Dreams So Real

Last updated
Dreams So Real
Dreams So Real in Gemany.jpg
L - R: Worsham, Allen, Marler
Background information
Origin Athens, Georgia, United States
Genres Rock, alternative
Years active1983–1993
(reunions: 2009, 2012, 2019)
Labels Arista Records
Website Dreams So Real Official Website
Dreams So Real on Facebook
@DreamsSoReal on Twitter

Dreams So Real was an American alternative rock band from Athens, Georgia, who gained national exposure in the late 1980s and early 1990s. They recorded three albums, including two releases on Arista Records.

Contents

History

The trio was led by songwriter Barry Marler on lead vocals and guitar, with Trent Allen on bass and backing vocals and Drew Worsham on drums. Sheryl Crow guitarist Peter Stroud was a member during the band's later years. Formed in 1983 when its members met in an Athens record store, their debut single, "Everywhere Girl" produced by Peter Buck of R.E.M., was released in 1985 and was very successful on college radio. Buck also produced their first album, 1986's Father's House. The band gained a bit more exposure by performing their song "Golden" (called "Steps" in the movie's end notes) in Athens, GA: Inside/Out , a rock documentary on their hometown music scene.

Dreams So Real signed to Arista Records and released Rough Night in Jericho in 1988. The title track earned some success, reaching No. 28 on the Billboard Mainstream Rock Chart and receiving heavy MTV airplay. A follow-up single, "Bearing Witness" also cracked Billboard's Rock Chart. The album would reach the Billboard Hot 200, peaking at No. 150. [1]

The 1990 follow-up album, Gloryline, met with less success both critically and commercially. Soon after, Arista dropped the band and Dreams So Real soon drifted apart. As a kind of parting gift, the band released a collection of outtakes, rarities and B-sides titled Nocturnal Omissions, made available through their fan-club mailing list, and while on tour.

After the breakup

Marler and Allen briefly reformed with the band Ether in the late 1990s, but have since appeared to have mostly left music behind. Marler is a bioinformatics analyst at the University of Georgia, while Allen became a graphic artist and entrepreneur as founder of Baseline SportsMedia, a company specializing in graphic design and fan photography.

In 2003 drummer Drew Worsham was shot in the face during a home invasion by a man who was reported to be Worsham's girlfriend's ex-boyfriend. Reports said the man, subsequently kidnapped and fatally shot the girlfriend before putting a bullet through his own head. Worsham miraculously survived as the bullet lodged in his cheek bone and never reached his brain, and has recovered to return to his post-Dreams So Real music projects as well as his work as a computer systems analyst.

The band received mention in a number of R.E.M. biographies detailing their success and importance to the scene, including Marcus Gray's It Crawled from the South and David Buckley's R.E.M.: Fiction . Dreams So Real also appears in the "Athens, GA - Inside Out" movie, which is available on DVD. [2]

The band reunited in 2009 for Athfest [3] and again in 2012 for two shows in Atlanta and their hometown of Athens. Around that time, they re-established a web presence at dreamssoreal.com, which has been fairly dormant since 2012. Marler has also performed some shows as part of a new combo called Sticks & Bones. [4]

Discography

Related Research Articles

<i>Murmur</i> (album) 1983 studio album by R.E.M.

Murmur is the debut studio album by American alternative rock band R.E.M., released on April 12, 1983, by I.R.S. Records. Murmur drew critical acclaim upon its release for its unusual sound, defined by lead singer Michael Stipe's cryptic lyrics, guitarist Peter Buck's jangly guitar style, and bass guitarist Mike Mills's melodic basslines.

<i>Automatic for the People</i> 1992 album by R.E.M.

Automatic for the People is the eighth studio album by American alternative rock band R.E.M., released by Warner Bros. Records on October 5, 1992, in the United Kingdom and Europe, and on the following day in the United States. R.E.M. began production on the album while their previous album, Out of Time (1991), was still ascending top albums charts and achieving global success. Aided by string arrangements from John Paul Jones and conducted by George Hanson, Automatic for the People features ruminations on mortality, loss, mourning, and nostalgia.

<span class="mw-page-title-main">Losing My Religion</span> 1991 single by R.E.M.

"Losing My Religion" is a song by American alternative rock band R.E.M., released in February 1991 as the first single and the second track from the group's seventh album, Out of Time (1991). Built on a mandolin riff, the song was an unlikely hit for the group, garnering extensive airplay on radio as well as on MTV and VH1 due to its critically acclaimed music video. The single became R.E.M.'s highest-charting hit in the United States, reaching No. 4 on the Billboard Hot 100 and expanding the group's popularity beyond its original fan-base. At the 1992 Grammy Awards, "Losing My Religion" won two awards: Best Short Form Music Video and Best Pop Performance by a Duo or Group with Vocal.

