In Mixtec mythology, Dzahui or Dzavui was the god of rain. Child sacrifices were performed for Dzahui on the tops of hills during times of drought, sickness, and at harvest time.
A deity is a supernatural being considered divine or sacred. The Oxford Dictionary of English defines deity as "a god or goddess ", or anything revered as divine. C. Scott Littleton defines a deity as "a being with powers greater than those of ordinary humans, but who interacts with humans, positively or negatively, in ways that carry humans to new levels of consciousness, beyond the grounded preoccupations of ordinary life". In the English language, a male deity is referred to as a god, while a female deity is referred to as a goddess.
Rain is liquid water in the form of droplets that have condensed from atmospheric water vapor and then become heavy enough to fall under gravity. Rain is a major component of the water cycle and is responsible for depositing most of the fresh water on the Earth. It provides suitable conditions for many types of ecosystems, as well as water for hydroelectric power plants and crop irrigation.
The practice of child sacrifice in Pre-Columbian cultures, in particular Mesoamerican and South American cultures, is well documented both in the archaeological records and in written sources. The exact ideologies behind child sacrifice in different pre-Columbian cultures are unknown but it is often thought to have been performed in order to placate certain gods.
In Mixtec codices, Dzahui exhibits the blue or green rain goggle mask also seen on the central Mexican deity Tlaloc. He possesses exposed teeth incisors and longer, somewhat curled jaguar canine teeth emerging from curled lips. Occasionally, depictions of Dzahui depict the god with a blue or green protrusion, emerging from his nose.
Chaac is the name of the Maya rain deity. With his lightning axe, Chaac strikes the clouds and produces thunder and rain. Chaac corresponds to Tlaloc among the Aztecs.
Cocijo is a lightning deity of the pre-Columbian Zapotec civilization of southern Mexico. He has attributes characteristic of similar Mesoamerican deities associated with rain, thunder and lightning, such as Tlaloc of central Mexico, and Chaac of the Maya civilization. In the Zapotec language, the word cocijo means "lightning", as well as referring to the deity.
Tlaloc is a member of the pantheon of gods in Aztec religion. As supreme god of the rain, Tlaloc is also a god of earthly fertility and of water. He was widely worshipped as a beneficent giver of life and sustenance. However, he was also feared for his ability to send hail, thunder, and lightning, and for being the lord of the powerful element of water. Tlaloc is also associated with caves, springs, and mountains, most specifically the sacred mountain in which he was believed to reside. His animal forms include herons and water-dwelling creatures such as amphibians, snails, and possibly sea creatures, particularly shellfish. The Mexican marigold, Tagetes lucida, known to the Aztecs as yauhtli, was another important symbol of the god, and was burned as a ritual incense in native religious ceremonies.
Chacmool is the term used to refer to a particular form of pre-Columbian Mesoamerican sculpture depicting a reclining figure with its head facing 90 degrees from the front, supporting itself on its elbows and supporting a bowl or a disk upon its stomach. These figures possibly symbolised slain warriors carrying offerings to the gods; the bowl upon the chest was used to hold sacrificial offerings, including pulque, tamales, tortillas, tobacco, turkeys, feathers and incense. In an Aztec example the receptacle is a cuauhxicalli. Chacmools were often associated with sacrificial stones or thrones.
Aztec mythology is the body or collection of myths of Aztec civilization of Central Mexico. The Aztecs were Nahuatl-speaking groups living in central Mexico and much of their mythology is similar to that of other Mesoamerican cultures. According to legend, the various groups who were to become the Aztecs arrived from the north into the Anahuac valley around Lake Texcoco. The location of this valley and lake of destination is clear – it is the heart of modern Mexico City – but little can be known with certainty about the origin of the Aztec. There are different accounts of their origin. In the myth the ancestors of the Mexica/Aztec came from a place in the north called Aztlan, the last of seven nahuatlacas to make the journey southward, hence their name "Azteca." Other accounts cite their origin in Chicomoztoc, "the place of the seven caves," or at Tamoanchan.
Chalchiuhtlicue[t͡ʃaːɬt͡ʃiwˈt͡ɬikʷeː] is an Aztec deity of water, rivers, seas, streams, storms, and baptism. Chalchiuhtlicue is associated with fertility and she is the patroness of childbirth. Chalchiuhtlicue was highly revered in Aztec culture at the time of the Spanish conquest and she was an important deity figure in the Postclassic Aztec realm of central Mexico. Chalchiuhtlicue belongs to a larger group of Aztec rain gods and she is closely related to another Aztec water god, Chalchiuhtlatonal.
