Eden Electronics

Last updated
Eden Amplification
Company typePrivate
Industry Bass amplification
Founded1976
FounderDavid Nordschow
Headquarters Milton Keynes
Products bass amplification
Website edenamps.com

Eden Amplification (previously known as Eden Electronics) began as an American bass amplification company in 1976. The company takes its name from Eden Prairie, Minnesota, where the idea for the company was conceived. Eden designs and manufactures high-end bass amplification systems. This includes bass amplifiers, pre-amplifiers, power amps, bass pedals, and bass cabinets. Its most famous series of products include World Tour Amplifiers and D-series Cabinets. Eden's reputation was founded on the fact that everything was designed and built "in-house", including the speakers (a very rare feat by any manufacturer).

Contents

Eden amplifiers are used by a variety of musicians but are primarily favored by those people who are defined as "player's players" including many session musicians and technical recording artists. Notable recording artists include bass players Mike Rutherford from the progressive rock band Genesis and the 1980s soft rock group Mike and the Mechanics, Phil Lesh formerly of the Grateful Dead, and Mike Gordon of Phish. Users of Eden equipment span a wide variety of musical style from jazz and country to heavy rock.

History

Eden was founded in 1976 in Montrose, Minnesota, 35 miles west of downtown Minneapolis. Originally, Eden designed and manufactured sound-reinforcement (public address) systems, in particular speaker cabinets and then drivers, whose popularity grew amongst sound engineers and with musicians.

After a short initial period building such specialist equipment, the company realized the popularity that their cabinet products were gaining with bass players. The company was also involved in a side project, designed a new type of cabinet for SWR, to be called the Goliath cabinet.

Eden and its amplifier design also developed in parallel to its expanding cabinet business and moved from sound reenforcement to specialize in the bass sector of the music market. Maintaining a position that good bass amplification should deliver clear and un-coloured tone with a lot of headroom, the Eden World Tour product line eventually emerged.

Eden has undergone many changes including moving its production from Minnesota to Chicago when Eden became part of U.S. Music Corporation in 2003. This change also allowed the brand to increase the resources available to develop more products and enter into production of amplifiers and combos for less experienced players. In 2010, Brand Director Joe Delaney designed and introduced Eden's first foot pedal, the WTDI. Based on the World Tour Series preamp circuit, it quickly became the number one selling product. In December 2011, Eden left U.S. Music Corporation and became part of the Marshall Amplification family. Following this move, Eden became much more widely available around the world, primarily due to its improved distributor network.

Eden WT800 World Tour Series Bass Amplifier. Eden WT800 Bass Amplifier.jpg
Eden WT800 World Tour Series Bass Amplifier.

2012–present

Eden Amplification became part of Marshall Amplification PLC in December 2011, and subsequently their headquarters moved to the Marshall Amplification factory in Bletchley, UK. This acquisition allowed Eden products to be distributed through Marshall Amplification's global distribution network, increasing the availability and visibility of Eden products in Europe and Asia.

A new flagship line of amplifiers was released in 2015 to replace the World Tour series, called the World Tour Pro range. This was followed in 2016 by the lightweight Terra Nova range. The line of bass effects pedals has also expanded, all based on the chassis design of the WTDI pedal. The first-ever battery-powered combo specifically for bass launched in 2014, called the MicroTour. In 2016, Eden applied their high-fidelity philosophy to produce a ukulele combo, the E-Uke.

In Summer 2016, production of D-Series cabinets was moved to the Marshall Amplification facility in Bletchley. The speakers are still manufactured to Eden's specifications by Eminence Speaker in Kentucky.

On March 10, 2021, Marshall sold Eden and related assets to Gear4music (Holdings) plc for £140,000 (£100,000 of which was deferred). [1] . As of May 2022, its website lists six distributors, located in the United Kingdom, Germany, Sweden, India, Oceania, and Argentina.

Products

Nemesis Series, 2001–2011

By 2000, Eden had become known as a high-quality, hi-fidelity, high power, high-price manufacturer of professional grade equipment. In 1995, Eden introduced its Nemesis series of amplifiers, cabinets, and combos at significantly lower pricing, lower power, and lower power handling than the World Tour amps and D-Series cabinets. This brought the clarity of the "Eden sound" into the budget range of many weekend warriors and semi-professionals. Up until the introduction of the Nemesis line, all the Eden amps and cabinets were made in the United States. The Nemesis line was manufactured in China. They continued the Eden tradition of one-piece aluminum chassis construction for extra durability and toughness.

