Edmund Sturton (or Stourton, fl. late 15th-early 16th century) was an English composer of the Tudor period. [1] Little is known about his life and career, but he is believed to be the same Sturton whose six-part setting of Ave Maria ancilla Trinitatis is found in the Lambeth Choirbook . [2] Another six-part setting, this of the Gaude virgo mater Christi, may be found in the Eton Choirbook ; its voices cover a range of fifteen notes. [3]
In Western classical music, a motet is a mainly vocal musical composition, of highly diverse form and style, from the high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond. The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts".
Lambeth is a London borough in South London, England, which forms part of Inner London. Its name was recorded in 1062 as Lambehitha and in 1255 as Lambeth. The geographical centre of London is at Frazier Street near Lambeth North tube station, though nearby Charing Cross on the other side of the Thames in the City of Westminster is traditionally considered the centre of London.
The Lambeth Conference is a decennial assembly of bishops of the Anglican Communion convened by the Archbishop of Canterbury. The first such conference took place at Lambeth in 1867.
Lambeth is a district in South London, England, in the London Borough of Lambeth, historically in the County of Surrey. It is situated 1 mile (1.6 km) south of Charing Cross. The population of the London Borough of Lambeth was 303,086 in 2011. The area experienced some slight growth in the medieval period as part of the manor of Lambeth Palace. By the Victorian era the area had seen significant development as London expanded, with dense industrial, commercial and residential buildings located adjacent to one another. The changes brought by World War II altered much of the fabric of Lambeth. Subsequent development in the late 20th and early 21st centuries has seen an increase in the number of high-rise buildings. The area is home to the International Maritime Organization.
Lambeth Palace is the official London residence of the Archbishop of Canterbury. It is situated in north Lambeth, London, on the south bank of the River Thames, 400 yards south-east of the Palace of Westminster, which houses the Houses of Parliament, on the opposite bank.
William Cornysh the Younger was an English composer, dramatist, actor, and poet.
Edmund Gibson was a British divine who served as Bishop of Lincoln and Bishop of London, jurist, and antiquary.
George Talbot, 6th Earl of Shrewsbury, 6th Earl of Waterford, 12th Baron Talbot, KG, Earl Marshal was an English magnate and military commander. He also held the subsidiary titles of 15th Baron Strange of Blackmere and 11th Baron Furnivall. He was best known for his tenure as keeper of Mary, Queen of Scots between 1568 – 1585, his marriage to his second wife Elizabeth Talbot, as well as his surviving collection of written work.
The Eton Choirbook is a richly illuminated manuscript collection of English sacred music composed during the late 15th century. It was one of very few collections of Latin liturgical music to survive the Reformation, and hence is an important source. It originally contained music by 24 different composers; however, many of the pieces are damaged or incomplete. It is one of three large choirbooks surviving from early-Tudor England.
The Pepys Manuscript is a late fifteenth-century English choirbook, in the library of Magdalene College, Cambridge, MS Pepys 1236. Along with the Ritson Manuscript it is much less elaborate than the Eton, Lambeth and Caius Choirbooks; it contains shorter and simpler pieces which appear to have been written for smaller and less able choirs. The book received its name because it was part of the collection owned by Samuel Pepys. He described it as containing "monkish music of Edward IV's time, " but it appears on internal evidence to have been begun a year or two earlier. It was likely completed after 1465, as it contains music ascribed to Sir William Hawte – also referred to as a "Knight" – who was knighted in that year.
The Lambeth Choirbook – also known as the Arundel Choirbook – is an illuminated choirbook dating to the sixteenth century. It contains music for 7 Masses, 4 Magnificats, and 8 motets. Much of the music is by Tudor-period composers. The major contributors are Robert Fayrfax and Nicholas Ludford; between them they contributed at least ten of its nineteen pieces. Only three of Fayrfax's works have his name attached to them, but five other pieces are known as his; these, along with two by Ludford, are known from concordances in the Caius Choirbook and other manuscripts. Seven anonymous pieces exist in the book:
The Caius Choirbook is an illuminated choirbook dating to the early sixteenth century and containing music by Tudor-period composers. The book appears to originate from Arundel in Sussex, and to have been created sometime in the late 1520s; the then Master of Arundel College, Edward Higgons, seems to have presented it to the collegiate chapel of Saint Stephen's in Westminster, where he was a canon beginning in 1518. The choirbook is now housed at Gonville and Caius College, Cambridge.
Nicholas Ludford was an English composer of the Tudor period. He is known for his festal masses, which are preserved in two early-16th-century choirbooks, the Caius Choirbook at Caius College, Cambridge, and the Lambeth Choirbook at Lambeth Palace, London. His surviving antiphons, all incomplete, are copied in the Peterhouse Partbooks. Ludford is well-known as being the composer of the only surviving cycle of Lady Masses, small-scale settings of the Ordinary and Propers in three parts to be sung in the smaller chapels of religious institutions on each day of the week. Ludford's composing career, which appears to have ended in 1535, is seen as bridging the gap between the music of Robert Fayrfax and that of John Taverner (1495–1545). Music scholar David Skinner has called Ludford "one of the last unsung geniuses of Tudor polyphony". In his Oxford History of English Music, John Caldwell observes of Ludford's six-part Mass and Magnificat Benedicta that it "is more a matter of astonishment that such mastery should be displayed by a composer of whom virtually nothing was known until modern times".
Dr David Skinner is a British musicologist and choir director. He is Director of Music at Sidney Sussex College, Cambridge. He co-founded the Cardinall's Musick and Magdala.
Richard Davy was a Renaissance composer, organist and choirmaster, one of the most represented in the Eton Choirbook.
Great Sturton is a hamlet and civil parish in the East Lindsey district of Lincolnshire, England. It is situated approximately 7 miles (11 km) from the market town of Horncastle.
The Gyffard Partbooks are an important set of English Renaissance choral partbooks, containing pieces by composers such as Thomas Tallis and John Sheppard, as well as additional unnamed composers, which are not found in other sources.
Edmund Turges thought to be also Edmund Sturges was an English Renaissance era composer who came from Petworth, was ordained by Bishop Ridley in 155 0, and joined the Fraternity of St. Nicholas in 1522.
The Forrest-Heyther partbooks are a set of six manuscript partbooks copied in England in the sixteenth century. They are an important source of polyphonic Mass Ordinary settings by composers from the reign of Henry VIII, including John Taverner and Robert Fayrfax.