Easter Sonata

Last updated
Fanny Hensel nee Mendelssohn, 1842, by Moritz Daniel Oppenheim Fanny Hensel 1842.jpg
Fanny Hensel née Mendelssohn, 1842, by Moritz Daniel Oppenheim

The Easter Sonata (German : Ostersonate) is a piano sonata in the key of A major, composed by Fanny Mendelssohn. It was lost for 150 years and when found attributed to her brother Felix, before finally being recognized as hers. It premiered in her name on 7 September 2012, played by Andrea Lam. [1] It received a second performance by Sofya Gulyak on 8 March 2017 for BBC Radio 3. It was the second sonata composed by Fanny Mendelssohn and was completed in 1828.

Contents

During most of her lifetime, Fanny Mendelssohn's works remained unpublished. A few were published under her brother's name, with her knowledge and consent. The Easter Sonata was not published, but is mentioned as her work in her diary and letters written to her family members in 1829. [2] [3]

The manuscript, which is signed "F. Mendelssohn", was found in France in 1970 and the piece was recorded for the first time in 1972 by Éric Heidsieck, attributed to Felix Mendelssohn. Some musicologists suggested that the piece might be by Fanny Mendelssohn, but the proposal was not seriously considered by most because of the lack of a known autograph manuscript. In 2010 the manuscript was examined by Angela Mace Christian who verified that the manuscript was in Fanny Mendelssohn's handwriting and determined that it had been cut from her book of compositions. [4] [5] [6] [3] [7] [8] [9] [10] [11]

The sonata depicts the Passion of Christ and the second movement contains an "ecclesiastical fugue". The Finale expresses the moment of Christ's death when the curtain of the Temple is rent asunder, and ends with a fantasy on the chorale tune "Christe, du Lamm Gottes" ("Christ, thou Lamb of God"). [12]

Structure

The sonata contains four movements:

Related Research Articles

Carl Philipp Emanuel Bach German composer (1714–1788)

Carl Philipp Emanuel Bach, also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German Classical period musician and composer, the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach.

Felix Mendelssohn German composer (1809–1847)

Jakob Ludwig Felix Mendelssohn Bartholdy, born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, the oratorio St. Paul, the oratorio Elijah, the overture The Hebrides, the mature Violin Concerto and the String Octet. The melody for the Christmas carol "Hark! The Herald Angels Sing" is also his. Mendelssohn's Songs Without Words are his most famous solo piano compositions.

Fanny Mendelssohn 19th-century German pianist and composer

Fanny Mendelssohn was a German composer and pianist of the early Romantic era who was also known as Fanny (Cäcilie) Mendelssohn Bartholdy and, after her marriage, Fanny Hensel. Her compositions include a piano trio, a piano quartet, an orchestral overture, four cantatas, more than 125 pieces for the piano, and over 250 lieder, most of which went unpublished in her lifetime. Although praised for her piano technique, she rarely gave public performances outside her family circle.

Violin Concerto (Mendelssohn) Composition by Felix Mendelssohn, 1844

Felix Mendelssohn's Violin Concerto in E minor, Op. 64, is his last concerto. Well received at its premiere, it has remained among the most prominent and highly-regarded violin concertos. It holds a central place in the violin repertoire and has developed a reputation as an essential concerto for all aspiring concert violinists to master, and usually one of the first Romantic era concertos they learn. A typical performance lasts just under half an hour.

Ignaz Moscheles Bohemian pianist and composer (1794–1870)

Isaac Ignaz Moscheles was a Bohemian piano virtuoso and composer. He was based initially in London and later at Leipzig, where he joined his friend and sometime pupil Felix Mendelssohn as professor of piano at the Conservatory.

Ferdinand Hiller

Ferdinand (von) Hiller was a German composer, conductor, pianist, writer and music director.

Symphony No. 5 (Mendelssohn)

The Symphony No. 5 in D major/D minor, Op. 107, known as the Reformation, was composed by Felix Mendelssohn in 1830 in honor of the 300th anniversary of the Presentation of the Augsburg Confession. The Confession is a key document of Lutheranism and its Presentation to Emperor Charles V in June 1530 was a momentous event of the Protestant Reformation. This symphony was written for a full orchestra and was Mendelssohn's second extended symphony. It was not published until 1868, 21 years after the composer's death – hence its numbering as '5'. Although the symphony is not very frequently performed, it is better known today than when it was originally published. Mendelssohn's sister, Fanny Mendelssohn Hensel, chose the name Reformation Symphony.

Symphony No. 4 (Mendelssohn) Symphony by Felix Mendelssohn Bartholdy

The Symphony No. 4 in A major, Op. 90, commonly known as the Italian, is an orchestral symphony written by German composer Felix Mendelssohn.

Songs Without Words is a series of short lyrical piano songs by the Romantic composer Felix Mendelssohn, written between 1829 and 1845. His sister Fanny Mendelssohn and other composers also wrote pieces in the same genre.

Concerto for Violin and Strings (Mendelssohn)

The Concerto for Violin and String Orchestra in D minor was composed by Felix Mendelssohn at the age of thirteen. It has three movements, Allegro–Andante–Allegro, and performance duration is approximately 22 minutes.

