Cocijo

Last updated
An Early Classic representation of Cocijo found at Monte Alban and now in the Museo Nacional de Antropologia in Mexico City. Dios Cocijo.jpg
An Early Classic representation of Cocijo found at Monte Albán and now in the Museo Nacional de Antropología in Mexico City.

Cocijo (Zapotec : Cocijo [kosijo] [1] [2] ; occasionally spelt Cociyo, otherwise known as Guziu in the Zapotec language) is a lightning deity of the pre-Columbian Zapotec civilization of southern Mexico. He has attributes characteristic of similar Mesoamerican deities associated with rain, thunder and lightning, such as Tlaloc of central Mexico, and Chaac (or Chaak) of the Maya civilization. [3] In the Zapotec language, the word cocijo means "lightning", as well as referring to the deity. [3]

Contents

Cocijo was the most important deity among the pre-Columbian Zapotecs because of his association with rainfall. [4] [5] He is commonly represented on ceramics from the Zapotec area, from the Middle Preclassic right through to the Terminal Classic. [3] Cocijo was said to be the great lightning god and creator of the world. [6] In Zapotec myth, he made the sun, moon, stars, seasons, land, mountains, rivers, plants and animals, and day and night by exhaling and creating everything from his breath. [6]

Appearance

In Zapotec art Cocijo is represented with a zoomorphic face with a wide, blunt snout and a long forked serpentine tongue. [3] Cocijo often bears the Zapotec glyph C in his headdress. A similar glyph is used in Mixtec codices as the day sign Water and it is likely that its meaning in Zapotec is identical, therefore being the appropriate glyph for the rain and storm god. [3]

Representations of Cocijo combine elements earth-jaguar and sky-serpent, which are associated with fertility. His eyebrows depict the heavens, his lower lids represent clouds, and his forked serpent's tongue represents a bolt of lightning. [5]

Urn representing Cocijo held at the Birmingham Museum of Art. Cocijo.jpg
Urn representing Cocijo held at the Birmingham Museum of Art.

Classic Period

At the Late Classic Zapotec archaeological site of Lambityeco in Oaxaca, the stucco busts of Cocijo are depicted holding a jar spilling water in one hand and bolts of lightning in the other. [7] During the Classic Period the jaguar was associated, at least partly, with Cocijo. [8]

Postclassic Period

Among the Zapotecs of the Postclassic period, the four 65-day divisions of the 260-day calendar were named cocijos, which implies that there was a different Cocijo associated with each cardinal direction. Religious rites, including bloodletting, were performed to each of these four Cocijos. [3] As payment for bringing rain Cocijo frequently received human sacrifice, mostly in the form of children but also, less frequently, adults. [9]

Colonial Period

The worship of Cocijo continued into early Colonial times. In the late 1540s, three community leaders of Yanhuitlán were accused of making sacrifices to the deity, including human sacrifices, by the inhabitants of hostile neighbouring villages and were tried by the inquisitor Francisco Tello de Sandoval. [10]

Notes

  1. Paddock 1983
  2. Lind 2015, p.34.
  3. 1 2 3 4 5 6 Miller & Taube 1993, 2003, p.64.
  4. Avila Aldapa 2002, p.97.
  5. 1 2 Birmingham Museum of Art (2010). Birmingham Museum of Art: Guide to the Collection. London, UK: GILES. p. 82. ISBN   978-1-904832-77-5. Archived from the original on 2011-09-10. Retrieved 2011-06-30.
  6. 1 2 Read & González 2000, p.248.
  7. Urcid, 2005 p.138.
  8. Adams 1996, p.249.
  9. Marcus 1978, p.175.
  10. Greenleaf 1994, p.364.

Related Research Articles

<span class="mw-page-title-main">Tláloc</span> Deity in Aztec religion; a god of rain, fertility, and water

Tláloc is the god of rain in Aztec religion. He was also a deity of earthly fertility and water, worshipped as a giver of life and sustenance. This came to be due to many rituals, and sacrifices that were held in his name. He was feared, but not maliciously, for his power over hail, thunder, lightning, and even rain. He is also associated with caves, springs, and mountains, most specifically the sacred mountain where he was believed to reside. Cerro Tláloc is very important in understanding how rituals surrounding this deity played out. His followers were one of the oldest and most universal in ancient Mexico.

<span class="mw-page-title-main">Xiuhcoatl</span> Aztec mythological serpent

In Aztec religion, Xiuhcōātl was a mythological serpent, regarded as the spirit form of Xiuhtecuhtli, the Aztec fire deity sometimes represented as an atlatl or a weapon wielded by Huitzilopochtli. Xiuhcoatl is a Classical Nahuatl word that translates as "turquoise serpent" and also carries the symbolic and descriptive translation of "fire serpent".

"Huracán", often referred to as U Kʼux Kaj, the "Heart of Sky", is a Kʼicheʼ Maya god of wind, storm, fire and one of the creator deities who participated in all three attempts at creating humanity. He also caused the Great Flood after the second generation of humans angered the gods. He supposedly lived in the windy mists above the floodwaters and repeatedly invoked "earth" until land came up from the seas.

<span class="mw-page-title-main">Ixchel</span> Mayan goddess

Ixchel or Ix Chel is the 16th-century name of the aged jaguar goddess of midwifery and medicine in ancient Maya culture.

<span class="mw-page-title-main">Chaac</span> Maya god of rain, thunder, and lightning

Chaac is the name of the Maya god of rain, thunder, and lightning. With his lightning axe, Chaac strikes the clouds, causing them to produce thunder and rain. Chaac corresponds to Tlaloc among the Aztecs.

<span class="mw-page-title-main">Ītzpāpālōtl</span> Aztec goddess

Ītzpāpalōtl was a goddess in Aztec religion.

