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A drum screen, sometimes referred to as a drum shield or acoustic shield, is a tool used by audio engineers to avoid the sound control problems caused when louder instruments overwhelm quieter instruments and vocals on stage. It is a transparent acoustic panel or system of panels that are used around drums, percussion instruments and possibly other loud musical instruments to acoustically separate unusually loud instruments from other musical instruments and vocalists who may be close by.
Drum screens are usually made out of a 0.22-inch (5.6mm) thick clear acrylic sheet material. A more expensive scratch-resistant or AR (abrasion-resistant) acrylic is also sometimes used for rugged use and touring applications.[ citation needed ] While plastic drum screens perform fairly well as sound barriers, they reflect most sound that strikes them and so very little sound is actually absorbed.[ citation needed ] Therefore, it is usually recommended[ by whom? ] that some type of acoustic absorption product, such as acoustic foam, heavy curtains, acoustic panels, or absorption baffles be used on a significant percentage of the screen surface and opposite the screen in order to soak up and dissipate as much of the direct and reflected sound energy as possible.[ citation needed ]
In some applications where the performance area has high ceilings that reflect a large percentage of the sound, acrylic sheet is sometimes used to almost completely surround the loud instrument on all sides and above to create what is commonly known as an isolation booth. While this technique will aid in isolating the loud sound source, the interior acoustics of any booth with such a large percentage of highly reflective surfaces will be difficult or impossible to control. It is therefore recommended that at least 60% or more of the reflective surfaces inside this type of isolation booth be treated with acoustic absorption products. It is also wise to use additional carpet padding and carpet under the entire setup to reduce reflections off the floor and absorb additional sound energy.
A mirror, also known as a looking glass, is an object that reflects an image. Light that bounces off a mirror will show an image of whatever is in front of it, when focused through the lens of the eye or a camera. Mirrors reverse the direction of the image in an equal yet opposite angle from which the light shines upon it. This allows the viewer to see themselves or objects behind them, or even objects that are at an angle from them but out of their field of view, such as around a corner. Natural mirrors have existed since prehistoric times, such as the surface of water, but people have been manufacturing mirrors out of a variety of materials for thousands of years, like stone, metals, and glass. In modern mirrors, metals like silver or aluminium are often used due to their high reflectivity, applied as a thin coating on glass because of its naturally smooth and very hard surface.
A loudspeaker is a combination of one or more speaker drivers, an enclosure, and electrical connections. The speaker driver is an electroacoustic transducer that converts an electrical audio signal into a corresponding sound.
Reverberation, in acoustics, is a persistence of sound after it is produced. Reverberation is created when a sound or signal is reflected. This causes numerous reflections to build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached.
A recording studio is a specialized facility for recording and mixing of instrumental or vocal musical performances, spoken words, and other sounds. They range in size from a small in-home project studio large enough to record a single singer-guitarist, to a large building with space for a full orchestra of 100 or more musicians. Ideally, both the recording and monitoring spaces are specially designed by an acoustician or audio engineer to achieve optimum acoustic properties.
An anechoic chamber is a room designed to stop reflections or echoes of either sound or electromagnetic waves. They are also often isolated from energy entering from their surroundings. This combination means that a person or detector exclusively hears direct sounds, in effect simulating being outside in a free field.
Soundproofing is any means of impeding sound propagation. There are several methods employed including increasing the distance between the source and receiver, decoupling, using noise barriers to reflect or absorb the energy of the sound waves, using damping structures such as sound baffles for absorption, or using active antinoise sound generators.
Reflection is the change in direction of a wavefront at an interface between two different media so that the wavefront returns into the medium from which it originated. Common examples include the reflection of light, sound and water waves. The law of reflection says that for specular reflection the angle at which the wave is incident on the surface equals the angle at which it is reflected.
The noise reduction coefficient is a single number value ranging from 0.0 to 1.0 that describes the average sound absorption performance of a material. An NRC of 0.0 indicates the object does not attenuate mid-frequency sounds, but rather reflects sound energy. This is more conceptual than physically achievable: even very thick concrete walls will attenuate sound and may have an NRC of 0.05. Conversely, an NRC of 1.0 indicates that the material provides an acoustic surface area that is equivalent to its physical, two-dimensional surface area. This rating is common of thicker, porous sound absorptive materials such as 2-inch-thick (51 mm) fabric-wrapped fiberglass panel. Materials can achieve NRC values greater than 1.00. This is a shortcoming of the test procedure and a limitation of how acousticians define a square unit of absorption, and not a characteristic of the material itself.
