Ed Bereal (born 1937) is an American artist best known for his work in assemblage and for his participation in exhibitions and performances that addressed political issues and racial stereotypes from the 1960s onward.[1] In 1961, his work was included in the controversial exhibition War Babies at the Huysman Gallery in Los Angeles, along with work by Larry Bell, Joe Goode, and Ron Miyashiro.[2][3] In the 1960s he and other artists like Vija Celmins, Craig Kauffman, and Robert Irwin taught at the new campus of the University of California, Irvine in the Fine Arts department.
In 2022, Marian Goodman Gallery featured historical work from the 1961 exhibition in their Paris bookstore, Librairie Marian Goodman, in the exhibition War Babies and the Studs.[4][5]
Bereal was a founding member of the 1960s radical street theater group Bodacious Buggerrilla. In 2012, the group was featured in the Getty Center's Performance and Public Art Festival as part of "Pacific Standard Time: Art in L.A., 1945-1980".[2] This event was part of a series entitled "Talks about Acts," organized by Malik and Alexandro Segade.[6]
Edward Ralph Kienholz was an American installation artist and assemblage sculptor whose work was highly critical of aspects of modern life. From 1972 onwards, he assembled much of his artwork in close collaboration with his artistic partner and fifth wife, Nancy Reddin Kienholz. Throughout much of their career, the work of the Kienholzes was more appreciated in Europe than in their native United States, though American museums have featured their art more prominently since the 1990s.
Edward Joseph Ruscha IV is an American artist associated with the pop art movement. He has worked in the media of painting, printmaking, drawing, photography, and film. He is also noted for creating several artist's books. Ruscha lives and works in Culver City, California.
Eleanor Antin is an American performance artist, film-maker, installation artist, conceptual artist, feminist artist, and university professor.
Malick Sidibé was a Malian photographer from a Fulani village in Soloba, who was noted for his black-and-white studies of popular culture in the 1960s in Bamako. Sidibé had a long and fruitful career as a photographer in Bamako, Mali, and was a well-known figure in his community. In 1994 he had his first exhibition outside of Mali and received much critical praise for his carefully composed portraits. Sidibé's work has since become well known and renowned on a global scale. His work was the subject of a number of publications and exhibited throughout Europe and the United States. In 2007, he received a Golden Lion for Lifetime Achievement at the Venice Biennale, becoming both the first photographer and the first African so recognized. Other awards he has received include a Hasselblad Award for photography in 2003, an International Center of Photography Infinity Award for Lifetime Achievement (2008), and a World Press Photo award (2010).
Karl Gunnar Vougt Pontus Hultén was a Swedish art collector and museum director. Pontus Hultén is regarded as one of the most distinguished museum professionals of the twentieth century. He was the pioneering former head of the Museum of Modern Art in Stockholm and in the 1970s he was invited to participate in the creation of the Centre Georges Pompidou in Paris, where he was the first director of the Musée National d'Art Moderne (MNAM) in 1974–1981.
The Getty Research Institute (GRI), located at the Getty Center in Los Angeles, California, is "dedicated to furthering knowledge and advancing understanding of the visual arts".
Hélio Oiticica was a Brazilian visual artist, sculptor, painter, performance artist, and theorist best known for his participation in the Neo-Concrete Movement, for his innovative use of color, and for what he later termed "environmental art," which included Parangolés and Penetrables, like the famous Tropicália. Oiticica was also a filmmaker and writer.
Jutta Koether is a German artist, musician and critic based in New York City and Berlin since the early 1990s.
Trisha Donnelly is a contemporary artist who is particularly well known as a conceptual artist. Donnelly works with various media including photography, drawing, audio, video, sculpture and performance. Donnelly is also a Clinical Associate Professor of Studio Art at New York University. She currently lives and works in San Francisco, California. Trisha Donnelly is represented by Galerie Buchholz, Matthew Marks Gallery, and Galerie Eva Presenhuber.
Craig Kauffman was an artist who has exhibited since 1951. Kauffman's primarily abstract paintings and wall relief sculptures are included in over 20 museum collections, including the Museum of Modern Art, the Whitney Museum of American Art, the Tate Modern, the Louisiana Museum of Modern Art, the Art Institute of Chicago, the Los Angeles County Museum of Art, Seattle Art Museum, and the Museum of Contemporary Art, Los Angeles.
Tracey Rose is a South African artist who lives and works in Johannesburg. Rose is best known for her performances, video installations, and photographs.
Mamma Andersson is a Swedish contemporary artist. She is based in Stockholm and is married to artist Jockum Nordström.
Greg Colson is an American artist known for his works and sculptures using scavenged materials.
Nancy Buchanan is a Los Angeles-based artist best known for her work in installation, performance, and video art. She played a central role in the feminist art movement in Los Angeles in the 1970s. Her work has been exhibited widely and is collected by major museums including the Museum of Modern Art and the Centre Pompidou.
Ronald Yoshiaki Miyashiro is an important Japanese American painter, jewelry maker and assemblage artist. Miyashiro, who was born in Honolulu, Hawaii, first came to prominence in 1961 while still a student at Chouinard Art Institute in Los Angeles, when he appeared on the controversial poster for "War Babies," an influential exhibition at Henry Hopkins' Huysman Gallery in Los Angeles, along with his friends and contemporaries Larry Bell, Ed Bereal, and Joe Goode. Miyashiro later moved from Los Angeles to New York City where he continues to make work in multiple media. His early work has enjoyed a resurgence in recent years, and has been included in a number of high-profile museum exhibitions devoted to art from the 1960s.
The Huysman Gallery was an art gallery in Los Angeles, California that operated from December 1960 to summer 1961. It was located at 740 North La Cienega Boulevard, across the street from the noted Ferus Gallery. Curator Henry Hopkins, who founded the gallery, named it after the French decadent novelist Joris-Karl Huysmans. The gallery showcased the works of several young artists who later had great success, including Joe Goode, Ed Ruscha, and Larry Bell.
Adrián Villar Rojas is an Argentinian sculptor known for his elaborate fantastical works which explore notions of the Anthropocene and the end of the world. In his dream like installations he uses aspects of drawing, sculpture, video and music to create immersive situations in which the spectator is confronted with ideas and images of their imminent extinction.
Ivan Ferreira Serpa was a Brazilian painter, draftsman, printmaker, designer, and educator active in the concrete art movement. Much of his work was in geometric abstractionism. He founded Grupo Frente, which included fellow artists Lygia Clark, Helio Oiticica, and Franz Weissmann, among others, and was known for mentoring many artists in Brazil.
Moki Cherry was a Swedish interdisciplinary artist and designer who worked in textiles, fashion design, woodworks, painting, collage, ceramics, and set design. Her practice traversed the worlds of art, music, and theater with diverse influences such as Indian art and music, Tibetan Buddhism, fashion, traditional folk arts and dress, abstraction, cartoons, and Pop art. From 1977 she split her time living between Tågarp, Sweden and Long Island City in New York, USA. Moki collaborated with her husband, the American jazz trumpeter, Don Cherry, throughout her lifetime – they performed in concerts as Organic Music, where her artworks were also displayed, and ran workshops for children. Her designs also appeared on Don's album covers and as costumes worn by him in concert.
Working Students is a black and white photograph by German photographer August Sander, taken in 1926. The photograph depicts a group of four students, who also worked for a living, from the Weimar Republic. It was included in his photography landmark book Antlitz der Zeit (1929), and became one of the most famous pictures that Sander took back then.
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