Dropping bombs

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Dropping bombs is a bebop drumming technique developed and popularized by jazz drummer Kenny Clarke in the 1940s in which a drummer plays spontaneous, accented hits on the snare drum or the bass drum. [1]

Bebop style of jazz

Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States, which features songs characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody.

Jazz is a music genre that originated in the African-American communities of New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in blues and ragtime. Jazz is seen by many as "America's classical music". Since the 1920s Jazz Age, jazz has become recognized as a major form of musical expression. It then emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African-American and European-American musical parentage with a performance orientation. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms and improvisation. Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Intellectuals around the world have hailed jazz as "one of America's original art forms".

Kenny Clarke American jazz drummer

Kenneth Clarke Spearman, nicknamed Klook, was an American jazz drummer and bandleader. A major innovator of the bebop style of drumming, he pioneered the use of the Ride cymbal to keep time rather than the hi-hat, along with the use of the bass drum for irregular accents.

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Modern Jazz Quartet American jazz ensemble

The Modern Jazz Quartet (MJQ) was a jazz combo established in 1952 that played music influenced by classical, cool jazz, blues and bebop. For most of its history the Quartet consisted of John Lewis (piano), Milt Jackson (vibraphone), Percy Heath, and Connie Kay (drums). The group grew out of the rhythm section of Dizzy Gillespie's big band from 1946 to 1948, which consisted of Lewis and Jackson along with bassist Ray Brown and drummer Kenny Clarke. They recorded as the Milt Jackson Quartet in 1951 and Brown left the group, being replaced as bassist by Heath. During the early-to-mid-1950s they became the Modern Jazz Quartet, Lewis became the group's musical director, and they made several recordings with Prestige Records, including the original versions of their two best-known compositions, Lewis's "Django" and Jackson's Bags' Groove". Clarke left the group in 1955 and was replaced as drummer by Connie Kay, and in 1956 they moved to Atlantic Records and made their first tour to Europe.

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Oop Bop Sh'Bam is a jazz standard by Dizzy Gillespie. It has been described as "tailor made for tenor saxophone". The song title and word usage developed from "verbalizing the sounds of the new music [bebop]".The scat lyrics "Oop bop sh'bam a klook a mop" are an homage to drummer Kenny Clarke, nicknamed "Kllook", who played drums in a 1946 recording of the composition with Gillespie's sextet.

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References

  1. Whitehead, Kevin. "Kenny Clarke, Inventor Of Modern Jazz Drumming, At 100". npr.org. NPR. Retrieved 22 January 2015.