String Quartet No. 6 (Mendelssohn) String quartet by Felix Mendelssohn Bartholdy

The String Quartet No. 6 in F minor, Op. 80 was composed by Felix Mendelssohn in 1847. It was the last major piece he completed before he died two months later, on 4 November 1847. It is believed he composed the piece as an homage to his sister Fanny, who died on 14 May of that year.

Symphony No. 1 (Mendelssohn)

Symphony No. 1 in C minor, Op. 11, is a work by Felix Mendelssohn, completed on 31 March 1824, when the composer was only 15 years old. The autographed score was published in 1831.

The String Quartet No. 2 in A minor, Op. 13, was composed by Felix Mendelssohn in 1827. Written when he was 18 years old, it was, despite its official number, Mendelssohn's first mature string quartet. One of Mendelssohn's most passionate works, the A minor Quartet is one of the earliest and most significant examples of cyclic form in music.

Piano Trio No. 1 (Mendelssohn)

Felix Mendelssohn's Piano Trio No. 1 in D minor, Op. 49, was completed on 23 September 1839 and published the following year. The work is scored for a standard piano trio consisting of violin, cello and piano. It is one of Mendelssohn's most popular chamber works and is recognized as one of his greatest along with his Octet, Op. 20. During the initial composition of the work, Mendelssohn took the advice of fellow composer Ferdinand Hiller to revise the piano part. Hiller wrote, "with his usual conscientious earnestness when once he had made up his mind, he undertook the length and rewrite the whole pianoforte part."

Piano Trio No. 2 (Mendelssohn)

The Piano Trio No. 2 in C minor, Op. 66, was written by Felix Mendelssohn in 1845 and published in February 1846. The work is scored for a standard piano trio consisting of violin, cello and piano. Mendelssohn dedicated the work to his close friend and violinist, Louis Spohr, who played through the piece with the composer at least once.

Arnold Mendelssohn German composer and music teacher

Arnold Ludwig Mendelssohn, was a German composer and music teacher.

Organ Sonatas, Op. 65 (Mendelssohn)

Felix Mendelssohn's six Organ Sonatas, Opus 65, were published in 1845. Mendelssohn's biographer Eric Werner has written of them: "Next to Bach's works, Mendelssohn's Organ Sonatas belong to the required repertory of all organists."

Six Sonatas for Violin and Harpsichord, BWV 1014–1019 Works by J. S. Bach

The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba. Unlike baroque sonatas for solo instrument and continuo, where the realisation of the figured bass was left to the discretion of the performer, the keyboard part in the sonatas was almost entirely specified by Bach. They were probably mostly composed during Bach's final years in Cöthen between 1720 and 1723, before he moved to Leipzig. The extant sources for the collection span the whole of Bach's period in Leipzig, during which time he continued to make changes to the score.

Organ Sonatas (Bach)

The organ sonatas, BWV 525–530 by Johann Sebastian Bach are a collection of six sonatas in trio sonata form. Each of the sonatas has three movements, with three independent parts in the two manuals and obbligato pedal. The collection was put together in Leipzig in the late 1720s and contained reworkings of prior compositions by Bach from earlier cantatas, organ works and chamber music as well as some newly composed movements. The sixth sonata, BWV 530, is the only one for which all three movements were specially composed for the collection. When played on an organ, the second manual part is often played an octave lower on the keyboard with appropriate registration. Commentators have suggested that the collection might partly have been intended for private study to perfect organ technique, some pointing out that its compass allows it to be played on a pedal clavichord. The collection of sonatas is generally regarded as one of Bach's masterpieces for organ. The sonatas are also considered to be amongst his most difficult compositions for the instrument.

References

  1. "CVNC - Fanny Hensel Rediscovered: Part II".
  2. Furness, Hannah (4 March 2017). "Mendelssohn's sister finally has her own musical genius honoured". The Telegraph.
  3. 1 2 Hayman, Sheila (8 March 2017). "A Fanny Mendelssohn masterpiece finally gets its due" via The Guardian.
  4. "Graduate Student Solves Musical Mystery". Duke University.
  5. "'Masculine' sonata believed to be composed by Felix Mendelssohn was actually written by his sister, Fanny". New York Times Live. 10 March 2017.
  6. "They said this music was too "masculine" to be written by a woman". BBC.
  7. Sheila Hayman (8 March 2017). "A Fanny Mendelssohn masterpiece finally gets its due". The Guardian.
  8. Katz, Brigit. "Sonata by Fanny Mendelssohn, Mistakenly Attributed to Her Brother, Premieres Under Her Name". Smithsonian Magazine.
  9. Larkin, Alexandra. "Fanny Mendelssohn's brother took credit for her music, but she's getting her due". CNN.[ permanent dead link ]
  10. "Female composer gets belated credit for sonata that was attributed to her brother". 8 March 2017.
  11. "Easter Sonata".
  12. Hewett, Ivan (8 March 2017). "Did Felix Mendelssohn steal his musical hallmarks from his gifted sister? Easter sonata premiere, review". The Telegraph.