Architectural acoustics is the science and engineering of achieving a good sound within a building and is a branch of acoustical engineering. The first application of modern scientific methods to architectural acoustics was carried out by the American physicist Wallace Sabine in the Fogg Museum lecture room. He applied his newfound knowledge to the design of Symphony Hall, Boston.
In acoustics, absorption refers to the process by which a material, structure, or object takes in sound energy when sound waves are encountered, as opposed to reflecting the energy. Part of the absorbed energy is transformed into heat and part is transmitted through the absorbing body. The energy transformed into heat is said to have been 'lost'.
A metal roof is a roofing system featuring metal pieces or tiles exhibiting corrosion resistance, impermeability to water, and long life. It is a component of the building envelope. The metal pieces may be a covering on a structural, non-waterproof roof, or they could be self-supporting sheets.
Noise control or noise mitigation is a set of strategies to reduce noise pollution or to reduce the impact of that noise, whether outdoors or indoors.
Acoustic foam is an open celled foam used for acoustic treatment. It attenuates airborne sound waves, reducing their amplitude, for the purposes of noise reduction or noise control. The energy is dissipated as heat. Acoustic foam can be made in several different colors, sizes and thickness.
In materials science, radiation-absorbent material (RAM) is a material which has been specially designed and shaped to absorb incident RF radiation, as effectively as possible, from as many incident directions as possible. The more effective the RAM, the lower the resulting level of reflected RF radiation. Many measurements in electromagnetic compatibility (EMC) and antenna radiation patterns require that spurious signals arising from the test setup, including reflections, are negligible to avoid the risk of causing measurement errors and ambiguities.
'Vibration isolation' is the prevention of transmission of vibration from one component of a system to others parts of the same system, as in buildings or mechanical systems. Vibration is undesirable in many domains, primarily engineered systems and habitable spaces, and methods have been developed to prevent the transfer of vibration to such systems. Vibrations propagate via mechanical waves and certain mechanical linkages conduct vibrations more efficiently than others. Passive vibration isolation makes use of materials and mechanical linkages that absorb and damp these mechanical waves. Active vibration isolation involves sensors and actuators that produce disruptive interference that cancels-out incoming vibration.
Room modes are the collection of resonances that exist in a room when the room is excited by an acoustic source such as a loudspeaker. Most rooms have their fundamental resonances in the 20 Hz to 200 Hz region, each frequency being related to one or more of the room's dimensions or a divisor thereof. These resonances affect the low-frequency low-mid-frequency response of a sound system in the room and are one of the biggest obstacles to accurate sound reproduction.
Building insulation materials are building materials that form the thermal envelope of a building. As thermal insulation they reduce the heating energy requirement or the cooling load of buildings ; they can also provide soundproofing.
Bass traps are acoustic energy absorbers which are designed to damp low-frequency sound energy with the goal of attaining a flatter low-frequency (LF) room response by reducing LF resonances in rooms. They are commonly used in recording studios, mastering rooms, home theatres and other rooms built to provide a critical listening environment. Like all acoustically absorptive devices, they function by turning sound energy into heat through friction.
Picture framing glass usually refers to flat glass or acrylic ("plexi") used for framing artwork and for presenting art objects in a display box.
Acoustic plaster is plaster which contains fibres or aggregate so that it absorbs sound. Early plasters contained asbestos, but newer ones consist of a base layer of absorptive substrate panels, which are typically mineral wool, or a non-combustible inorganic blow-glass granulate. A first finishing layer is then applied on top of the substrate panels, and sometimes a second finishing layer is added for greater sound attenuation. Pre-made acoustic panels are more commonly used, but acoustic plaster provides a smooth and seamless appearance, and greater flexibility for readjustment. The drawback is the greater level of skill required in application. Proprietary types of acoustic plaster developed in the 1920s included Macoustic Plaster, Sabinite, Kalite, Wyodak, Old Newark and Sprayo-Flake produced by companies such as US Gypsum.