<i>Reckoning</i> (R.E.M. album) 1984 studio album by R.E.M.

Reckoning is the second studio album by American alternative rock band R.E.M., released on April 9, 1984, by I.R.S. Records. Produced by Mitch Easter and Don Dixon, the album was recorded at Reflection Sound Studio in Charlotte, North Carolina, over 16 days in December 1983 and January 1984. Dixon and Easter intended to capture the sound of R.E.M.'s live performances, and used binaural recording on several tracks. Lead singer Michael Stipe dealt with darker subject matter in his lyrics, with water-related imagery being a recurring theme on the album.

<span class="mw-page-title-main">Peter Buck</span> American guitarist for R.E.M., songwriter

Peter Lawrence Buck is an American musician and songwriter. He was a co-founder and the lead guitarist of the alternative rock band R.E.M. He also plays the banjo and mandolin on several R.E.M. songs. Throughout his career with R.E.M. (1980–2011), as well as during his subsequent solo career, Buck has also been at various times an official member of numerous 'side project' groups. These groups included Arthur Buck, Hindu Love Gods, The Minus 5, Tuatara, The Baseball Project, Robyn Hitchcock and the Venus 3, Tired Pony, The No-Ones, and Filthy Friends, each of which have released at least one full-length studio album. Additionally, the experimental combo Slow Music have released an official live concert CD. Another side project group called Full Time Men released an EP while Buck was a member. As well, ad hoc "supergroups" Bingo Hand Job, Musical Kings and Nigel & The Crosses have each commercially released one track.

<i>Lifes Rich Pageant</i> 1986 album by REM

Lifes Rich Pageant is the fourth studio album by the American alternative rock band R.E.M., released on July 28, 1986. R.E.M. chose Don Gehman to produce the album, which was recorded at John Mellencamp's Belmont Mall Studios in Belmont, Indiana. This was the only album the band recorded with Gehman, who moved them from the more obscure and dense sound of their earlier albums to an accessible, hard rock-influenced quality. The album was well-received critically.

<i>New Adventures in Hi-Fi</i> 1996 R.E.M. album

New Adventures in Hi-Fi is the tenth studio album by the American alternative rock band R.E.M. It was their fifth major-label release for Warner Bros. Records, released on September 9, 1996, in Europe and Australia, and the following day in the United States. New Adventures in Hi-Fi was the last album recorded with founding member Bill Berry, original manager Jefferson Holt, and long-time producer Scott Litt. The members of R.E.M. consider the recorded album representative of the band at their peak, and fans generally regard it as the band's last great record before a perceived artistic decline during the late 1990s and early 2000s. It has sold around seven million units, growing in cult status years after its release, with several retrospectives ranking it among the top of the band's recorded catalogue.

<span class="mw-page-title-main">Hindu Love Gods (band)</span> Blues rock band

Hindu Love Gods was an American rock band that was, in essence, an occasional side project of members of R.E.M., with Warren Zevon and Bryan Cook.

<span class="mw-page-title-main">Cindy Wilson</span> American singer-songwriter and musician

Cynthia Leigh Wilson is an American musician and one of the vocalists, songwriters and founding members of new wave rock band the B-52's. She is noted for her distinctive contralto voice and also plays percussion during live shows. She is the younger sister of the late guitarist Ricky Wilson (1953–1985), who was also a founding member of the band.

<span class="mw-page-title-main">What's the Frequency, Kenneth?</span> 1994 single by R.E.M.

"What's the Frequency, Kenneth?" is a song by American alternative rock band R.E.M. from their ninth studio album, Monster (1994). The song's title refers to an incident in New York City in 1986, when two then-unknown assailants attacked journalist Dan Rather, while repeating "Kenneth, what is the frequency?"

<span class="mw-page-title-main">It's the End of the World as We Know It (And I Feel Fine)</span> 1987 song by R.E.M.

"It's the End of the World as We Know It (And I Feel Fine)" is a song by American rock band R.E.M., which first appeared on their 1987 album, Document. It was released as the album's second single in November 1987, reaching No. 69 in the US Billboard Hot 100 and later reaching No. 39 on the UK Singles Chart on its re-release in December 1991.

<span class="mw-page-title-main">Radio Free Europe (song)</span> 1981 single by R.E.M.

