Duncan Shanks (born 1937 [1] ) RSA, RSW, RGI, [2] is a Lanarkshire born painter best known for work made around his home in Carluke, Scotland. [3]
He studied at The Glasgow School of Art in the 1950s under David Donaldson and was awarded a post-diploma travel scholarship which took him to Italy for a year. [4] Upon his return to Scotland in 1961 he took up a teaching position at GSA, lecturing there part time until 1979. He tutored fellow Scottish John Lowrie Morrison. [5]
Duncan Shanks's first solo exhibition was hosted by Stirling University in 1974. Since then he has exhibited regularly in solo and group exhibitions, represented by Roger Billcliffe Fine Art in Glasgow [6] and The Scottish Gallery in Edinburgh. [7] The Scottish Gallery has held 11 exhibitions with Duncan Shanks between 1981 and 2019. His most recent show, Transience, received a four star review from Duncan Macmillan in The Scotsman. He wrote "For Shanks, it is the restlessness, the constant change even in the most familiar things (the transience indeed as life flows by like the River Clyde past the bottom of his garden) that it has been his mission to try to convey." [8]
Shanks's work is also held in numerous public and private collections, including The University of St Andrews, [9] Arts Council Collection, Southbank Centre [10] and the Fleming-Wyfold Art Foundation. [11] The Hunterian Museum and Art Gallery in Glasgow holds a collection of over 100 sketchbooks. [12] Curator Anne Delau Beveridge explained their value to the collection when she wrote: "Duncan’s sketchbooks were never intended to be seen by others. As such they offer an uncensored insight into the artist’s working process, thoughts and aspirations. Ideas first explored in these sketchbooks were often subsequently developed in studio studies." [13]
Charles Rennie Mackintosh was a Scottish architect, designer, water colourist and artist. His artistic approach had much in common with European Symbolism. His work, alongside that of his wife Margaret Macdonald, was influential on European design movements such as Art Nouveau and Secessionism and praised by great modernists such as Josef Hoffmann. Mackintosh was born in Glasgow, Scotland and died in London, England. He is among the most important figures of Modern Style.
The Hunterian is a complex of museums located in and operated by the University of Glasgow in Glasgow, Scotland. It is the oldest museum in Scotland. It covers the Hunterian Museum, the Hunterian Art Gallery, the Mackintosh House, the Zoology Museum and the Anatomy Museum, which are all located in various buildings on the main campus of the university in the west end of Glasgow.
The Scottish Colourists were a group of four painters, three from Edinburgh, whose Post-Impressionist work, though not universally recognised initially, came to have a formative influence on contemporary Scottish art and culture. The four artists, Francis Cadell, John Duncan Fergusson, Leslie Hunter and Samuel Peploe, were prolific painters spanning the turn of the twentieth century until the beginnings of World War II. While now banded as one group with a collective achievement and a common sense of British identity, it is a misnomer to believe their artwork or their painterly careers were heterogeneous.
The New Scottish Group was a loose collection of artists based in Glasgow, who exhibited from 1942 to 1956. It was formed around John Duncan Fergusson after his return to Glasgow in 1939. It had its origins in the New Art Club formed in 1940, and had its first exhibition in 1942. Members did not have a common style, but shared left-wing views and were influenced by contemporary continental art. Members included Donald Bain, William Crosbie, Marie de Banzie and Isabel Babianska. Tom MacDonald, Bet Low and William Senior formed the Clyde Group to pursue political painting that manifested in urban industrial landscapes. The group helped start the careers of a generation of Glasgow-based artists and was part of a wider cultural "golden age" for the city.
David Michie OBE, RSA, PSSA, FRSA, RGI was a Scottish artist of international stature.
William Hastie Geissler was a Scottish artist known for his watercolours of the natural world. He was one of The Edinburgh School, and much of his earlier work came from sketching trips undertaken with other members of this group, though he himself is sometimes described as a "neglected" member. Although his natural preference lay with watercolour, often with gouache and pen and ink, several works in oil survive.
Scottish art is the body of visual art made in what is now Scotland, or about Scottish subjects, since prehistoric times. It forms a distinctive tradition within European art, but the political union with England has led its partial subsumation in British art.
Alexander Goudie was a Scottish figurative painter.
