A first-person narrative is a mode of storytelling in which a narrator relays events from their own point of view using the first person i.e. "I" or "we", etc. It may be narrated by a first person protagonist, first person re-teller, first person witness, or first person peripheral. A classic example of a first person protagonist narrator is Charlotte Brontë's Jane Eyre (1847), in which the title character is also the narrator telling her own story, "I could not unlove him now, merely because I found that he had ceased to notice me".
Storytelling describes the social and cultural activity of sharing stories, sometimes with improvisation, theatrics or embellishment. Every culture has its own stories or narratives, which are shared as a means of entertainment, education, cultural preservation or instilling moral values. Crucial elements of stories and storytelling include plot, characters and narrative point of view.
A narrative or story is an account of a series of related events, experiences, or the like, whether true or fictitious. The word derives from the Latin verb narrare, which is derived from the adjective gnarus. Along with argumentation, description, and exposition, narration, broadly defined, is one of four rhetorical modes of discourse. More narrowly defined, it is the fiction-writing mode in which the narrator communicates directly to the reader.
Diegesis is a style of fiction storytelling that presents an interior view of a world in which:
- Details about the world itself and the experiences of its characters are revealed explicitly through narrative.
- The story is told or recounted, as opposed to shown or enacted.
- There is a presumed detachment from the story of both the speaker and the audience.
An unreliable narrator is a narrator whose credibility is compromised. They can be found in fiction and film, and range from children to mature characters. The term was coined in 1961 by Wayne C. Booth in The Rhetoric of Fiction. While unreliable narrators are almost by definition first-person narrators, arguments have been made for the existence of unreliable second- and third-person narrators, especially within the context of film and television, although sometimes also in literature.
Narrative poetry is a form of poetry that tells a story, often making the voices of a narrator and characters as well; the entire story is usually written in metered verse. Narrative poems do not need rhyme. The poems that make up this genre may be short or long, and the story it relates to may be complex. It is normally dramatic, with objectives, diverse and meter. Narrative poems include epics, ballads, idylls, and lays.
Hypertext fiction is a genre of electronic literature, characterized by the use of hypertext links that provide a new context for non-linearity in literature and reader interaction. The reader typically chooses links to move from one node of text to the next, and in this fashion arranges a story from a deeper pool of potential stories. Its spirit can also be seen in interactive fiction.
Narration is the use of a written or spoken commentary to convey a story to an audience. Narration encompasses a set of techniques through which the creator of the story presents their story, including:
A frame story is a literary technique that serves as a companion piece to a story within a story, where an introductory or main narrative sets the stage either for a more emphasized second narrative or for a set of shorter stories. The frame story leads readers from a first story into one or more other stories within it. The frame story may also be used to inform readers about aspects of the secondary narrative(s) that may otherwise be hard to understand. This should not be confused with narrative structure or character personality change. A frame story is also called a "sandwich narrative" or an "intercalated narrative". One narrative is embedded or nestled within a second story and acts as a commentary on the frame narrative or vice versa. This framing device is a common literary technique within the New Testament. For example, Mark interrupts the story of the cursing and withering of the fig tree to place another story within it. The fig tree narrative acts as a commentary on the Temple cleansing.
William Tell Told Again is a retelling of the William Tell legend in prose and verse with illustrations. The main prose element was written by P. G. Wodehouse, while Philip Dadd supplied the frontispiece and 15 full-page illustrations, all in colour. The 15 illustrations were each accompanied by a verse written by John W. Houghton, who also wrote the prologue and epilogue in verse.
Rhetorical modes describe the variety, conventions, and purposes of the major kinds of language-based communication, particularly writing and speaking. Four of the most common rhetorical modes and their purpose are: narration, description, exposition, and argumentation. The first codification of these rhetorical modes was by Samuel P. Newman in A Practical System of Rhetoric in 1827.
Neetham (Tamil:நீதம்) are the primary virtues to be followed according to the Akilathirattu the holy text of Ayyavazhi. They are found in Akilam one, which is the first section of the Akilathirattu Ammanai, and in the middle of the meta-narrative events of the eight yugas. This shows that the society, its people, and the ruling king once lived in absolute harmony with nature, placing the power of God in all their works, deeds, and activities during early ages.
Love (2003) is the eighth novel by Toni Morrison. Written in Morrison's non-linear style, the novel tells of the lives of several women and their relationships to the late Bill Cosey.
Narrative art is art that tells a story, either as a moment in an ongoing story or as a sequence of events unfolding over time. Some of the earliest evidence of human art suggests that people told stories with pictures. Although there are some common features to all narrative art, different cultures have developed idiosyncratic ways to discern narrative action from pictures.
Transmedia storytelling is the technique of telling a single story or story experience across multiple platforms and formats using current digital technologies.
In narrative, a motif(pronunciation) (help·info) is any recurring element that has symbolic significance in a story. Through its repetition, a motif can help produce other narrative aspects such as theme or mood.
Narrative communication is a kind of a detached communication, where the person who is speaking is more involved in what he/she says rather than in the person who he/she is saying it to.
Personal narrative (PN) is a prose narrative relating personal experience usually told in first person; its content is nontraditional. "Personal" refers to a story from one's life or experiences. "Nontraditional" refers to literature that does not fit the typical criteria of a narrative.
Tellability is quality for which a story is told and examined as remarkable with its constructed merit. Ochs and Capps examine tellability as the reason a narrative is told. Namely speakers can transform any instance into a meaningful narrative, but most are tellable due to how they deviate from everyday happenings and the prototypical. A narrative changes dependent on its level of tellability, and these elements are largely contextual. The tellability of a story often parallels the perceived truth of the story.
Visions of Amram, also referred to as 4Q543-549, is a collection of five extremely fragmented copies found in Qumran cave 4. In 1972, Jozef T. Milik published a significant fragment of the Visions of Amram. Since then, controversy has surrounded this document at every turn. In this testament, Amram gathers his sons, Moses and Aaron, to his deathbed and relates stories of his life, providing wisdom and commanding understanding. This document is named for a vision shared during this time.
