Related Research Articles
Rob Clayton and Christian Clayton are painters based in California.
Salomón Huerta is a painter based in Los Angeles, California. Huerta was born in Tijuana, Mexico, and grew up in the Boyle Heights neighborhood of Los Angeles. Huerta received a full scholarship to attend the Art Center College of Design in Pasadena and completed his MFA at UCLA in 1998.
Lawrence Gipe, is an American painter, independent curator, and Associate Professor of 2D studies at The University of Arizona, Tucson. He received a BFA from Virginia Commonwealth University (1984) and an MFA from the Otis/Parsons Institute of Art and Design, Los Angeles (1986). He maintains a studio practice in Los Angeles, splitting his time between California and Arizona.
Joe Goode, is an American visual artist, known for his pop art paintings. Goode made a name for himself in Los Angeles, California, through his cloud imagery and milk bottle paintings which were associated with the Pop Art movement. The artist is also closely associated with Light and Space, a West Coast art movement of the early 1960s. He resides in Los Angeles, California.
John Sonsini is an artist based in Los Angeles who paints primarily with oils. His best known work is portraits of Latino day laborers, where Sonsini offered his subjects their usual wage in exchange for sitting for the paintings. He has also made work based on gay male erotica.
Rhea Carmi, is an Israeli American abstract and mixed-media artist and sculptor.
Maxwell Hendler is an American painter. In 1975, he became the first contemporary artist to have pictures in the collection of the Metropolitan Museum of Art in New York.
John Dwyer McLaughlin was an American abstract painter. Based primarily in California, he was a pioneer in minimalism and hard-edge painting. Considered one of the most significant Californian postwar artists, McLaughlin painted a focused body of geometric works that are completely devoid of any connection to everyday experience and objects, inspired by the Japanese notion of the void. He aimed to create paintings devoid of any object hood including but not limited to a gestures, representations and figuration. This led him to the rectangle. Leveraging a technique of layering rectangular bars on adjacent planes, McLaughlin creates works that provoke introspection and, consequently, a greater understanding of one's relationship to nature.
The terms California Impressionism and California Plein-Air Painting describe the large movement of 20th century artists who worked out of doors, directly from nature in California, United States. Their work became popular in the San Francisco Bay Area and Southern California in the first three decades after the turn of the 20th century. Considered to be a regional variation on American Impressionism, the California Impressionists are a subset of the California Plein-Air School.
Alexandra Grant is an American visual artist who examines language and written texts through painting, drawing, sculpture, video, and other media. She uses language and exchanges with writers as a source for much of that work. Grant examines the process of writing and ideas based in linguistic theory as it connects to art and creates visual images inspired by text and collaborative group installations based on that process. She is based in Los Angeles.
Lita Albuquerque is an American installation, environmental artist, painter and sculptor. She is a part of the core faculty in the Graduate Fine Art Program at Art Center College of Design.
Charles Christopher Hill is an American artist and printmaker. Hill lives and works in Los Angeles, California and was married to the late Victoria Blyth Hill, an art conservator. He has been artist in residence at Cité International Des Arts, Paris, France, at Chateau de La Napoule, La Napoule, France and at Eklisia, Gümüslük, Turkey (1994).
Helen Pashgian is an American visual artist who lives and works in Pasadena, California. She is a primary member of the Light and Space art movement of the 1960s, but her role has been historically under-recognized.
George Herms is an American artist best known for creating assemblages out of discarded, often rusty, dirty or broken every-day objects, and juxtaposing those objects so as to infuse them with poetry, humor and meaning. He is also known for his works on paper, including works with ink, collage, drawing, paint and poetry. The prolific Herms has also created theater pieces, about which he has said, "I treat it as a Joseph Cornell box big enough that you can walk around in. It's just a continuation of my sculpture, one year at a time." Legendary curator Walter Hopps, who met Herms in 1956, "placed Herms on a dazzling continuum of assemblage artists that includes Pablo Picasso, Kurt Schwitters, Marcel Duchamp, and Joseph Cornell, as well as California luminaries Wallace Berman and Edward Kienholz." Often called a member of the West Coast Beat movement, Herms said that Wallace Berman taught him that "any object, even a mundane cast-off, could be of great interest if contextualized properly." "That’s my whole thing," Herms says. "I turn shit into gold. I just really want to see something I've never seen before." George Herms lives and works in Los Angeles.