The tzolkʼin is the 260-day Mesoamerican calendar used by the Maya civilization of pre-Columbian Mesoamerica.

<span class="mw-page-title-main">Mesoamerican calendars</span>

The calendrical systems devised and used by the pre-Columbian cultures of Mesoamerica, primarily a 260-day year, were used in religious observances and social rituals, such as divination.

<span class="mw-page-title-main">Olmec religion</span> Religion of the Mesoamerican Olmec people

The religion of the Olmec people significantly influenced the social development and mythological world view of Mesoamerica. Scholars have seen echoes of Olmec supernatural in the subsequent religions and mythologies of nearly all later pre-Columbian era cultures.

<span class="mw-page-title-main">Kukulkan</span> Serpent deity in Mesoamerican mythology

K’uk’ulkan, also spelled Kukulkan, is the serpent deity of Maya mythology. It is closely related to the deity Qʼuqʼumatz of the Kʼicheʼ people and to Quetzalcoatl of Aztec mythology. Prominent temples to Kukulkan are found at archaeological sites in the Yucatán Peninsula, such as Chichen Itza, Uxmal and Mayapan.

Mesoamerica, along with Mesopotamia and China, is one of three known places in the world where writing is thought to have developed independently. Mesoamerican scripts deciphered to date are a combination of logographic and syllabic systems. They are often called hieroglyphs due to the iconic shapes of many of the glyphs, a pattern superficially similar to Egyptian hieroglyphs. Fifteen distinct writing systems have been identified in pre-Columbian Mesoamerica, many from a single inscription. The limits of archaeological dating methods make it difficult to establish which was the earliest and hence the progenitor from which the others developed. The best documented and deciphered Mesoamerican writing system, and the most widely known, is the classic Maya script. Earlier scripts with poorer and varying levels of decipherment include the Olmec hieroglyphs, the Zapotec script, and the Isthmian script, all of which date back to the 1st millennium BC. An extensive Mesoamerican literature has been conserved, partly in indigenous scripts and partly in postconquest transcriptions in the Latin script.

Ancient Maya art comprises the visual arts of the Maya civilization, an eastern and south-eastern Mesoamerican culture made up of a great number of small kingdoms in what is now Mexico, Guatemala, Belize and Honduras. Many regional artistic traditions existed side by side, usually coinciding with the changing boundaries of Maya polities. This civilization took shape in the course of the later Preclassic Period, when the first cities and monumental architecture started to develop and the hieroglyphic script came into being. Its greatest artistic flowering occurred during the seven centuries of the Classic Period.

<span class="mw-page-title-main">Zapotec civilization</span> Indigenous civilization that flourished in the Valley of Oaxaca in Mesoamerica

The Zapotec civilization is an indigenous pre-Columbian civilization that flourished in the Valley of Oaxaca in Mesoamerica. Archaeological evidence shows that their culture originated at least 2,500 years ago. The Zapotec archaeological site at the ancient city of Monte Albán has monumental buildings, ball courts, tombs and grave goods, including finely worked gold jewelry. Monte Albán was one of the first major cities in Mesoamerica. It was the center of a Zapotec state that dominated much of the territory which today is known as the Mexican state of Oaxaca.

<span class="mw-page-title-main">Karl Taube</span> American ethnohistorian (born 1957)

Karl Andreas Taube is an American Mesoamericanist, Mayanist, iconographer and ethnohistorian, known for his publications and research into the pre-Columbian cultures of Mesoamerica and the American Southwest. He is Distinguished Professor of Anthropology at the College of Humanities, Arts, and Social Sciences, University of California, Riverside. In 2008 he was named the College of Humanities, Arts, and Social Sciences distinguished lecturer.

<span class="mw-page-title-main">Dzahui</span>

In Mixtec mythology, Dzahui or Dzavui was the god of rain. Child sacrifices were performed for Dzahui on the tops of hills during times of drought, sickness, and at harvest time.

<span class="mw-page-title-main">Feathered Serpent</span> Mesoamerican concept

The Feathered Serpent is a prominent supernatural entity or deity, found in many Mesoamerican religions. It is still called Quetzalcoatl among the Aztecs; Kukulkan among the Yucatec Maya; and Q'uq'umatz and Tohil among the K'iche' Maya.

<span class="mw-page-title-main">Lambityeco</span>

Lambityeco is a small archaeological site about three kilometers west of the city of Tlacolula de Matamoros in the Mexican state of Oaxaca. It is located just off Highway 190 about 25 km (16 mi) east from the city of Oaxaca en route to Mitla. The site has been securely dated to the Late Classical Period.

Quiabelagayo is a Zapotec name associated particularly with the Oaxacan Valley pre-Columbian site of Dainzu. In Zapotec mythology and religion, Quiabelagayo has been interpreted by some researchers such as Alfonso Caso and Ignacio Bernal as a local Oaxacan equivalent of the central Mexican deity Macuilxochitl, or "Five Flower".

Mesoamerican religion is a group of indigenous religions of Mesoamerica that were prevalent in the pre-Columbian era. Two of the most widely known examples of Mesoamerican religion are the Aztec religion and the Mayan religion.

<span class="mw-page-title-main">Mirrors in Mesoamerican culture</span>

The use of mirrors in Mesoamerican culture was associated with the idea that they served as portals to a realm that could be seen but not interacted with. Mirrors in pre-Columbian Mesoamerica were fashioned from stone and served a number of uses, from the decorative to the divinatory. An ancient tradition among many Mesoamerican cultures was the practice of divination using the surface of a bowl of water as a mirror. At the time of the Spanish conquest this form of divination was still practiced among the Maya, Aztecs and Purépecha. In Mesoamerican art, mirrors are frequently associated with pools of liquid; this liquid was likely to have been water.

References