In the Aztec religion, Huitzilopochtli is a deity of war, sun, human sacrifice, and the patron of the city of Tenochtitlan. He was also the national god of the Mexicas, also known as Aztecs, of Tenochtitlan. Many in the pantheon of deities of the Aztecs were inclined to have a fondness for a particular aspect of warfare. However, Huitzilopochtli was known as the primary god of war in ancient Mexico. Since he was the patron god of the Mexica, he was credited with both the victories and defeats that the Mexica people had on the battlefield. The people had to make sacrifices to him to protect the Aztec from infinite night. He wielded Xiuhcoatl as a weapon, associating him with fire.
Xōchipilli[ʃu˕ːt͡ʃiˈpiɬːi] is the god of art, games, beauty, dance, flowers, and song in Aztec mythology. His name contains the Nahuatl words xōchitl ("flower") and pilli, and hence means "flower prince". As the patron of writing and painting, he was called Chicomexōchitl the "Seven-flower," but he could also be referred to as Macuilxōchitl "Five-flower." His wife is the human girl Mayahuel, and his twin sister is Xōchiquetzal. As one of the gods responsible for fertility and agricultural produce, he is also associated with Tlāloc, and Centeōtl. Xōchipilli may correspond to the Tonsured Maize God among the Classic Mayas.
The Mixtecs, or Mixtecos, are indigenous Mesoamerican peoples of Mexico inhabiting the region known as La Mixteca of Oaxaca and Puebla as well as the state of Guerrero's Región Montañas, and Región Costa Chica, which covers parts of the Mexican states of Oaxaca, Guerrero and Puebla.
The term Five Suns in the context of creation myths, describes the doctrine of the Aztec and other Nahua peoples in which the present world was preceded by four other cycles of creation and destruction. It is primarily derived from the mythological, cosmological and eschatological beliefs and traditions of earlier cultures from central Mexico and the Mesoamerican region in general. The Late Postclassic Aztec society inherited many traditions concerning Mesoamerican creation accounts, while however modifying some aspects and supplying novel interpretations of their own.
Aktzin was the god of rain, thunder and lightning for the Totonac people in ancient Mexico. Variants of this deity were known as Tláloc to the Aztecs and Chaac to the Mayas.
The Zapotec civilization was an indigenous pre-Columbian civilization that flourished in the Valley of Oaxaca in Mesoamerica. Archaeological evidence shows that their culture goes back at least 2,500 years. The Zapotec left archaeological evidence at the ancient city of Monte Albán in the form of buildings, ball courts, magnificent tombs and grave goods including finely worked gold jewelry. Monte Albán was one of the first major cities in Mesoamerica and the center of a Zapotec state that dominated much of the territory that today belongs to the Mexican state of Oaxaca.
Mixtec writing originated as a logographic writing system during the Post-Classic period in Mesoamerican history. Records of genealogy, historic events, and myths are found in the pre-Columbian Mixtec codices. The arrival of Europeans in 1520 AD caused changes in form, style, and the function of the Mixtec writings. Today these codices and other Mixtec writings are used as a source of ethnographic, linguistic, and historical information for scholars, and help to preserve the identity of the Mixtec people as migration and globalization introduce new cultural influences.
A weather god, also frequently known as a storm god, is a deity in mythology associated with weather phenomena such as thunder, lightning, rain, wind, storms and hurricanes. Should they only be in charge of one feature of a storm, they will be called a god/goddess, such as a rain god or a lightning/thunder god. This singular attribute might then be emphasized more than the generic, all-encompassing term "storm god", though with thunder/lightning gods, the two terms seem interchangeable. They feature commonly in polytheistic religions.
Mount Tlaloc is a mountain and archaeological site in central Mexico. It is located in the State of Mexico, in the municipalities of Ixtapaluca and Texcoco, close to the state border with Puebla. Formerly an active volcano, it has an official altitude of 4,120 metres (13,517 ft) above sea level, thus being the 9th tallest mountain of Mexico.
Quetzalcoatl is a deity in Mesoamerican culture and literature whose name comes from the Nahuatl language and means "feathered serpent" or "Quetzal-feathered Serpent". The worship of a Feathered Serpent is first documented in Teotihuacan in the first century BC or first century AD. That period lies within the Late Preclassic to Early Classic period of Mesoamerican chronology, and veneration of the figure appears to have spread throughout Mesoamerica by the Late Classic period (600–900 AD).
Mesoamerican religion is grouping of the indigenous religions of Mesoamerica that were prevalent in pre-Columbian era. Two of the most widely-known examples of Mesoamerican religion are the Aztec religion and the Mayan religion.
László Passuth was a prolific Hungarian author of historical novels and translator. He is the father of art historian, Krisztina Passuth.
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