Driving a Girl to Destruction | |
---|---|
Directed by | George Marlow |
Based on | play by Mrs Morton Powell |
Produced by | George Marlow |
Starring | Louise Hampton |
Cinematography | Bert Ive |
Production company | Australian Picturised Drama Company [1] |
Release date |
|
Running time | 3,000 feet |
Country | Australia |
Languages | Silent film English intertitles |
Driving a Girl to Destruction is an Australian film directed by George Marlow. It is considered a lost film. [2] [3]
The evil Lucas List has seduced Ruth Wright, and desires her cousin, conservative school teacher Ruby Wright, but she is engaged to Robert Ray, a lieutenant in the merchant marine. List arranges it so that Ray gets drunk and is persuaded to marry Ruth, who refuses to break it off with List. Ruby visits List's house at night to get her cousin away and is found there by Robert Ray. Ruby saves her cousin at the expense of her own reputation and winds up sacked from her teaching job. She inadvertently takes shelter with Madame de Meral, the owner of a brothel who works for List, but manages to escape. Ruby is starving on the streets with Ned, a crippled boy who has followed her, when List finds them. Ruby consents to go to his hotel to sleep with List. She changes her mind at the last minute but List insists. Ruth comes across them and tries to stab Ruby in a jealous frenzy, but ends up killing List instead. However it is Ruby who is arrested.
Ruth feels guilty and wants to confess but Madame de Meral tries to stop her and the two of them fight, in which Ruth is fatally wounded. However she manages to confess in time before dying and Robert and Ruby are married. [4] [5]
The film was made by the Australian Picturised Drama Company, which was established by theatre entrepreneur George Marlow at the Adelphi Theatre in Sydney. Marlow put on the play as well as filming it, using his regular acting troupe in both, including his wife, Ethel Buckley. He imported British stage stars Louise Hampton and Cecil Mannering to play the lead. [6] [7]
Marlow's theatre production of the play was a success and toured widely but the film version had trouble obtaining distribution. [6] This was due in part to the fact that audiences had only just seen the play. [8] However the film did screen sporadically in country areas over the next few years. [9]
Thunderbolt is a 1910 Australian feature film based on the life of the bushranger Captain Thunderbolt. It was the directorial debut of John Gavin who later claimed it was the first "four-reel movie" made in Australia. It has also been called the first film made in New South Wales.
George Marlow was an Australian theatrical entrepreneur born in London of Jewish extraction, noted for bringing melodrama and pantomime to Sydney audiences in the early 1900s. His name has been frequently mis-spelled as "George Marlowe".
The Hayseeds is a 1933 Australian musical comedy from Beaumont Smith. It centres on the rural family, the Hayseeds, about whom Smith had previously made six silent films, starting with Our Friends, the Hayseeds (1917). He retired from directing in 1925 but decided to revive the series in the wake of the box office success of On Our Selection (1932). It was the first starring role in a movie for stage actor Cecil Kellaway.
Moonlite is a 1910 Australian bushranger film about Captain Moonlite, played by John Gavin, who also directed for producer H.A. Forsyth. It was also known as Captain Moonlite and is considered a lost film.
The Mark of the Lash is a 1911 Australian silent film. It is a convict-era melodrama made by the husband-and-wife team of John and Agnes Gavin.
His Convict Bride is a 1918 Australian silent film from the team of John and Agnes Gavin. It was a convict-era melodrama.
Satan in Sydney is a 1918 Australian melodrama from director Beaumont Smith. It was his first movie which was not about the rural family, the Hayseeds. It is considered a lost film.
Peter Vernon's Silence is a 1926 Australian silent film directed by Raymond Longford. It was the last film on which Lottie Lyell worked prior to her death in December 1925. It is considered a lost film.
It Is Never Too Late to Mend is a 1911 Australian feature-length silent film written and directed by W. J. Lincoln.
The Luck of Roaring Camp is a 1911 Australian feature-length film directed by W. J. Lincoln now considered a lost film. It was highly regarded in its day, in part because it was based on a play that was popular with audiences.
What Women Suffer is a 1911 Australian silent film directed by Alfred Rolfe. It is a Victorian melodrama, complete with a climax where a little child is placed on a moving saw bench and is considered a lost film.
The Monk and the Woman is a 1917 Australian silent film directed by Franklyn Barrett. It is considered to be lost.
Angel of his Dreams is an Australian film directed by George Marlow about a woman who seduces a clergyman.
The New Tivoli Theatre, Sydney, previously known as the Adelphi Theatre and the Grand Opera House, was a theatre and music hall at 329, Castlereagh Street, Sydney, Australia, which was long at the heart of the Tivoli circuit.
The Australian Photo-Play Company was a short-lived but highly productive Australian film production company which operated from 1911 to 1912.
George Willoughby Dowse, professionally known as "George Willoughby", was an English comic actor and theatre manager who had a substantial career in Australia.
Charles Darrell was an English playwright who specialized in melodrama.
Wilton Welch was an Australian comic actor and dramatist, husband and collaborator of Louise Carbasse, best known as Louise Lovely.
The Girl Who Loved a Soldier was an Australian stage play written by Wilton Welch. It has been credited as the first Australian play to be set in a city.
Humping the Bluey is a 1911 Australian stage play by Dora Mostyn produced by George Marlow. It was one of the last plays in the "bushranging cycle" of Australian playwriting.