"Radio Free Europe" is the debut single by American alternative rock band R.E.M., released in 1981 on the short-lived independent record label Hib-Tone. The song features "what were to become the trademark unintelligible lyrics which have distinguished R.E.M.'s work ever since." The single received critical acclaim, and its success earned the band a record deal with I.R.S. Records. R.E.M. re-recorded the song for their 1983 debut album Murmur. The re-recording for I.R.S. became the group's first charting single, peaking at number 78 on the Billboard Hot 100 chart. The song is ranked number 389 in Rolling Stone's 500 Greatest Songs of All Time. In 2009, it was added to the Library of Congress's National Recording Registry for setting "the pattern for later indie rock releases by breaking through on college radio in the face of mainstream radio's general indifference."

<span class="mw-page-title-main">E-Bow the Letter</span> 1996 single by R.E.M.

"E-Bow the Letter" is the first single from American rock band R.E.M.'s 10th studio album, New Adventures in Hi-Fi (1996). It was released on August 19, 1996, several weeks before the album's release. During the same month, R.E.M. signed a then record-breaking five-album contract with Warner Bros. Records. The song features American singer-songwriter and "Godmother of Punk" Patti Smith performing backing vocals. Smith was cited as a major influence by band members Michael Stipe and Peter Buck, and she also provided backing vocals for "Blue", the closing track on the band's final studio album, Collapse into Now, in 2011.

<i>Fathers House</i> 1986 studio album by Dreams So Real

Father's House is the debut album by the Athens, Georgia, rock band Dreams So Real. It was released by Coyote Records in 1986, and was produced by R.E.M. guitarist Peter Buck. It was distributed by Twin/Tone Records.

<i>Rough Night in Jericho</i> (album) 1988 studio album by Dreams So Real

Rough Night in Jericho is the second album by Athens, Georgia, rock band Dreams So Real. Their first album for Arista Records, it was released in 1988. The band supported the album with a North American tour.

<i>Accelerate</i> (R.E.M. album) 2008 album by R.E.M.

Accelerate is the 14th studio album by American alternative rock band R.E.M., released on March 31, 2008, in Europe, and on April 1 in North America. Produced with Jacknife Lee, Accelerate was intended as a departure from the 2004 album Around the Sun. R.E.M. previewed most of the album's tracks during a five-night residency at the Olympia Theatre in Dublin, Ireland, and recorded the album in a nine-week schedule.

<span class="mw-page-title-main">R.E.M.</span> American rock band (1980–2011)

R.E.M. was an American rock band from Athens, Georgia, formed in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist Mike Mills, and lead vocalist Michael Stipe, who were students at the University of Georgia. One of the first alternative rock bands, R.E.M. was noted for Buck's ringing, arpeggiated guitar style; Stipe's distinctive vocal quality, unique stage presence, and obscure lyrics; Mills's melodic bass lines and backing vocals; and Berry's tight, economical drumming style. In the early 1990s, other alternative rock acts such as Nirvana and Pavement viewed R.E.M. as a pioneer of the genre. After Berry left the band in 1997, the band continued its career in the 2000s with mixed critical and commercial success. The band broke up amicably in 2011 with members devoting time to solo projects after having sold more than 90 million albums worldwide and becoming one of the world's best-selling music acts.

Rick Fowler is an American blues-rock guitarist originally from Bowdon, Georgia. He learned to play guitar primarily by listening to early British blues and rock guitarists and American blues players.

<i>Collapse into Now</i> 2011 studio album by R.E.M.

Collapse into Now is the fifteenth and final studio album by American alternative rock band R.E.M., released on March 7, 2011, on Warner Bros. Produced by Jacknife Lee, who previously worked with the band on Accelerate (2008), the album was preceded by the singles "It Happened Today," "Mine Smell Like Honey," "Überlin" and "Oh My Heart".

<i>Green</i> (R.E.M. album) 1988 studio album by R.E.M.

Green is the sixth studio album by American rock band R.E.M., released on November 7, 1988, by Warner Bros. Records. The second album to be produced by the band and Scott Litt, it continued to explore political issues both in its lyrics and packaging. The band experimented on the album, writing major-key rock songs and incorporating new instruments into their sound including the mandolin, as well as switching their original instruments on other songs.

References

  1. Billboard Archived March 13, 2007, at the Wayback Machine : Dreams So Real chart history. URL accessed 22 July 2006
  2. "Band Dreams its Way Back to Successful Return". The Red & Black. 27 April 2012. Retrieved 9 January 2017.
  3. "Live Review: Dreams So Real at AthFest, June 28". Archived from the original on 2011-07-07. Retrieved 2011-02-20.
  4. "Sticks and Bones". Facebook.com. Retrieved 23 November 2020.