Related Research Articles
Betye Irene Saar is an American artist known for her work in the medium of assemblage. Saar is a visual storyteller and an accomplished printmaker. Saar was a part of the Black Arts Movement in the 1970s, which engaged myths and stereotypes about race and femininity. Her work is considered highly political, as she challenged negative ideas about African Americans throughout her career; Saar is best known for her artwork that critiques anti-Black racism in the United States.
Alison Saar is a Los Angeles-based sculptor, mixed-media, and installation artist. Her artwork focuses on the African diaspora and black female identity and is influenced by African, Caribbean, and Latin American folk art and spirituality. Saar is well known for "transforming found objects to reflect themes of cultural and social identity, history, and religion." Saar credits her parents, collagist and assemblage artist Betye Saar and painter and art conservator Richard Saar, for her early exposure to are and to these metaphysical and spiritual practices. Saar followed in her parents footsteps along with her sisters, Lezley Saar and Tracye Saar-Cavanaugh who are also artists. Saar has been a practicing artist for many years, exhibiting in galleries around the world as well as installing public art works in New York City. She has received achievement awards from institutions including the New York City Art Commission as well as the Institute of Contemporary Art in Boston.
Craft Contemporary, formerly the Craft and Folk Art Museum, is a non-profit, non-collecting arts museum dedicated to showcasing contemporary craft in Los Angeles, California. The museum is located on Los Angeles' Museum Row on Wilshire Boulevard, and across from the George C. Page Museum and La Brea Tar Pits. It is the only institution on the West Coast of the United States to focus exclusively on craft.
The Women's Caucus for Art (WCA), founded in 1972, is a non-profit organization based in New York City, which supports women artists, art historians, students, educators, and museum professionals. The WCA holds exhibitions and conferences to promote women artists and their works and recognizes the talents of artists through their annual Lifetime Achievement Award. Since 1975 it has been a United Nations-affiliated non-governmental organization (NGO), which has broadened its influence beyond the United States. Within the WCA are several special interest causes including the Women of Color caucus, Eco-Art Caucus, Jewish Women Artist Network, International Caucus and the Young Women's Caucus. The founding of the WCA is seen as a "great stride" in the feminist art movement.
"Where We At" Black Women Artists, Inc. (WWA) was a collective of Black women artists affiliated with the Black Arts Movement of the 1960s and 1970s. It included artists such as Dindga McCannon, Kay Brown, Faith Ringgold, Carol Blank, Jerri Crooks, Charlotte Kâ (Richardson), and Gylbert Coker. Where We At was formed in the spring of 1971, in the wake of an exhibition of the same name organized by 14 Black women artists at the Acts of Art Gallery in Greenwich Village. Themes such as the unity of the Black family, Black female independence and embodiment, Black male-female relationships, contemporary social conditions, and African traditions were central to the work of the WWA artists. The group was intended to serve as a source of empowerment for African-American women, providing a means for them to control their self-representation and to explore issues of Black women's sensibility and aesthetics. Like AfriCobra, a Chicago-based Black Arts group, the WWA was active in fostering art within the African-American community and used it as a tool of awareness and liberation. The group organized workshops in schools, jails and prisons, hospitals, and cultural centers, as well as art classes for youth in their communities.
Senga Nengudi is an African-American visual artist and curator. She is best known for her abstract sculptures that combine found objects and choreographed performance. She is part of a group of African-American avant-garde artists working in New York City and Los Angeles, from the 1960s and onward.
Maren Hassinger is an African-American artist and educator whose career spans four decades. Hassinger uses sculpture, film, dance, performance art, and public art to explore the relationship between the natural world and industrial materials. She incorporates everyday materials in her art, like wire rope, plastic bags, branches, dirt, newspaper, garbage, leaves, and cardboard boxes. Hassinger has stated that her work “focuses on elements, or even problems—social and environmental—that we all share, and in which we all have a stake…. I want it to be a humane and humanistic statement about our future together.”
