Dropati | |
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| Origin | Suriname |
| Genres | Baithak Gana |
Considered by many to be the mother of modern-day Baithak Gana, Dropati was introduced to the Indian music industry in the Caribbean by way of her album Let's Sing and Dance. [1] Produced in 1968, the album includes captivating wedding folk songs that easily transport the listener to colorful Indian village weddings dating centuries before Dropati's time.
Dropati's drummer was Sahadat Chedi, who was also the drummer for Ramdew Chaitoe, and many renowned Suriname Baithak Gana artists.
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The music of Sri Lanka has its roots in five primary influences: ancient folk rituals, Hindu religious traditions, Buddhist religious traditions, the legacy of European colonisation, and the commercial and historical influence of nearby Indian culture—specifically, Kollywood cinema and Bollywood cinema.
The dholak is a two-headed hand drum, a folk percussion instrument. The dholak is most commonly recognised in countries such as India, Pakistan, Bangladesh, Nepal and Sri Lanka, but can also be found amongst the Indo-Diaspora in countries such as Guyana, Suriname, Fiji, Trinidad and Tobago, South Africa and Mauritius. The dholak can be anywhere about 16" to 24" in length. It is widely used in qawwali, kirtan, bhajan, bhangra, chutney, baithak gana, Bollywood film songs, lokgeet and various classical styles such as Hindustani, Carnatic and Trinidadian local classical / Guyanese taan. The drum has two different sized drumheads. There is a smaller drumhead that can be from 5.5 to 8 inches in diametre and is made for sharp notes while the bigger drumhead, which can be from 7.5 to 10 inches in diametre, is made for low pitch. The two drumheads allow a combination of bass and treble with rhythmic high and low pitches. The body or shell of the Dholak can made of sheesham or mango wood. The larger drum head has a compound of tar, clay and sand, called "masala" which is applied to lower the pitch and produce the sound. The smaller drumhead is played with the person's dominant hand, while the larger is played by the person's weaker hand. A dholak can either be fitted with a nuts and bolts or a rope and steel rings for tuning. Commonly in the Indian subcontinent, there are only one set of rings for tuning the treble side of the dholak, while in the Caribbean, hook screws are placed into the sides of the dholak to allow tuning of both the treble and the bass. Dholak can be played in three ways — on the player’s lap, while standing, or pressed down with one knee while sitting on the floor.
Chutney music is a fusion genre of Indian folk music, specifically Bhojpuri folk music, with Caribbean calypso and soca music, and later with Bollywood music. This genre of music that developed in Trinidad and Tobago is popular in Trinidad and Tobago, Guyana, Suriname, Jamaica, other parts of the Caribbean, Fiji, Mauritius, and South Africa. Chutney music emerged mid-20th century and reached a peak of popularity during the 1980s. Several sub-genres have developed.
The music of Suriname is known for kaseko music, and for having an Indo-Caribbean tradition.
Indo-Guyanese or Indian-Guyanese, are Guyanese nationals of Indian origin who trace their ancestry to India and the wider subcontinent. They are the descendants of indentured servants and settlers who migrated from India beginning in 1838, and continuing during the British Raj.
In Trinidad and Tobago, and other parts of the Caribbean, the term tassa refers to a drumming ensemble drawn from an amalgamation of various North Indian folk drumming traditions, most importantly dhol-tasha, a style that remains popular today in many parts of India and Pakistan. Beginning in the 1830s and lasting until 1918, dhol-tasha was taken around the world by Indian workers, mostly from present-day Bihar and Uttar Pradesh, enmeshed in a global scheme of indentured labor in British, French, and Dutch territories.
