Ed Pinsent | |
---|---|
Born | Edward Pinsent 1960 Liverpool, England |
Nationality | British |
Area(s) | Cartoonist, artist, writer |
comics.edpinsent.com |
Ed Pinsent (born 1960, Liverpool, England) is a British cartoonist, artist, and writer.
Ed Pinsent is the son of the classical scholar John Pinsent and was brought up in the city of Liverpool.
Pinsent has written and drawn his own small press comics since 1982, including characters such as Primitif, Henrietta and Windy Wilberforce. Around 1987 he took over Fast Fiction, the market stall, magazine, mail order distributor and news sheet that played a key role in the history of British small press comics. It existed in its various forms from 1981 through to 1990 under the stewardship of Paul Gravett, Phil Elliott and Ed Pinsent. The name was taken from a Classics Illustrated knock-off spotted in the Overstreet Comic Book Price Guide . Pinsent, who had been aware of the cassette culture music trading scene, subsequently took over from Elliott and continued to run things until 1990. Fast Fiction #30 in 1991 was the last issue of the flagship magazine which Pinsent edited. Following the closure of Fast Fiction the mailing list was passed on to Luke Walsh and Mike Kidson, who used it to launch the small press comics review zine Zum!. [1]
Pinsent's comic strip work has also appeared in the pages of pssst! , Escape Magazine , Knockabout Comics , and Fox Comics in Australia. Between 1990 and 1996 he produced a handful of comics, including The Staring Eye, a collaboration with the Cumbria-based artist / painter / poet Denny Derbyshire, which ran four issues. Pinsent also maintained some contact with the small press through Zum! and Caption.
In 1996, Pinsent published the first issue of The Sound Projector Music Magazine, [2] devoted to reviews of experimental music. In November 2009, the self-published small-run magazine published its 18th issue. In 2004, Pinsent began making regular weekly broadcasts of The Sound Projector Radio Show for Resonance FM, the London-based art radio station.
Published work includes:
A fanzine is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and first popularized within science fiction fandom, and from there the term was adopted by other communities.
A graphic novel is a book made up of comics with entertainment content in it. Although the word novel normally refers to long fictional works, the term graphic novel is applied broadly and includes fiction, non-fiction, and anthologized work. It is, at least in the United States, typically distinct from the term comic book, which is generally used for comics periodicals and trade paperbacks.
Alternative comics cover a range of American comics that have appeared since the 1980s, following the underground comix movement of the late 1960s and early 1970s. Alternative comics present an alternative to mainstream superhero comics which in the past have dominated the American comic book industry. Alternative comic books span a wide range of genres, artistic styles, and subjects.
A British comic is a periodical published in the United Kingdom that contains comic strips. It is generally referred to as a comic or a comic magazine, and historically as a comic paper.
Forbidden Planet is the trading name of two separate UK-based science fiction, fantasy and horror bookshop chains across the United Kingdom, Ireland, and the United States, and is named after the 1956 feature film of the same name. Specialising in movie and television merchandise, the shops sell, in addition to books, comic books, graphic novels, manga, DVDs, video games, and a wide variety of toys, clothing, and other collectible merchandise. It is owned by Titan Entertainment Group.
An American comic book is a thin periodical originating in the United States, on average 32 pages, containing comics. While the form originated in 1933, American comic books first gained popularity after the 1938 publication of Action Comics, which included the debut of the superhero Superman. This was followed by a superhero boom that lasted until the end of World War II. After the war, while superheroes were marginalized, the comic book industry rapidly expanded and genres such as horror, crime, science fiction and romance became popular. The 1950s saw a gradual decline, due to a shift away from print media in the wake of television and the impact of the Comics Code Authority. The late 1950s and the 1960s saw a superhero revival and superheroes remained the dominant character archetype throughout the late 20th century into the 21st century.
Paul Gravett is a London-based journalist, curator, writer, and broadcaster who has worked in comics publishing since 1981.
Escape magazine was a British comic strip magazine founded and edited by Paul Gravett and Peter Stanbury. Nineteen issues were published between 1983 and 1989. Eddie Campbell, Phil Elliott and Glenn Dakin were amongst the many cartoonists published within its pages. Escape Publishing also released a limited number of graphic novels in the period 1984–1989, some co-published with Titan Books.
Phil Elliott is a British comic book creator who was published in Escape Magazine. He was part of the British small press comics scene in the 1980s.
Fast Fiction was a market stall, magazine, mail order distributor and news sheet that played a key role in the history of British small press comics. It existed in its various forms from 1981 through to 1990 under the stewardship of Paul Gravett, Phil Elliott and Ed Pinsent.
British small press comics, once known as stripzines, are comic books self-published by amateur cartoonists and comic book creators, usually in short print runs, in the UK. They're comparable to similar movements internationally, such as American minicomics and Japanese doujinshi. A "small press comic" is essentially a zine composed predominantly of comic strips. The term emerged in the early 1980s to distinguish them from zines about comics. Notable artists who have had their start in British small press comics include Eddie Campbell, Paul Grist, Rian Hughes, Jamie Hewlett, Alan Martin, Philip Bond and Andi Watson.
Slab-O-Concrete Productions was a British mail order distributor and publisher, founded by Peter Pavement, Dave Hanna, Emma Copsey, and Chris Tappenden; operating mostly in Brighton and Hove during the 1990s. Initially selling British small press comics and zines, Slab-O-Concrete also imported publications from the United States, Australia, and Europe.
Psychopia is a small press zine featuring reviews and articles on British comic books and small press comics and interviews with cartoonists. Unusually for comix zines it focussed almost entirely on British comics such as The Beano and The Dandy ignoring American superhero comics.
Australian comics have been published since 1908 and Australian comics creators have gone to produce influential work in the global comics industry,
David Anthony Kraft was an American comic book writer, publisher, and critic. He was primarily known for his long-running journal of interviews and criticism, Comics Interview, as well as for work for Marvel Comics in the late 1970s and early 1980s.
Out of This World Adventures was an American pulp magazine which published two issues, in July and December 1950. It included several pages of comics as well as science fiction stories. It was edited by Donald A. Wollheim and published by Avon. Sales were weak, and after two issues Avon decided to cancel it.
Flash Gordon Strange Adventure Magazine was a pulp magazine which was launched in December 1936. It was published by Harold Hersey, and was an attempt to cash in on the growing comics boom, and the popularity of the Flash Gordon comic strip in particular. The magazine contained a novel about Flash Gordon and three unrelated stories; there were also eight full-page color illustrations. The quality of both the artwork and the fiction was low, and the magazine only saw a single issue. It is now extremely rare.
Atlas Publications was an Australian publishing company which operated from 1948 until 1958 and was based in Clifton Hill, a suburb of Melbourne. It published magazines and popular fiction, and the genre for which it was best known, adventure comics. It had no relation to the American company Atlas Comics which was active in the same period.
Comic Mart is the catchall term for a series of British comic book trade fairs which were held in the United Kingdom from 1972 until the early 1990s. The Comic Mart was one of the earliest recurring public comic events in the U.K., predated only by the British Comic Art Convention. Comic Mart began in London, eventually expanding to Birmingham, Manchester, and Liverpool, among other locations. The first few Comic Marts were organized and produced by Rob Barrow and Nick Landau; eventually they split up to produce competing versions of the event, and were joined by other regional organizers.
Pssst! was a short-lived British comics magazine published by Never–Artpool in 1982. Ten issues were published. Pssst! was an attempt to publish a British equivalent of the lavish French bande dessinée magazines.