The Nemesis series amps were different from the World Tour series of amps in that they had an entirely FET solid state pre-amp as well as amplifier and one semi-parametric EQ control along with the standard bass, mid, and treble shelving controls. Most of the Eden WT series used a hybrid pre-amp with both tube and solid-state components and a solid-state amplifier. There were three completely solid-state WT amps (WT330, WT390, and WT405) that used a "Golden Ear" chip to get the warmth found in the hybrid World Tours. The Nemesis did not have that chip. The Nemesis amps still achieved the same clarity of sound that their much more expensive World Tour series did but, lacking the tube or the Golden Ear chip in the pre-amp circuitry, did not have the warmth of the World Tour series. The new Nemesis amps used a blue face instead of the well-known gold face of the WT series and were known as the NA series (Nemesis Amp) in both heads and combos. They were very articulate amplifiers and became popular with the "touch bass" crowd, which needed the articulation more than the warmth, as well as a lot of rock bands, which also did not miss the warmth but needed the clarity.

The Nemesis series cabs were different than any cabs made before as they were constructed from a cellulose composite material and were lighter than the D-series cabinets. They also had lower power handling capabilities. They were sonically designed for use with the Nemesis amps and were also offered in a wide range of combos. Although they were still manufactured and sold, the Nemesis line did not appear in the Eden catalog again until 2005 when some changes were made to the EQ section of the Nemesis line. 2007 heralded the introduction of the Nemesis RS series combos, which offered Edge control to add tube-style grit (noticeable at high gain/high volumes), pre-/post-EQ selector for the DI output, footswitch for enhance bypass and mute functions, and changed the cabinets back to void-free plywood construction from the cellulose composite material. The following year (2008) the RS-series heads became available separately as the RS-400 (400 watts at 4 ohms) and the RS-700 (700 watts at 2 ohms). This Nemesis RS series was specifically designed "with rock bassist firmly in mind...to address the needs of players who want an aggressive, mix-cutting sound." They all featured a black face with a large, blue, backlit Nemesis logo across the top of the amp face. 2007 was also the last year the blue-faced Nemesis NA amplifiers were sold.

The Nemesis Silver series was also introduced in 2007 with the serious younger player in mind. In 2008 they became the N series with a black face instead of a silver face. These were smaller lower-powered combos and since they included an auxiliary input for either RCA jacks or standard 1/4" jack, a player could plug two basses in at once. Besides the targeted market of those just getting into bass playing, they quickly became favorites of instructors who needed to plug two basses into one amp that did not shake the store down, and also earned a spot as a "leave at home" practice amp with simplified tone controls for semi-pro and professionals alike. This series eventually evolved into the e-series amp and combos currently offered (2014).

In 2009, the RS series went through a cosmetic make-over and were re-labeled as the EN (Eden Nemesis) series. (All electronics and capabilities stayed the same as the RS series.) The XST version of Nemesis cabs were first introduced this year as all the Nemesis cabs were also renamed from RS to EN. This was the last year of the Nemesis series under the Nemesis name.

In 2010, the Nemesis line morphed one final time. Under ownership of USM after the founder had departed, the decision was made to pull the Nemesis EN amplifiers into the newer Black-Faced WTB series. At the time the only other WTB amp was the WTB1000, which was basically a WT800 with selectable 8-band graphic EQ and one semi-parabolic control. The only similarity between the WTB1000 and the WTB400 and WTB700 was the single semi-parabolic control that could be turned on or off. Otherwise they were entirely different pre-amp and power sections.

In 2010, the Nemesis cabs changed from being the EN series into two distinctly different series – the EX series replaced the previous EN series and the E-xxxXST series replaced the ENxxxXST series, marking the end of the Nemesis cabinets.

From 2001 through 2010 the Nemesis series offered an imported solution to great sound at a lower power and price than the top-of-the-line Eden offerings. Other Eden offerings have taken their place, but the Nemesis series itself disappeared in 2010. [2]

Related Research Articles

<span class="mw-page-title-main">Vox (company)</span> Musical equipment manufacturer

Vox is a British musical equipment manufacturer founded in 1957 by Thomas Walter Jennings in Dartford, Kent, England. The company is most famous for making the Vox AC30 guitar amplifier, used by The Beatles, The Rolling Stones, The Kinks, The Yardbirds, Queen, Dire Straits, U2, and Radiohead; the Vox Continental electric organ, the Vox wah-wah pedal used by Jimi Hendrix, and a series of innovative electric guitars and bass guitars. Since 1992, Vox has been owned by the Japanese electronics firm Korg.

