Framestore is a British animation and visual effects studio based on Chancery Lane in London, England. Formed in 1985, Framestore specialises in effects for film and prestige TV, advertising, rides and immersive experiences. It is the largest production house in Europe, employing roughly 3,000 staff, including 1,000 in London, and 1,500 across studios in Chicago, New York, Los Angeles, Montreal, Melbourne, Vancouver and Mumbai.
Mike Tucker is a Welsh special effects expert who worked for many years at the BBC Television Visual Effects Department, and now works as an Effects Supervisor for his own company, The Model Unit. He is also the author of a variety of spin-offs relating to the television series Doctor Who and novelisations based on episodes of the television series Merlin. He sometimes co-writes with Robert Perry.
Technicolor Creative Studios UK Limited, doing business as The Mill, is a British VFX production company and creative studio headquartered in London, England, with three offices in the United States, three others in Europe and three in Asia. It is owned by Technicolor Creative Studios. The Mill produces real-time visual effects, animation, moving images, design, experiential, and digital projects for the advertising, games, and music industries.
DNEG is a British visual effects, computer animation and stereo conversion studio that was founded in 1998 in London, and rebranded as DNEG in 2014 after a merger with Indian VFX company Prime Focus; it was named after the letters "D" and "Neg" from their former name.
Scanline VFX is a global visual effects and animation company founded 1989 in Munich. The studio is led by VFX Supervisor Stephan Trojansky. The company has 7 locations including Munich, Stuttgart, Los Angeles, Vancouver, Montreal, London, and Seoul.
Cinesite is an independent, multinational business which provides services to the media and entertainment industries. Its head office in London opened for business in 1994, initially offering services in visual effects for film and television, subsequently expanding to include animation.
Dean Wright is a film director and visual effects supervisor, best known for his work on The Lord of the Rings film trilogy and The Chronicles of Narnia: The Lion, the Witch and the Wardrobe.
Craig Barron is an American visual effects artist and creative director at Magnopus, a media company that produces visual development and virtual production services for motion pictures, television, museums and multimedia platforms.
Joseph Bruce Letteri is a senior visual effects artist, winner of five Academy Awards, four BAFTA awards and four VES awards. He is the current Senior Visual Effects Supervisor of the Academy Award-winning Wētā FX having joined the company in 2001. He has received several awards and nominations as visual effects supervisor, the latest being Avatar: The Way of Water, and previously for War for the Planet of the Apes. He attended Center High School (Pennsylvania) in 1975 and graduated from the University of California, Berkeley in 1981. He gave the keynote address at UC Berkeley's December Convocation on 19 December 2010.
J. Kevin Pike is an American film special effects supervisor, former below-the-line talent agent, and screenwriting consultant. Pike is best known for supervising the Special Effects of the 1985 film Back to the Future. He and his company Filmtrix, Inc. were responsible for the construction of the film's iconic DeLorean Time Machine.
Gregory S. Butler is an Academy Award-winning American visual effects supervisor. He graduated from Suffield High School in 1989 and afterwards entered Hampshire College. Despite his initial plans to study history, a work-study job with the audiovisual equipment in the library made him interested in film production. Butler graduated in 1993 with a major in film, television and theater design. Afterwards he moved to California to work for Industrial Light and Magic for 9 months, where after intern work he managed to become an assistant in the effects department, starting with assistant credits in The Mask and Forrest Gump. Following a job at Rocket Science Games until the company's bankruptcy in 1996, Butler went to Tippett Studio and did effects work in Starship Troopers and My Favorite Martian, rising up to a technical director job, and Cinesite for Practical Magic. While reluctant at the requirement of moving to New Zealand, Butler was convinced by his writer-actor brother to jump at the opportunity of working for Weta Digital in The Lord of the Rings. Among his achievements was working on the creation of Gollum. for which he was awarded a Visual Effects Society Award.
Stephen Rosenbaum is an American visual effects artist and supervisor, and has worked on numerous movie, tv and music productions, including six that have won Academy Awards. He has been nominated three times for an Academy Award and two times for a BAFTA Award. He has won both awards twice for his contributions on Forrest Gump and Avatar, and has played artist and supervisor roles on such pioneering films as Jurassic Park, Terminator 2: Judgment Day, The Abyss, X2: X-Men United, Death Becomes Her, Contact and The Perfect Storm.
John Nelson is an American visual effects supervisor. He has won two Academy Awards for Best Visual Effects for his work on the film Gladiator (2000) and Blade Runner 2049 (2017). He has also been nominated for I, Robot (2004) and Iron Man (2008).
Neil Corbould is a British special effects supervisor best known for his work on major blockbuster films such as Gladiator, Saving Private Ryan, Rogue One: A Star Wars Story and Black Hawk Down. He is the brother of fellow special effects supervisors Chris Corbould, Paul Corbould and Ian Corbould
Paul J. Franklin is an English visual effects supervisor who has worked with visual effects since the 1990s. Franklin won the Academy Award for Best Visual Effects and the BAFTA Award for Best Special Visual Effects for Inception (2010), and won a second Academy Award for Best Visual Effects for Interstellar (2014). He shared the wins with Andrew Lockley, Peter Bebb, and Chris Corbould. Franklin has also been nominated for an Academy Award for The Dark Knight (2008). He was nominated for BAFTA Awards for Batman Begins, The Dark Knight (2008), and The Dark Knight Rises (2012).
John Bruno is an American visual effects artist and filmmaker known for his prolific collaborations with director James Cameron on films like Terminator 2: Judgment Day, True Lies, Titanic, Avatar, and The Abyss, for which he won the Academy Award for Best Visual Effects.
Tom Wood is an English visual effects supervisor.
Sara Bennett is an Oscar-winning Visual Effects Supervisor and co-founder of Milk - a visual effects studio headquartered in London. Bennett was born in Worcestershire in the West of England.
Richard Bluff is an English visual effects supervisor. Known for his works in Disney's visual effects company Industrial Light & Magic (ILM) as a digital matte artist and visual effects supervisor in acclaimed films such as Star Wars: Episode III – Revenge of the Sith (2005), The Island (2005), Transformers (2007-11), Indiana Jones and the Kingdom of the Crystal Skull (2008), Star Trek (2009), Avatar (2009), The Avengers (2012), Cloud Atlas (2012) Pacific Rim (2013), The Big Short (2015) and Doctor Strange (2016), for which he received an Academy Award for Best Visual Effects nomination at the 89th Academy Awards. He previously worked at Blur Studio as digital artist.
Roy Field was a British special effects artist in the film industry. He worked on the first seven James Bond films before joining the team of 1978's Superman. He experimented with using animation to depict the flight of Superman and also used optical printing techniques to depict bullets bouncing off his body. The team shared the 1978 Academy Award for Best Visual Effects and the 1978 Michael Balcon award for Outstanding British Contribution to Cinema. Field received two BAFTA nominations for visual effects on the Jim Henson films The Dark Crystal (1982) and Labyrinth (1986).