EMS Recordings was founded in 1949 by Jack Skurnick in New York City. The company won first prize at the Audio Fair of 1950 for the high quality and interest of its recordings. It issued the first recording of works of Edgard Varese.
Skurnick's parents, Max and Anna Skurnick, owned a record store on West 44th street [1] , named the Elaine Music Shop after the wife of a previous owner. Skurnick, a musicologist and amateur violinist, helped out there. When he started his record company, he named it after the store. He died in 1952. [2]
During his short lifetime, Skurnick produced three series for EMS, Pro Musica Antiqua, Forecasts in Music, and Survey of the Art Song. These were all released as long-playing records only.
Beethoven, Octet in E flat major, opus 103 and Rondino in E flat major, grove 146, Little Orchestra Society, Thomas Scherman, conductor (EMS 1)
Joseph Hayden, Partita in F Major, EMS Chamber Orchestra, Edvard Fendler, conductor; Sonatas in D Major and A Flat Major, Charles Rosen, Piano (EMS 3) [3]
Farnaby Canzonets and Virginals, Oriana Singers conducted by Charles M. Hobbs (EMS 5)
Pro Musica Antiqua
EMS presents music composed before the eighteenth century, performed authentically. [4] [5]
Forecasts in Music
Survey of the Art Song
Sonata in A Minor, Opus 42 (EMS 107) Sonata in D Major, Opus 53 (EMS 108) Sonata in G Major, Opus 78 (EMS 109) Sonata in G Minor, Opus Posth (EMS 110) Sonata in A Major, Opus Posth (EMS 111) Sonata in B Flat Major, Opus Posth (EMS 112)
Albert Charles Paul Marie Roussel was a French composer. He spent seven years as a midshipman, turned to music as an adult, and became one of the most prominent French composers of the interwar period. His early works were strongly influenced by the Impressionism of Debussy and Ravel, while he later turned toward neoclassicism.
Ionisation (1929–1931) is a musical composition by Edgard Varèse written for thirteen percussionists. It was among the first concert hall compositions for percussion ensemble alone, although Alexander Tcherepnin had composed an entire movement for percussion alone in his Symphony No. 1 from 1927. In the journal Tempo, percussionist Brian Holder writes, "The work presented the important notion that unpitched percussion could stand alone as a serious form of concert music – a relatively unexplored concept at the time."
Alexander Nikolayevich Tcherepnin was a Russian-born composer and pianist.
André Jolivet was a French composer. Known for his devotion to French culture and musical thought, Jolivet drew on his interest in acoustics and atonality, as well as both ancient and modern musical influences, particularly on instruments used in ancient times. He composed in a wide variety of forms for many different types of ensembles.
Antonín Vranický, Germanized as Anton Wranitzky, and also seen as Wranizky, was a Czech violinist and composer of the 18th century. He was the half brother of Pavel Vranický.
Jack Skurnick was an American record producer and writer, known as the founder and director of EMS Recordings and as publisher and editor of the music review Just Records.
Zdeněk Lukáš was a Czech composer. He authored over 330 works.
In music, a decet—sometimes dectet, decimet, decimette, or even tentet—is a composition that requires ten musicians for a performance, or a musical group that consists of ten people. The corresponding German word is Dezett, the French is dixtuor. Unlike some other musical ensembles such as the string quartet, there is no established or standard set of instruments in a decet.
Jan Tausinger was a Romania-born ethnic Czech violist, conductor and composer.
Paul Angerer was an Austrian violist, conductor, composer and radio presenter.
Willard Somers Elliot was an American bassoonist and composer. He was the bassoonist with the Houston Symphony Orchestra (1946–1949), bassoonist with the Dallas Symphony Orchestra (1951–1956), principal bassoonist with the Dallas Symphony Orchestra (1956–1964), and principal bassoonist with the Chicago Symphony Orchestra (1964–1997). Elliot composed and twice performed the Concerto for Bassoon and Orchestra with the Chicago Symphony Orchestra under conductors Seiji Ozawa and Jean Martinon.
Octandre is a chamber piece by Edgard Varèse, written in 1923 and published by J. Curwen & Sons in London in 1924. It is dedicated to pianist E. Robert Schmitz.
Edgard Victor Achille Charles Varèse was a French composer who spent the greater part of his career in the United States. Varèse's music emphasizes timbre and rhythm; he coined the term "organized sound" in reference to his own musical aesthetic. Varèse's conception of music reflected his vision of "sound as living matter" and of "musical space as open rather than bounded". He conceived the elements of his music in terms of "sound-masses", likening their organization to the natural phenomenon of crystallization. Varèse thought that "to stubbornly conditioned ears, anything new in music has always been called noise", and he posed the question, "what is music but organized noises?"
Guido Antonio Santórsola di Bari Bruno was a Brazilian-Uruguayan composer, violinist, violist, viola d'amore player, and conductor of Italian birth.
Tafelmusik is a collection of instrumental compositions by Georg Philipp Telemann (1681–1767), published in 1733. The original title is Musique de table. The work is one of Telemann's most widely known compositions; it is the climax and at the same time one of the last examples of courtly table music.