<span class="mw-page-title-main">Instrument amplifier</span> Amplifier with loudspeaker for use with musical instruments

An instrument amplifier is an electronic device that converts the often barely audible or purely electronic signal of a musical instrument into a larger electronic signal to feed to a loudspeaker. An instrument amplifier is used with musical instruments such as an electric guitar, an electric bass, electric organ, electric piano, synthesizers and drum machine to convert the signal from the pickup or other sound source into an electronic signal that has enough power, due to being routed through a power amplifier, capable of driving one or more loudspeaker that can be heard by the performers and audience.

<span class="mw-page-title-main">Guitar amplifier</span> Electronic amplifier for musical instruments

A guitar amplifier is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet. A guitar amplifier may be a standalone wood or metal cabinet that contains only the power amplifier circuits, requiring the use of a separate speaker cabinet–or it may be a "combo" amplifier, which contains both the amplifier and one or more speakers in a wooden cabinet. There is a wide range of sizes and power ratings for guitar amplifiers, from small, lightweight "practice amplifiers" with a single 6-inch speaker and a 10-watt amp to heavy combo amps with four 10-inch or four 12-inch speakers and a 100-watt amplifier, which are loud enough to use in a nightclub or bar performance.

<span class="mw-page-title-main">Peavey Electronics</span> American audio equipment manufacturer

Peavey Electronics Corporation is an American company which designs, develops, manufactures and markets professional audio equipment. It is one of the largest audio equipment manufacturers in the world, and is headquartered in Meridian, Mississippi.

Orange Music Electronic Company is an English amplifier manufacturing company, noted for their products' distinctive sound and the bright orange Tolex-like covering of their heads and speaker cabinets. The company was founded in 1968 by Cliff Cooper, who decided to build his own amplifiers when vendors refused to supply his West End musical instrument store, Orange Store, due to Cooper's youth and countercultural image. The brand's early amps were adopted by Peter Green of Fleetwood Mac and were used on Stevie Wonder's Superstition, which brought Orange worldwide recognition. The brand's "Pics Only" models—nicknamed for their use of symbols rather than text on their control panels—were released in the early 1970s to much success and established a signature "Orange sound." However, large-scale production of Orange Amps ceased in 1978 and Cooper spent the '80s building and selling amps in limited numbers. After a line of reissue models licensed by Gibson in the early '90s proved unsuccessful, Cooper regained control of the brand and found new success with the 1998 release of the AD30, with notable fans like Jimmy Page. In 2003, Orange released the Rockerverb series, which has become a favorite amp among heavy metal guitarists.

<span class="mw-page-title-main">Marshall Amplification</span> British company

Marshall Amplification is a British company that designs and manufactures music amplifiers and speaker cabinets. It was founded in London by drum shop owner and drummer, Jim Marshall, and is based in Bletchley, Milton Keynes, England. Since March 2023, Marshall Amplification is a division of the Marshall Group, a Swedish company based in Stockholm. The group has other divisions that use the Marshall brand.

<span class="mw-page-title-main">Scholz Research & Development, Inc.</span> Music technology company

Scholz Research & Development, Inc. was the name of the company founded by musician and engineer Tom Scholz to design and manufacture music technology products.

<span class="mw-page-title-main">Laney Amplification</span> British audio equipment manufacturer

Laney Amplification is a British designer and manufacturer of guitar amplifiers, bass guitar amplifiers, cabinets, and public address systems. Laney Amplification does not sell directly to the public, instead dealing with distributors and retailers.

<span class="mw-page-title-main">Ampeg</span> American audio equipment manufacturer

Ampeg is a manufacturer best known for its bass amplifiers.

<span class="mw-page-title-main">Bass amplifier</span> Electronic amplifier for musical instruments

A bass amplifier is a musical instrument electronic device that uses electrical power to make lower-pitched instruments such as the bass guitar or double bass loud enough to be heard by the performers and audience. Bass amps typically consist of a preamplifier, tone controls, a power amplifier and one or more loudspeakers ("drivers") in a cabinet.

<span class="mw-page-title-main">Distortion (music)</span> Type of electronic audio manipulation

Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, and heavy metal music, while the use of distorted bass has been essential in a genre of hip hop music and alternative hip hop known as "SoundCloud rap".