Siri Kaur is an artist/photographer who lives and works in Los Angeles, where she also serves as associate professor at Otis College of Art and Design. She received an MFA in photography from California Institute of the Arts in 2007, an MA in Italian studies in 2001 from Smith College/Universita’ di Firenze, Florence, Italy, and BA in comparative literature from Smith College in 1998. Kaur was the recipient of the Portland Museum of Art Biennial Purchase Prize in 2011. She regularly exhibits and has had solo shows at Blythe Projects and USC's 3001 galleries in Los Angeles, and group shows at the Torrance Museum of Art, California Institute of Technology, and UCLA’s Wight Biennial. Her work has been reviewed in Artforum, art ltd., The L.A. Times, and The Washington Post, and is housed in the permanent collections of the National Gallery in Washington, D.C., and the University of Maine.
Kim McCarty is an artist and watercolor painter living and working in Los Angeles, California. Her work has been exhibited in over twenty solo exhibitions in New York and Los Angeles. She often works in large formats using layers of monochromatic colors.
Ron Linden is a California abstract painter, independent curator, and associate professor of art at Los Angeles Harbor College, Wilmington. He lives and works in the San Pedro area of Los Angeles.
Norman Charles Zammitt was an American artist in Southern California who was at the leading edge of the Light and Space Movement, pioneering with his transparent sculptures in the early 1960s, followed in the 1970s by his large scale luminous color paintings.
Jim DeFrance was a West Coast artist known for his abstract, shaped panel paintings and meticulous constructions. He utilized a reductive process while incorporating architectural references, geometric foundations, and fine carpentry into his work. He was most known for his “Slot” paintings, where he developed a surface structure of trapezoids on top of a bold color field.
Astrid Preston is a Swedish-American artist, painter and writer born in Stockholm, Sweden. She lives in Santa Monica, California where she received a B.A. in English Literature from University of California, Los Angeles in 1967. Her work has been exhibited in Laguna Art Museum, Saginaw Art Museum, Wichita Falls Museum, Ella Sharp Museum and Arts College International. Her works has appeared in Los Angeles Times, Forbes, Art in America and Artforum. Most of her artistry works are in Bakersfield Museum of Art, Los Angeles County Museum of Art, Orange County Museum of Art, Long Beach Museum of Art, Hammer Museum, McNay Art Museum, Oakland Museum of California and Nevada Museum of Art.
References
- ↑ The Print Collector's Newsletter. Vol. 20. Print Collector's Newsletter, Incorporated. 1989. p. 26.
- ↑ In Plain Sight: Abstract Painting in Los Angeles. Blue Star Art Space. 1994. pp. 1969–1973.
- 1 2 Robert L Pincus (1994). Art reviews and commentaries by Robert L. Pincus, art critic, snipped from the San Diego Union: a scrapbook. W.C. Thomas. p. 431.
- ↑ Michael Fallon (18 August 2014). Creating the Future: Art and Los Angeles in the 1970s. Counterpoint LLC. pp. 136–. ISBN 978-1-61902-404-5.
- 1 2 Maria Grazia Torri (1988). Grand Tour: Italian Geo-romantic. Fabbri. p. not visible.
- ↑ Lars Nittve; Helle Crenzien; Louisiana (Museum : Humlebæk, Denmark) (February 1998). Sunshine & noir: art in L.A., 1960-1997. Louisiana Museum of Modern Art. ISBN 9788790029197.
- ↑ "AT THE GALLERIES". Los Angeles Times, January 22, 1988|Leah Ollman
- ↑ "Edith Baumann: Jazz Notes" Archived 2012-12-26 at the Wayback Machine . ArtWeek LA review. Nov 05, 2012
- ↑ "Edith Baumann" Archived 2015-05-08 at the Wayback Machine . Art Scene Review, Mario Cutajar.]
- ↑ "Edith Baumann-Hudson at Newspace". Art in America. June 1987.
- ↑ "ART REVIEWS : 'Coming Unraveled' Is Anything But at Otis Gallery". Los Angeles Times, December 11, 1992 DAVID PAGEL
- ↑ "Making Art Happen: Marian Winsryg" Archived 2017-03-12 at the Wayback Machine . SMC in Focus, Vol.III, Issue 1 | February 8, 2017
- ↑ "Charlotte Jackson Fine Art opens exhibition with Edith Baumann" Archived 2016-07-28 at the Wayback Machine . Art Daily
- ↑ Quinn, Joan. "Interview" . Retrieved January 14, 2014.