Former editors | Arthur Booth Charles E. Kelly Thomas J. Collins Lelia Doolan Joe Dowling |
---|---|
Categories | Satire |
Frequency | Monthly |
Publisher | Dublin Opinion Ltd. |
First issue | 1 March 1922 |
Final issue | 1968 |
Country | Ireland |
Based in | Dublin |
Language | English |
Dublin Opinion was an Irish satirical magazine, published monthly from 1922 to 1968. It was founded by cartoonists Arthur Booth and Charles E. Kelly and writer Thomas J. Collins. Booth was its first editor, and drew the covers of the early issues. The first issue was launched on 1 March 1922, and its entire print run of 3,000 sold out. The next issue sold poorly, but from the third issue the magazine was distributed by Eason & Son and sales improved, rising to 40,000 per issue within four years, [1] and 60,000 at its peak. [2]
Launched on the eve of the Irish Civil War, the magazine's editorial stance was carefully balanced between Free Staters and Republicans, and its satire was generally gentle, albeit less so when it came to Britain and northern Unionists. Booth's cartoons were sombre, focusing on the destruction caused by the war and the unemployment that followed, while Kelly's were more playful. [1] Collins wrote most of the text pieces under a variety of pseudonyms, including Paul Jones, Clement Molyneaux, Lycurgus and Epictetus. [3] After Booth's death in 1928, Kelly and Collins took over as joint editors. [4]
Dublin Opinion was a showcase for Irish cartooning, including Bill Glenn's regular "Ballyscunnion" scraperboard cartoon, and work by W. H. Conn, Rowel Friers, Grace Gifford and many others, [5] [4] but by the mid-1960s, its popularity had begun to wane. Kelly and Collins wound up the magazine in 1967 and sold it to Louis O'Sullivan in 1968, under whose ownership it returned briefly, edited by Lelia Doolan and Joe Dowling. [2]
Punch, or The London Charivari was a British weekly magazine of humour and satire established in 1841 by Henry Mayhew and wood-engraver Ebenezer Landells. Historically, it was most influential in the 1840s and 1850s, when it helped to coin the term "cartoon" in its modern sense as a humorous illustration.
Michael Collins was an Irish revolutionary, soldier, and politician who was a leading figure in the early-20th-century Irish struggle for independence. He was Chairman of the Provisional Government of the Irish Free State from January 1922 until his assassination in August 1922.
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William H. Conn (1895–1973) was an Irish cartoonist, illustrator, watercolourist and poster artist. The son of a lithographer, he was educated at the Ulster Provincial School, now Friends' School, Lisburn. From 1936 he was a staff artist for the Belfast Telegraph and its sports sister paper Ireland's Saturday Night, creating a regular strip, "The Doings of Larry O'Hooligan", for the latter. He drew a monthly full-page illustration for Dublin Opinion magazine, sometimes satirical, sometimes observational scenes of rural and urban Irish life, sometimes ghostly gothic scenes, and also contributed spot cartoons. He created colour posters for Northern Ireland Railways and exhibited his watercolours and black and white drawings. He died on 25 August 1973 after a three-year illness. He was a lifelong bachelor.
Charles Edward Kelly was an Irish cartoonist, and one of the founders and editors of the satirical magazine Dublin Opinion. His prolific contributions to the magazine were drawn in a variety of styles, from cartoony to illustrative.
Arthur James Conry Booth (1892–1926) was an Irish cartoonist and one of the founders of the satirical magazine Dublin Opinion. Born in Dublin, he was educated at the Catholic University School and joined the Dublin United Transport Company. Through his interest in amateur dramatics, he met fellow cartoonist Charles E. Kelly and writer Thomas J. Collins, and decided to start a humorous journal. Booth resigned his job to become editor, and drew the covers as well as interior cartoons.
Jane Wyse Power was an Irish activist, feminist, politician and businesswoman. She was a founder member of Sinn Féin and also of Inghinidhe na hÉireann. She rose in the ranks to become one of the most important women of the revolution. As President of Cumann na mBan, she left the radicalised party and formed a new organisation called Cumann na Saoirse, holding several senior posts in the Dáil during the Free State.
John Fergus O'Hea was an Irish political cartoonist who sometimes published under the pseudonym Spex. Born in Cork, he was the son of James O'Hea, a barrister who was active in the Young Ireland movement and had been secretary to Daniel O'Connell. He attended the Cork School of Design, and painted trade union banners for Cork parades in the 1860s, 70s and 80s.
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