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Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the Western art world, a role formerly filled by Paris.
Clyfford Still was an American painter, and one of the leading figures in the first generation of Abstract Expressionists, who developed a new, powerful approach to painting in the years immediately following World War II. Still has been credited with laying the groundwork for the movement, as his shift from representational to abstract painting occurred between 1938 and 1942, earlier than his colleagues like Jackson Pollock and Mark Rothko, who continued to paint in figurative-surrealist styles well into the 1940s.
Malcolm A. Morley was a British-American artist and painter. He was known as an artist who pioneered in varying styles, working as a photorealist and an expressionist, among many other styles.
Barnett Newman was an American artist. He is seen as one of the major figures in abstract expressionism and one of the foremost of the color field painters. His paintings are existential in tone and content, explicitly composed with the intention of communicating a sense of locality, presence, and contingency.
Richard Diebenkorn was an American painter and printmaker. His early work is associated with abstract expressionism and the Bay Area Figurative Movement of the 1950s and 1960s. In the late 1960s he began his extensive series of geometric, lyrical abstract paintings. Known as the Ocean Park paintings, these paintings were instrumental to his achievement of worldwide acclaim.
Robert Motherwell was an American abstract expressionist painter, printmaker, and editor. He was one of the youngest of the New York School, which also included Willem de Kooning, Jackson Pollock, and Mark Rothko.
Julian Stanczak was a Polish-born American painter and printmaker. The artist lived and worked in Seven Hills, Ohio with his wife, the sculptor Barbara Stanczak.
Adolph Gottlieb was an American abstract expressionist painter, sculptor and printmaker.
Gabriele Münter was a German expressionist painter who was at the forefront of the Munich avant-garde in the early 20th century. She studied and lived with the painter Wassily Kandinsky and was a founding member of the expressionist group Der Blaue Reiter.
Gabriel Laderman was a New York painter and an early and important exponent of the Figurative revival of the 1950s and 1960s.
Clementine Hunter was a self-taught Black folk artist from the Cane River region of Louisiana, who lived and worked on Melrose Plantation.
William Baziotes was an American painter influenced by Surrealism and was a contributor to Abstract Expressionism.
Kenzo Okada was a Japanese-born American painter and the first Japanese-American artist to work in the abstract expressionist style and receive international acclaim.
Alfred Julio Jensen was an abstract painter. His paintings are often characterized by grids of brightly colored triangles, circles or squares, painted in thick impasto. Conveying a complex web of ideas, often incorporating calligraphy or numerical systems, they are frequently referred to as "concrete" abstract art. After his death in 1981, the Guggenheim organized a major retrospective of his work, having held his solo exhibition there in 1961.
Edward Clark was an American abstract expressionist painter and one of the early experimenters with shaped canvas in the 1950s.
Stephen Greene was an American artist known for his abstract paintings and in the 1940s his social realist figure paintings.
Brushstrokes series is the name for a series of paintings produced in 1965–66 by Roy Lichtenstein. It also refers to derivative sculptural representations of these paintings that were first made in the 1980s. In the series, the theme is art as a subject, but rather than reproduce masterpieces as he had starting in 1962, Lichtenstein depicted the gestural expressions of the painting brushstroke itself. The works in this series are linked to those produced by artists who use the gestural painting style of abstract expressionism made famous by Jackson Pollock, but differ from them due to their mechanically produced appearance. The series is considered a satire or parody of gestural painting by both Lichtenstein and his critics. After 1966, Lichtenstein incorporated this series into later motifs and themes of his work.
Robert Richenburg was an abstract expressionist artist based in New York City, whose paintings were widely acclaimed in the 1950s and 1960s. While a student of Hans Hofmann, Richenburg exhibited at the Museum of Non-Objective Painting in 1950. The following year, he participated in the historic Ninth Street Art Exhibition, and subsequently taught at Pratt Institute along with Franz Kline, Adolph Gottlieb, Jack Tworkov, Philip Guston, Milton Resnick and Tony Smith. By 1961, critic Irving Sandler declared that "Richenburg emerges as one of the most forceful painters on the New York Art Scene." The Whitney Museum, the Museum of Modern Art and the Philadelphia Museum of Art, among others, purchased his work.
George McNeil was an American abstract expressionist painter.
Robert Rector is an American Postwar and contemporary painter.
References
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- 1 2 3 "Ann Connelly". Ed Pramuk Biography. Archived from the original on 28 June 2013. Retrieved 19 April 2013.