WACK!: Art and the Feminist Revolution was an exhibition of international women's art presented at the Museum of Contemporary Art, Los Angeles from March 4–July 16, 2007. It later traveled to the National Museum of Women in the Arts and the PS1 Contemporary Art Center, where it was on view February 17–May 12, 2008. The exhibition featured works from 120 artists and artists' groups from around the world.
Cirrus Gallery and Cirrus Editions Limited Publishing and Printing is an art gallery, print workshop and publishing venue in Los Angeles, California. Cirrus Gallery, which houses Cirrus Editions, was founded by Jean Milant and opened in 1970 in Hollywood, before moving to its location on Alameda Street in Downtown Los Angeles 1979. In 2015, the gallery moved to its current location, 2011 Santa Fe Ave. Notable artists whose works were shown and printed with Cirrus Editions include Peter Alexander, John Baldessari, Vija Celmins, Judy Chicago, Judy Fiskin, Craig Kauffman, Allan McCollum, Ed Moses, Bruce Nauman, Ed Ruscha, Betye Saar, Gloria Kisch, Alexis Smith, and Mary Weatherford.
Eileen Cowin is a Los Angeles–based artist known for photography, video and mixed-media installations that draw on the language of mass media and art history and explore the relationship between narrative, fiction and non-fiction, memory and experience. Associated with the 1970s Los Angeles experimental photography scene and the Pictures Generation artists, her work combines familiar human situations and carefully chosen gestures, expressions and props to create enigmatic images whose implied, open-ended stories viewers must complete. Cowin has exhibited in more than forty solo shows in the United States and abroad, including at the Los Angeles County Museum of Art (LACMA), Museum of Contemporary Photography, Armory Center for the Arts and Contemporary Arts Center. Her work is included in more than forty institutional collections, including LACMA, the J. Paul Getty Museum, Brooklyn Museum, Art Institute of Chicago, San Francisco Museum of Modern Art (SFMOMA), and Smithsonian American Art Museum. She has been recognized with awards and commissions from the National Endowment for the Arts, LACMA, the City of Los Angeles (COLA), Public Art Fund, and the Sundance and USA film festivals. New York Times critic Andy Grundberg wrote that her multi-image work "sets up a tension between the familiar and the mysterious, creating a climate of implied danger, sexual intrigue and violence" in which clues abound to intimate various narratives. Jody Zellen observed that Cowin "manipulates the conventions of photography, film, and video to tell a different kind of story—one that explores where truth and fiction merge, yet presents no conclusions. Cowin's work provokes."
Evangeline Juliet "EJ" Montgomery is an American artist. Known primarily for her metal work, she has also worked as a printmaker, lithographer and curator. She received the Women's Caucus for Art Lifetime Achievement Award in 1999.
Dale Brockman Davis is a Los Angeles–based African-American artist, gallerist and educator best known for his assemblage sculpture and ceramic work that addresses themes of African American history and music, especially jazz. Along with his brother, artist Alonzo Davis, he co-founded Brockman Gallery in Leimert Park. Through the gallery and his broader community work, Davis became an important promoter of African-American artists in Los Angeles.
William Etienne "Bill" Pajaud was an African-American artist, primarily working in watercolor, known for his paintings exploring themes of jazz. He was born in New Orleans, Louisiana, and died in Los Angeles, California, on June 16, 2015, at the age of 89. He was the curator of the Golden State Mutual Life Insurance Fine Art Collection.
Suzanne Jackson is an American visual artist, gallery owner, poet, dancer, educator, and set designer; with a career spanning five decades. Her work has been exhibited in museums and galleries around the world. Since the late 1960s, Jackson has dedicated her life to studio art with additional participation in theatre, teaching, arts administration, community life, and social activism. Jackson's oeuvre includes poetry, dance, theater, costume design, paintings, prints, and drawings.