Indo-Caribbean Americans or Indian-Caribbean Americans, are Americans who trace their ancestry ultimately to India, though whose recent ancestors lived in the Caribbean, where they migrated beginning in 1838 as indentured laborers. There are large populations of Indo-Trinidadian and Tobagonians and Indo-Guyanese along with a smaller population of Indo-Surinamese, Indo-Jamaicans and other Indo-Caribbeans in the United States, especially in the New York metropolitan area and Florida. The Washington metropolitan area, Texas, and Minnesota also have small numbers of Indo-Guyanese and Indo-Trinidadians. Indo-Caribbean Americans are a subgroup of Caribbean Americans as well as Indian Americans, which are a subgroup of South Asian Americans, which itself is a subgroup of Asian Americans.
The dhantal (dandtal) is a long steel rod based percussion instrument, which was adapted from the iron "bows" that yoked the oxen that pulled the carts on the estates in Guyana, Suriname, Trinidad and Tobago, other parts of the Caribbean. The original beater was an actual horseshoe, a shape which is still retained in the dhantal's modern context as a musical instrument. The top of the dhantal may be blunt or tapered to a fine point to allow for greater resonance, and its end is shaped into a circle that rests on the ground, table, or other surface when it is played. It is usually about 3 to 6 long and 3/8" to 1/2" thick. The dhantal is an important instrument in Indo-Caribbean music styles. Such as "Chutney Music, Baithak Gana and Taan Singing". The dhantal player or "dhantalist" sets the "taal" or rhythm for the dholak/tabla player.
Ramdew Chaitoe was a Surinamese artist and a harmonium player, who released a Baithak Gana album called The King Of Suriname a.k.a The Star Melodies of Ramdew Chaitoe in 1976. Rumors exist about how Chaitoe started his career singing in jail after being arrested in a bar fight.
Caribbean Hindustani is an Indo-Aryan language spoken by Indo-Caribbeans and the Indo-Caribbean diaspora. It is a koiné language mainly based on the Bhojpuri and Awadhi dialects. These Hindustani dialects were the most spoken dialects by the Indians who came as immigrants to the Caribbean from India as indentured laborers. It is closely related to Fiji Hindi and the Bhojpuri-Hindustani spoken in Mauritius and South Africa.
Indo-Caribbean music is the musical traditions of the Indo-Caribbean people of the Caribbean music area. Indo-Caribbean music is most common in Trinidad and Tobago, Guyana, Jamaica, and Suriname.
Nirmala Rajasekar is a Carnatic Saraswati veena player, composer, vocalist, and educator. One of the world's premier veena players, Rajasekar has performed at Carnegie Hall, the United Nations, the Madras Music Academy, Narada Gana Sabha, Sawai Gandharva Festival, and the Konya International Mystic Music Festival. Rajasekar is the current co-chair of the American Composers Forum.
Baithak Gana is a form of music originating in Suriname by the Indian community. Baithak is a social gathering. It is a mix of Bhojpuri folk songs with other Caribbean influences. It is similar to Chutney music that originated in Trinidad and Tobago. The most popular exponent in Surinam of the genre were Ramdew Chaitoe and Dropati.
The term Caribbean culture summarizes the artistic, musical, literary, culinary, political and social elements that are representative of Caribbean people all over the world.
Surinamese culture has strong Asian, African and European influences. The population is mainly composed of the contribution of people from India, Africa, China, Europe, and Indonesia, as well as indigenous peoples who lived in the area, before the arrival of European settlers.
India–Suriname relations are the international relations that exist between India and Suriname. Indo-Surinamese form the largest ethnic group in Suriname, making 27.4% of the population. The current President of Suriname Chan Santokhi is of Indo-Surinamese descent.
Baithak or Bethak literally means "seat" or "place to seat" in several languages from South Asia.
Bhojpuri music is a form of Hindustani Classical Music and includes a broad array of Bhojpuri language performances in distinct style, both traditional and modern. This form of music is mostly created in Indian states of Bihar, Uttar Pradesh and other countries like Nepal, Trinidad and Tobago, Suriname, Guyana, Netherlands, Mauritius and other Caribbean Islands.
Mohamed Shahied Wagid Hosain was a Surinamese singer and musician. He was best known for covering Bollywood songs originated by Mohammed Rafi.
