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The mandolin has had a place in North American culture since the 1880s, when a "mandolin craze" began. The continent was a land of immigrants, including Italian immigrants, some of whom brought their mandolins with them. In spite of the mandolin having arrived in America, it was not in the cultural consciousness until after 1880 when the Spanish Students arrived on their international performing tour. Afterwards, a "mandolin craze" swept the United States, with large numbers of young people taking up the instrument and teachers such as Samuel Siegel touring the United States. The fad died out after World War I, but enough had learned the instrument that it remained. The mandolin found a new surge with the music of Bill Monroe; the Gibson F-5 mandolin he played, as well as other archtop instruments, became the American standard for mandolins. Bowlback mandolins were displaced. The instrument has been taken up in blues, bluegrass, jug-band music, country, rock, punk and other genres of music. While not as popular as the guitar, it is widespread across the country.
References
- ↑ Antonuccio, Josh. "Eddie Ashworth". Tape Op Magazine. Retrieved 12 April 2012.
- ↑ http://tapeop.com/articles/83/eddie-ashworth/ Tape Op Interview
- ↑ "University Leads Peer-to-Peer Discussion". Targeted News Service. October 8, 2007.
- ↑ "Poplar MDIA Course, Professor, Facilities allow students to produce music locally". US Fed News. August 1, 2011.
- ↑ Hendricks, David (October 31, 2007). "Ohio U. students sound off to RIAA". University Wire.
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