Author | Carlo Ginzburg |
---|---|
Original title | Storia notturna: Una decifrazione del Sabba |
Language | Italian |
Subjects | Italian history History of religion |
Publisher | Giulio Einaudi, Hutchinson Radius |
Publication date | 1989, 1990 (translation) |
Publication place | Italy |
Media type | Print (Hardback and paperback) |
Pages | 339 |
ISBN | 978-0-09-174024-5 |
Ecstasies: Deciphering the Witches' Sabbath is a study of visionary traditions in Early Modern Europe written by the Italian historian Carlo Ginzburg. First published by Giulio Einaudi in 1989 under the Italian title Storia notturna: Una decifrazione del Sabba, it was later translated into English by Raymond Rosenthal and published by Hutchinson Radius in 1990.
Ecstasies builds on the theories put forward in Ginzburg's 1966 book The Night Battles , in which he studied the benandanti , a visionary folk tradition found in the north-eastern Italian province of Friuli during the 16th century.
In his study of contemporary Pagan Witchcraft, The Triumph of the Moon (1999), the English historian Ronald Hutton (1953–) of the University of Bristol noted that Ecstasies was "something which probably nobody else could have written, and which broke important new ground." Nonetheless, he felt that it had "the faults common to such bold and broad-brush enterprises, of covering too much too fast, and with too much dependence upon the author's original, narrower body of expertise; in this case, his impressions of tribal shamanism and ancient paganism were both somewhat sketchy, and arguably too much was extrapolated from the very unusual phenomenon of the benandanti of Friuli, his first study." [1]
Hutton proceeded to note that Ginzburg's work in Ecstasies represented "an extensive and fruitful development" of the idea that "underlying the early modern stereotype of satanic witchcraft lay not merely intellectual constructs but a network of ancient popular beliefs regarding night-flying spirits and goddesses, with their retinues." He asserted that in this manner, Ecstasies built on the work of the historian Norman Cohn (1915–2007) in his book Europe's Inner Demons (1975). [1]
Witchcraft is the use of alleged supernatural powers of magic. A witch is a practitioner of witchcraft. Traditionally, "witchcraft" means the use of magic or supernatural powers to inflict harm or misfortune on others, and this remains the most common and widespread meaning. According to Encyclopedia Britannica, "Witchcraft thus defined exists more in the imagination of contemporaries than in any objective reality. Yet this stereotype has a long history and has constituted for many cultures a viable explanation of evil in the world". The belief in witchcraft has been found in a great number of societies worldwide. Anthropologists have applied the English term "witchcraft" to similar beliefs in occult practices in many different cultures, and societies that have adopted the English language have often internalised the term.
A Witches' Sabbath is a purported gathering of those believed to practice witchcraft and other rituals. The phrase became especially popular in the 20th century.
In European folklore of the medieval and early modern periods, familiars were believed to be supernatural entities, interdimensional beings, or spiritual guardians that would protect or assist witches and cunning folk in their practice of magic, divination, and spiritual insight. According to records of the time, those alleging to have had contact with familiar spirits reported that they could manifest as numerous forms, usually as an animal, but sometimes as a human or humanoid figure, and were described as "clearly defined, three-dimensional... forms, vivid with colour and animated with movement and sound", as opposed to descriptions of ghosts with their "smoky, undefined form[s]".
The cunning folk were professional or semi-professional practitioners of magic in Europe from the medieval period through the early 20th century. In Britain they were known by a variety of names in different regions of the country, including wise men and wise women, pellars, wizards, dyn hysbys, and sometimes white witches.
Carlo Ginzburg is an Italian historian and a proponent of the field of microhistory. He is best known for Il formaggio e i vermi, which examined the beliefs of an Italian heretic, Menocchio, from Montereale Valcellina.
The benandanti were members of an agrarian visionary tradition in the Friuli district of Northeastern Italy during the 16th and 17th centuries. The benandanti claimed to travel out of their bodies while asleep to struggle against malevolent witches in order to ensure good crops for the season to come. Between 1575 and 1675, in the midst of the Early Modern witch trials, a number of benandanti were accused of being heretics or witches under the Roman Inquisition.
The roots of European witchcraft trace back to classical antiquity when concepts of magic and religion were closely related, and society closely integrated magic and supernatural beliefs. Ancient Rome, then a pagan society, had laws against harmful magic. In the Middle Ages, accusations of heresy and devil worship grew more prevalent. By the early modern period, major witch hunts began to take place, partly fueled by religious tensions, societal anxieties, and economic upheaval. Witches were often viewed as dangerous sorceresses or sorcerers in a pact with the Devil, capable of causing harm through black magic. A feminist interpretation of the witch trials is that misogynist views of women led to the association of women and malevolent witchcraft.
Witch, from the Old English wiċċe, is a term rooted in European folklore and superstition for a practitioner of witchcraft, magic or sorcery. Traditionally associated with malevolent magic, with those accused of witchcraft being the target of witch-hunts, in the modern era the term has taken on different meanings. In literature, a 'witch' can now simply refer to an alluring women capable of 'bewitching' others. In neopagan religions such as Wicca the term has meanwhile been adopted as the female term for an adherent.
Procession of the dead is a motif present in the folkloric traditions around the world. It mostly refers to a march of ghosts, phantoms or souls, sometimes commanded by a creature related to the Otherworld, the Underworld or the Afterlife. The concept is taken to be of considerable antiquity, and is classified in Stith Thompson's Motif-Index of Folk-Literature as Motif E491, "Procession of the dead".
