the panel has an inscription that reads : "Holy Mother of God, be thou the cause of peace for Siena and life to Duccio because he painted thee thus." Though it took a generation for its effect to be truly felt, Duccio's Maestà set Italian painting on a course leading away from the hieratic representations of Byzantine art towards more direct presentations of reality.

Apostle, an anglicization of the Greek ἀπόστολος (apóstolos), refers to a messenger or ambassador.

<span class="mw-page-title-main">Portraits of the Apostles</span> Common subject in Christian art

Portraits of the Apostles are a common subject in Christian art and serve as a devotional tool for many Christian denominations. The Twelve Apostles were instrumental in teaching the gospel of Jesus, "continuing the mission of Jesus" with their depictions continuing to serve as spiritual inspiration and authority. Many Protestant denominations reject religious imagery, including the veneration of the apostles and other religious figures.

St. Thomas the Apostle Church may refer to:

<span class="mw-page-title-main">Jean Ducamps</span>

Jean Ducamps, Giovanni di Filippo del Campo or Giovanni del Campo, was a Flemish Baroque painter who spent most of his career in Italy where he enjoyed notoriety for his religious compositions, genre scenes and allegories. He worked in a style that was influenced by Caravaggio and is counted amongst the Northern Caravaggisti.

<i>The Incredulity of Saint Thomas</i> (Salviati) Painting by Francesco Salviati

The Incredulity of Saint Thomas is a 1543–1547 painting by Francesco Salviati. It was commissioned for the église Notre-Dame-de-Confort in Lyon by Thomas II de Gadagne, a Florentine counselor to Francis I of France. It is now held in the Louvre Museum and measures 275 cm by 234 cm. It is signed FRANCESCO SALVIATO FLO. OPUS (S.B.D.) and the apostle shown in three-quarter-profile is a self-portrait of Salviati.

<i>Crucifixion</i> (Vouet) Painting by Simon Vouet

Crucifixion is an oil on canvas painting by Simon Vouet, executed in 1636-1627. This painting is part of a set of three works, together with the paintings representing the Last Supper and the incredulity of St. Thomas. It is now in the Museum of Fine Arts of Lyon.

<i>The Incredulity of Saint Thomas</i> (Stom) Painting by Matthias Stom

The Incredulity of Saint Thomas is an oil painting on canvas of 1640–1649 by Matthias Stom in the Museo del Prado, Madrid. Another version of the subject by the same artist is in the Baron Scotti collection in Bergamo; both were produced during the artist's time on Sicily. The Prado version's composition is influenced by those of Hendrick ter Brugghen's Doubting Thomas of c. 1621–1623 and Rubens's Incredulity of Saint Thomas of 1613–1615.

<i>Saint Mark</i> (Tzanes) Painting by Emmanuel Tzanes

Saint Mark is a tempera painting by Emmanuel Tzanes. Tzanes was a Cretan painter who migrated to Corfu and Venice. He settled in Venice with his brothers Konstantinos Tzanes and poet Marinos Tzanes. Konstantinos was a famous painter. Their combined existing works number over 150. Emmanuel replaced famous Greek painter Philotheos Skoufos as the priest of San Giorgio De Greco.

<i>The Incredulity of Saint Thomas</i> (Tzanes) Painting by Emmanuel Tzanes

The Incredulity of Saint Thomas is a tempera painting created by Greek painter Emmanuel Tzanes. Tzanes features a catalog of artwork numbering over one hundred works. He was one of the most prolific artists of the 1600s painting in Crete, Corfu, and Venice. His two brothers Marinos Tzanes and Konstantinos Tzanes were also famous painters but Marinos is more well known for his famous poem The Cretan War Ο Κρητικός Πόλεμος. All three artists were members of the Late Cretan School and early Heptanese School (painting) they were known for participating in the movement that integrated Flemish engravings into the Greek and Italian art world.