<span class="mw-page-title-main">Guitar speaker</span>

A guitar speaker is a loudspeaker – specifically the driver (transducer) part – designed for use in a combination guitar amplifier of an electric guitar, or for use in a guitar speaker cabinet. Typically these drivers produce only the frequency range relevant to electric guitars, which is similar to a regular woofer type driver, which is approximately 75 Hz — 5 kHz, or for electric bass speakers, down to 41 Hz  for regular four-string basses or down to about 30 Hz for five-string instruments.

AHED was a Canadian company owned by Phil G. Anderson that produced guitar amplifiers, as well as guitars. Its main product line was the GBX amplifier, which could reach 180 watts with 4x10", 4x12" or 2x15" speakers. The GBX amplifier had a pre-amplifier that could change the gain, brilliance, depth, contour and response of the output.

<span class="mw-page-title-main">The Who's musical equipment</span>

This is a history of the equipment that the English rock band The Who used. It also notes their influence on the instruments of the time period.

<span class="mw-page-title-main">Fender Bassman</span>

The Fender Bassman is a series of bass amplifiers introduced by Fender during 1952. Initially intended to amplify bass guitars, musicians used the 5B6 Bassman to amplify other instruments, including electric guitars, harmonicas, and pedal steel guitars. Besides being a popular and important amplifier in its own right, the Bassman also became the foundation on which Marshall and other companies built their high-gain tube amplifiers.

<span class="mw-page-title-main">Trace Elliot</span> British audio equipment manufacturer

Trace Elliot is a United Kingdom-based bass amplification manufacturer, and has a sub-brand, Trace Acoustic, for acoustic instruments.

<span class="mw-page-title-main">Mesa/Boogie Mark Series</span>

The Mesa/Boogie Mark Series is a series of guitar amplifier made by Mesa Engineering. Originally just referred to as "Boogies", the product line took on the moniker "Mark Series" as newer revisions were put into production. The Mark Series amplifier was Mesa's flagship product until the introduction of the Rectifier series, and the amplifiers are collectable.

<span class="mw-page-title-main">Blackstar Amplification</span> UK-based manufacturer of guitar amplification and effects pedals

Blackstar Amplification is a British company that produces and manufacturers guitar amplifiers and effects units. The company was founded by a group of ex-Marshall employees, most notably Bruce Keir, who became technical Director at Blackstar, and former Chief Design Engineer at Marshall, Ian Robinson. In 2009 the company began operations in the United States. The majority of the research and development for Blackstar is carried out in the UK. Blackstar is endorsed by major artists like Ozzy Osbourne, Kurt Viehdorfer, Neal Schon, Opeth, Richie Sambora of Bon Jovi. Blackstar has been consistently ranked amongst the best amplification brands by leading guitarists. Bruce Keir died in September 2021 at the age of 60.

Fryette Amplification of North Hollywood, California is a manufacturer of hand-built electric guitar amplifiers, speaker cabinets, power amplifiers, sound effects pedals and pedalboard accessories. The company was founded as VHT Amplification in Studio City, Los Angeles, California by Steven Fryette in January 1989 and was the first to produce a true three-channel vacuum tube amplifier.

<span class="mw-page-title-main">Keyboard amplifier</span>

A keyboard amplifier is a powered electronic amplifier and loudspeaker in a wooden speaker cabinet used for the amplification of electronic keyboard instruments. Keyboard amplifiers are distinct from other types of amplification systems such as guitar amplifiers due to the particular challenges associated with making keyboards sound louder on stage; namely, to provide solid low-frequency sound reproduction for the deep basslines that keyboards can play and crisp high-frequency sound for the high-register notes. Another difference between keyboard amplifiers and guitar/bass amplifiers is that keyboard amps are usually designed with a relatively flat frequency response and low distortion. In contrast, many guitar and bass amp designers purposely make their amplifiers modify the frequency response, typically to "roll-off" very high frequencies, and most rock and blues guitar amps, and since the 1980s and 1990s, even many bass amps are designed to add distortion or overdrive to the instrument tone.

References

  1. "IR Solutions, Q4 Europe". ir.q4europe.com. Retrieved 2021-06-27.
  2. Eden catalogs 2001, 2003, 2004, 2005, 2007, 2008, 2009, 2010/2011 (all Eden catalogs issued from 2001-2011)