Lezley Irene Saar is an African American artist whose artwork is responsive to race, gender, female identity, and her ancestral history. Her works are primarily mixed media, 3-dimensional, and oil & acrylic on paper and canvas. Through her artistic practice Lezley explores western and non-western concepts of beauty, feminist psychology and spirituality. Many works conjure elements of magical realism. She has exhibited widely in the U.S. and internationally. Her work is included in museum collections such as The Kemper Museum, CAAM, The Ackland Art Museum, the Smith College Museum of Art, the Studio Museum in Harlem and MOCA. She is currently represented by Walter Maciel Gallery in Los Angeles and Various Small Fires in Asia.
Gloria Kisch (1941–2014) was an American artist and sculptor known especially for her early post-Minimalist paintings and wall sculptures, and her later large-scale work in metal.
Gloria Racine Bohanon was an American visual artist and educator based in Los Angeles, California. She was born in Atlanta, Georgia. She received a BA in Art Education and an MA in Art Education from Wayne State. She also studied at Otis College of Art and Design in 1973. She was an active member of the Los Angeles contemporary art scene in the 1970s. As a professor at Los Angeles Community College, she organized "Black Culture Week" in 1974. She taught design, painting, printmaking, and served as chair of the Arts Department while there. She was the director of ADAPT, an organization for disabled students while at LACC.
Yvonne Olivia Cole Meo (1923–2016) was an American artist known primarily for sculpture and printmaking. Born in Seattle, Washington, Meo lived in Los Angeles for most of her life, primarily in Altadena CA.
Dan Concholar was an American painter and arts organizer. Educated under Charles White at the Otis Art Institute, he was active in the Los Angeles scene in the 1970s and in New York City in the 1980s. His work was included in the "Dig This!: Art and Black Los Angeles 1960–1980" at the Hammer Museum in Los Angeles which travelled to MoMA P.S.1 in New York City in 2012.
Joe Ray is an American artist based in Los Angeles. His work has moved between abstraction and representation and mediums including painting, sculpture, performance art and photography. He began his career in the early 1960s and belonged to several notable art communities in Los Angeles, including the Light and Space movement; early cast-resin sculptors, including Larry Bell; and the influential 1970s African-American collective, Studio Z, of which he was a founding member with artists such as David Hammons, Senga Nengudi and Houston Conwill. Critic Catherine Wagley described Ray as "an artist far more committed to understanding all kinds of light and space than to any specific material or strategy"—a tendency that she and others have suggested led to his being under-recognized.
References
- ↑ "Eileen Abdul-Rashid – Artist, Fine Art Prices, Auction Records for Eileen Abdulrashid". Askart.com. Retrieved March 7, 2016.
- ↑ Winsboro, Irvin D. S. (February 12, 2015). "Artists often overlooked during Black History Month". News-Press. Retrieved March 20, 2018.
- 1 2 3 4 Cederholm, Theresa Dickason (1973). Afro-American Artists; a Bio-bibliographical Directory. Trustees of the Boston Public Library. p. 1. ISBN 978-0-89073-007-2.
- 1 2 3 Hegert, Natalie (September 28, 2016), "Repondez s'il vous plait: An Interview with Senga Nengudi", MutualArt, retrieved July 15, 2019
- 1 2 Coker, Gylbert. "Senga Nengudi She Twists, Knots and Pulls to Near Breaking What Other Women Fear Will Get Snagged and Run". iraaa.museum.hamptonu.edu. Archived from the original on March 16, 2018. Retrieved March 16, 2018.
- ↑ Who Was Who in American Art, 1564-1975: A-F. Sound View Press. 1999. p. 47. ISBN 978-0-932087-55-3.
- ↑ H., Carpenter, Jane (2003). Betye Saar. Saar, Betye. San Francisco, Calif.: Pomegranate. ISBN 0764923498. OCLC 51848622.
{{cite book}}: CS1 maint: multiple names: authors list (link)