Evidence of magic use and witch trials were prevalent in the Early Modern period, and Inquisitorial prosecution of witches and magic users in Italy during this period was widely documented. Primary sources unearthed from Vatican and city archives offer insights into this phenomenon, and notable Early Modern microhistorians such as Guido Ruggiero, Maria Sofia Messana, Angelo Buttice and Carlo Ginzburg, have defined their careers detailing this topic. In addition, Giovanni Romeo's monograph Inquisitori, esorcisti e streghe nell'Italia della Controriforma (1990) was considered pioneering and marked an important step forward in inquisitorial and witchcraft studies dealing with early modern Italy.In last 25 years a jurist and researcher on trials against witches, add many informations: the names of people involved in witchcraft, their jobs, the meetings. Monia Montechiarini in 'Stregoneria: Crimine Femminile', 'Streghe, eretici e benandanti del Friuli Venezia Giulia' and 'Streghe, Avvelenatrici e Cortigiane di Roma' discovered new secrets.
The witch-cult hypothesis is a discredited theory that the witch trials of the Early Modern period were an attempt to suppress a pagan religion that had survived the Christianization of Europe. According to its proponents, accused witches were actually followers of this alleged religion. They argue that the supposed 'witch cult' revolved around worshiping a Horned God of fertility and the underworld, whom Christian persecutors identified with the Devil, and whose followers held nocturnal rites at the witches' Sabbath.
Emma Wilby is a British historian and author specialising in the magical beliefs of Early Modern Britain.
Cunning folk, also known as folk healers or wise folk, were practitioners of folk medicine, helpful folk magic and divination in Europe from the Middle Ages until the 20th century. Their practices were known as the cunning craft. Their services also included thwarting witchcraft. Although some cunning folk were denounced as witches themselves, they made up a minority of those accused, and the common people generally made a distinction between the two. The name 'cunning folk' originally referred to folk-healers and magic-workers in Britain, but the name is now applied as an umbrella term for similar people in other parts of Europe.
The first historian to posit the existence of European shamanic ideas within popular beliefs of otherwise Christian Europeans was Carlo Ginzburg, who examined the Benandanti, an agrarian cult found in Friuli, Italy, whose members underwent shamanic trances in which they believed they battled witches in order to save their crops.
Cunning Folk and Familiar Spirits: Shamanistic Visionary Traditions in Early Modern British Witchcraft and Magic is a study of the beliefs regarding witchcraft and magic in Early Modern Britain written by the British historian Emma Wilby. First published by Sussex Academic Press in 2003, the book presented Wilby's theory that the beliefs regarding familiar spirits found among magical practitioners – both benevolent cunning folk and malevolent witches – reflected evidence for a general folk belief in these beings, which stemmed from a pre-Christian visionary tradition.
Between the Living and the Dead: A Perspective on Witches and Seers in the Early Modern Age is a study of the beliefs regarding witchcraft and magic in Early Modern Hungary written by the Hungarian historian Éva Pócs. The study was first published in Hungarian in 1997 as Élők és holtak, látók és boszorkányok by Akadémiai Kiadó. In 1999, it was later translated into English by Szilvia Rédey and Michael Webb and published by the Central European University Press.
Shaman of Oberstdorf: Chonrad Stoeckhlin and the Phantoms of the Night is a study of the arrest and trial of Chonrad Stoecklin (1549–1587), a German herdsman from the town of Oberstdorf who was accused and executed for the crime of witchcraft after experiencing a series of visions. Written by the German historian Wolfgang Behringer, himself a specialist in the Early Modern witch trials of Germany, Shaman of Oberstdorf was initially published in German as Chonrad Stoekhlin und die Nachtschar: Eine Geschichte aus der frühen Neuzeit by R. Piper GmbH & Co. in 1994. It was subsequently translated into English by H.C. Erik Midelfort and published in 1998 by the University of Virginia Press.
The Night Battles: Witchcraft and Agrarian Cults in the Sixteenth and Seventeenth Centuries is a historical study of the benandanti folk custom of 16th and 17th century Friuli, Northeastern Italy. It was written by the Italian historian Carlo Ginzburg, then of the University of Bologna, and first published by the company Giulio Einaudi in 1966 under the Italian title of I Benandanti: Stregoneria e culti agrari tra Cinquecento e Seicento. It was later translated into English by John and Anne Tedeschi and published by Routledge and Kegan Paul in 1983 with a new foreword written by the historian Eric Hobsbawm.
Thiess of Kaltenbrun, also spelled Thies, and commonly referred to as the Livonian werewolf, was a Livonian man who was put on trial for heresy in Jürgensburg, Swedish Livonia, in 1692. At the time in his eighties, Thiess openly proclaimed himself to be a werewolf (wahrwolff), claiming that he ventured into Hell with other werewolves in order to do battle with the Devil and his witches. Although claiming that as a werewolf he was a "hound of God", the judges deemed him guilty of trying to turn people away from Christianity, and he was sentenced to be both flogged and banished for life.
Perchtenlaufen is a folk custom found in the Tyrol region of Central Europe. Occurring on set occasions, the ceremony involves two groups of locals fighting against one another, using wooden canes and sticks. Both groups are masked, one as 'beautiful' and the other as 'ugly' Perchte.