Tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it.
Tragicomedy is a literary genre that blends aspects of both tragic and comic forms. Most often seen in dramatic literature, the term can describe either a tragic play which contains enough comic elements to lighten the overall mood or a serious play with a happy ending. Tragicomedy, as its name implies, invokes the intended response of both the tragedy and the comedy in the audience, the former being a genre based on human suffering that invokes an accompanying catharsis and the latter being a genre intended to be humorous or amusing by inducing laughter.
John Webster was an English Jacobean dramatist best known for his tragedies The White Devil and The Duchess of Malfi, which are often seen as masterpieces of the early 17th-century English stage. His life and career overlapped with Shakespeare's.
Ancient Greek theatre was a theatrical culture that flourished in ancient Greece from 700 BC. The city-state of Athens, which became a significant cultural, political, and religious place during this period, was its centre, where the theatre was institutionalised as part of a festival called the Dionysia, which honoured the god Dionysus. Tragedy, comedy, and the satyr play were the three dramatic genres to emerge there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements.
Theatre of Tragedy was a Norwegian band from Stavanger, active between 1993 and 2010. They are best known for their earlier albums, which influenced the gothic metal genre.
Greek tragedy is one of the three principal theatrical genres from Ancient Greece and Greek inhabited Anatolia, along with comedy and the satyr play. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy.
"To be, or not to be" is the opening phrase of a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet, Act 3, Scene 1. In the speech, Hamlet contemplates death and suicide, weighing the pain and unfairness of life against the alternative, which might be worse. The opening line is one of the most widely known and quoted lines in modern English literature, and the speech has been referenced in many works of theatre, literature, and music. Hamlet is not alone as he speaks because Ophelia is on stage waiting for him to see her and Claudius and Polonius have concealed themselves to hear him. Even so, Hamlet seems to consider himself alone and there is no definite indication that the others hear him before he addresses Ophelia, so the speech is almost universally regarded as a soliloquy.
Sandra Lee "Sandy" Scheuer was a student at Kent State University in Kent, Ohio, when she was killed by Ohio National Guardsmen in the Kent State shootings.
Liv Kristine Espenæs is a Norwegian singer who has performed and composed songs mostly for various subgenres of heavy metal music. She started her career in the music industry as a vocalist for the gothic metal band Theatre of Tragedy, and is the former lead vocalist for the symphonic metal band Leaves' Eyes. She is known for her work in close association with her then-husband and leader of the German band Atrocity, Alexander Krull. Currently she is a singer of a German band Midnattsol alongside her younger sister Carmen Elise Espenæs. She also released a number of solo albums in various genres.
The Spanish Tragedy, or Hieronimo is Mad Again is an Elizabethan tragedy written by Thomas Kyd between 1582 and 1592. Highly popular and influential in its time, The Spanish Tragedy established a new genre in English theatre, the revenge play or revenge tragedy. The play contains several violent murders and includes as one of its characters a personification of Revenge. The Spanish Tragedy is often considered to be the first mature Elizabethan drama, a claim disputed with Christopher Marlowe's Tamburlaine, and was parodied by many Elizabethan and Jacobean playwrights, including Marlowe, William Shakespeare and Ben Jonson.
Velvet Darkness They Fear is the second studio album by the Norwegian gothic metal band Theatre of Tragedy. It was released in 1996 by Massacre Records. The album was issued in the US by Century Media Records in 1997.
Assembly is the fifth studio album by the Norwegian metal band Theatre of Tragedy, released in 2002. It continued the group's move from gothic to a more electronic and pop style of music. This style was described as similar to "Siouxsie and the Banshees jamming with Ace of Base".
"I Write Sins Not Tragedies" is a song by American rock band Panic! at the Disco. It is the second single from their debut studio album, A Fever You Can't Sweat Out (2005), and was released in the United States as a digital download on November 16, 2005. The song is built upon a pizzicato cello motif that was played by session musician Heather Stebbins. It reached a peak of No. 7 on the US Billboard Hot 100, the band's only top-40 hit until the release of "Hallelujah" in 2015, and only top-10 hit until "High Hopes" in 2018. While the song failed to hit the top-10 on the Alternative Songs chart—peaking at No. 12, which was lower than their prior single, "The Only Difference Between Martyrdom and Suicide Is Press Coverage", which peaked at No. 5—the song's success on the Hot 100 and Mainstream Top 40 charts made the song one of the biggest modern rock hits of 2006, and it is still one of the band's most-played songs on alternative radio stations to this day.
Julia Emilie Neilson was an English actress best known for her numerous performances as Lady Blakeney in The Scarlet Pimpernel, for her roles in many tragedies and historical romances, and for her portrayal of Rosalind in a long-running production of As You Like It.
Disintegration or disintegrate may refer to:
A teenage tragedy song is a style of ballad in popular music that peaked in popularity in the late 1950s and early 1960s. Examples of the style are also known as "tear jerkers", "death discs" or "splatter platters", among other colorful sobriquets coined by DJs that then passed into vernacular as the songs became popular. Often lamenting teenage death scenarios in melodramatic fashion, these songs were often sung from the viewpoint of the dead person's sweetheart, as in "Last Kiss" (1961), or another witness to the tragedy, or the dead person. Notable examples include "Teen Angel" by Mark Dinning (1959), "Tell Laura I Love Her" by Ray Peterson (1960), "Ebony Eyes" by the Everly Brothers (1961), "Dead Man's Curve" by Jan and Dean (1964), and "Leader of the Pack" by the Shangri-Las (1964). The genre's popularity faded around 1965, but the hits from its heyday inspired a host of similar songs and parodies over the years.
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres", as derived from the Ancient Greek θέατρον, itself from θεάομαι.
A play is a form of drama that primarily consists of dialogue between characters and is intended for theatrical performance rather than mere reading. The creator of a play is known as a playwright.
Huskar Pit was a coal mine on the South Yorkshire Coalfield, sunk to work the Silkstone seam. It was located in Nabs Wood, outside the village of Silkstone Common, in the then West Riding of Yorkshire. It was connected to the Barnsley Canal by the Silkstone Waggonway. Huskar was the scene of a notorious pit disaster in 4 July 1838.