Derek Robertson RSW SSA SAA is a Scottish artist. One of the signature members of the Society of Animal Artists, he is known for his paintings of wildlife and landscapes, and for his poetic narrative work consisting of paintings, constructions and installations. He has been elected several times on the Council of the RSW and has written and presented 5 television programs about his work and the wildlife he portrays and has written 5 books about his art: The Mugdrum, Highland Sketchbook, A Studio Under The Sky, Otters, An Artist's Sketchbook, "Living Landscapes" and Puffins: An Artist's Sketchbook. His work has also illustrated many other publications.
The Artist's Cottage project is the realisation of three previously unexecuted designs by Scottish architect Charles Rennie Mackintosh. In 1901, Mackintosh produced two speculative drawings, An Artist's Cottage and Studio and A Town House for an Artist. He also drew three preliminary sketches titled, Gate Lodge, Auchinbothie, Kilmalcolm, and the final drawing for the completed building. Ninety years later the architect Robert Hamilton Macintyre and his client, Peter Tovell, began work on the first of these unrealised domestic designs, The Artist's Cottage, at Farr near Inverness, Scotland.
The New Scottish Group was a loose collection of artists based in Glasgow, who exhibited from 1942 to 1956. It was formed around John Duncan Fergusson after his return to Glasgow in 1939. It had its origins in the New Art Club formed in 1940, and had its first exhibition in 1942. Members did not have a common style, but shared left-wing views and were influenced by contemporary continental art. Members included Donald Bain, William Crosbie, Marie de Banzie and Isabel Babianska. Tom MacDonald, Bet Low and William Senior formed the Clyde Group to pursue political painting that manifested in urban industrial landscapes. The group helped start the careers of a generation of Glasgow-based artists and was part of a wider cultural "golden age" for the city.
Art in modern Scotland includes all aspects of the visual arts in the country since the beginning of the twentieth century. In the early twentieth century, the art scene was dominated by the work of the members of the Glasgow School known as the Four, led by Charles Rennie Mackintosh, who gained an international reputation for their combination of Celtic revival, Art and Crafts and Art Nouveau. They were followed by the Scottish Colourists and the Edinburgh School. There was a growing interest in forms of Modernism, with William Johnstone helping to develop the concept of a Scottish Renaissance. In the post-war period, major artists, including John Bellany and Alexander Moffat, pursued a strand of "Scottish realism". Moffat's influence can be seen in the work of the "new Glasgow Boys" from the late twentieth century. In the twenty-first century Scotland has continued to produce influential artists such as Douglas Gordon and Susan Philipsz.
Landscape painting in Scotland includes all forms of painting of landscapes in Scotland since its origins in the sixteenth century to the present day. The earliest examples of Scottish landscape painting are in the tradition of Scottish house decoration that arose in the sixteenth century. Often said to be the earliest surviving painted landscape created in Scotland is a depiction by the Flemish artist Alexander Keirincx undertaken for Charles I.
Graham Fagen is a Scottish artist living and working in Glasgow, Scotland. He has exhibited internationally at the Busan BiennaleArchived 10 September 2013 at the Wayback Machine, South Korea (2004), the Art and Industry Biennial, New Zealand (2004), the Venice Biennale (2003) and represented Scotland at the 56th Venice Biennale in 2015 in a presentation curated and organised by Hospitalfield. In Britain he has exhibited at the Victoria & Albert Museum, Tate Britain and the Institute of Contemporary Arts, London. In 1999 he was invited by the Imperial War Museum, London to work as the Official War Artist for Kosovo.
Will Maclean MBE is a Scottish artist and professor of art.
Victoria Elizabeth Crowe is a Scottish artist known for her portrait and landscape paintings. She has works in several collections including the National Galleries of Scotland, the National Portrait Gallery, London, and the Royal Scottish Academy.
John Duncan Macmillan is a Scottish art historian, art critic, and writer.
Alexander Ignatius Roche RSA NEAC RP was a Scottish artist in the late 19th century and an important figure in the "Glasgow Boys".
Philip Reeves RSA PRSW RGI RE was an English artist, collage-maker and printmaker who lived for much of his life in Scotland.
Stephen McLaren is a Scottish photographer, writer, and curator, based in Los Angeles. He has edited various photography books published by Thames & Hudson—including Street Photography Now (2010)—and produced his own, The Crash (2018). He is a co-founder member of Document Scotland. McLaren's work has been shown at FACT in Liverpool as part of the Look – Liverpool International Photography Festival and in Document Scotland group exhibitions at Impressions Gallery, Bradford and at the Scottish National Portrait Gallery, Edinburgh. His work is held in the collection of the University of St Andrews.