Early Music New York | |
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Origin | New York City, New York |
Genres | Early music |
Years active | 1974 | -present
Labels | Ex Cathedra, Fonè Records, Lyrichord Discs, Nonesuch Records |
Website | www |
Early Music New York is a New York City-based early music group presented by the Early Music Foundation. The group's director and conductor is Frederick Renz. [1] [2]
After his old early music band, New York Pro Musica, disbanded in 1974, Renz founded the Ensemble for Early Music, and founded the Grande Bande (also known as New York's Grande Bande of Original Instruments) as an offshoot of the Ensemble two years later. [1] [3] Both groups were affiliated with Renz's Early Music Foundation, which he had established in 1974. [4] In 1992, the Ensemble for Early Music (also known as the New York Ensemble for Early Music and the New York's Ensemble for Early Music) [5] [6] had five members. [7] It was renamed Early Music New York in 2002. [1]
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New York Pro Musica was a vocal and instrumental ensemble that specialized in medieval and Renaissance music. It was co-founded in 1952, under the name Pro Musica Antiqua, by Noah Greenberg, a choral director, and Bernard Krainis, a recorder player who studied with Erich Katz. Other prominent musicians who joined included Russell Oberlin and Martha Blackman and Frederick Renz, who founded Early Music Foundation after Pro Musica disbanded.
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Frederick Renz is a conductor, director, and keyboardist specializing in Early Music spanning the medieval through the classical eras. He is the founder of the Early Music Foundation and directs its performing group Early Music New York, an internationally performing ensemble and artist in residence at the Cathedral of St. John the Divine in New York City. Renz is also noted for his work in medieval drama, and has directed and produced works such as Daniel and the Lions and Le Roman de Fauvel based largely on his own musicological research.
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