Ein Heller und ein Batzen

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Ein Heller und ein Batzen in Das neue Soldaten-Liederbuch. Die bekanntesten und meistgesungenen Lieder unserer Wehrmacht. Mainz 1938 Ein Heller und ein Batzen (Das neue Soldaten-Liederbuch 1938).jpg
Ein Heller und ein Batzen in Das neue Soldaten-Liederbuch. Die bekanntesten und meistgesungenen Lieder unserer Wehrmacht. Mainz 1938

"Ein Heller und ein Batzen ", also known by its chorus of "Heidi, heido, heida", [1] (with all three words being modifications of the name Adelheid [2] ) is a German folk song. Written by Albert von Schlippenbach in 1830 as a drinking song, it later became a popular marching song in the Wehrmacht during the Second World War. [3] [4]

Contents

Controversy

"Ein Heller und ein Batzen" was a popular marching song during the Second World War among the Wehrmacht troops invading Europe, [5] which led to it entering popular recognition as a Nazi symbol. Association with Nazism is particularly strong in Poland, which was brutally invaded and occupied by the Third Reich at the very beginning of the War, to the point that the song is regarded as the de facto hymn of the Werhmacht and is often referred to as "Heili, heilo, heila"; [2] [6] a reference to the song as an symbolic Nazi theme can be seen, for example, in the 1946 (and thus immediately post-war) film Zakazane piosenki (Forbidden songs) which recreates a typical performance of the song by marching Wehrmacht columns. [7] [6] Even so, it is not formally recognized as a Nazi symbol in Germany and is therefore not outlawed per Article 86a of the German Criminal Code that prohibits the dissemination of signs of unconstitutional organizations.[ citation needed ]

On August 6, 2023, during the annual St. Dominic's Fair in the Polish city of Gdańsk, there was a scandal related to a performance of the song by a German folk group from Middle Franconia. The performance was conducted outside the fair's official programme and in its original folk context, but, in addition to Polish sensitivity to the song in general, said performance coincided with commemorations of the 1944 Warsaw Uprising. After the reaction and indignation of some circles in Poland, both the group and the District of Middle Franconia apologized to the Gdańsk city authorities and to Międzynarodowe Targi Gdańskie S.A., the fair's organisers. [2] [8] [6] [9]

Lyrics

GermanEnglish translation
First verse

Ein Heller und ein Batzen, die waren beide mein
Der Heller ward zu Wasser, der Batzen ward zu Wein

A Heller (penny) and a Batzen (dime), they were both mine
The Heller went for water, the Batzen went for wine

Chorus
Heidi, heido, heida,

heidi, heido, heida, heidi, heido, heida, ha ha ha ha ha ha ha

Heidi, heido, heida,

heidi, heido, heida, heidi, heido, heida, ha ha ha ha ha ha ha

Second verse

Die Wirtsleut und die Mädel, die rufen beid: Oh weh!
Die Wirtsleut, wenn ich komme, die Mädel, wenn ich geh

Wiederhole Refrain

The barkeepers and the girls, both shout: Oh no!
The barkeepers when I come, the girls when I leave

Repeat chorus

Third verse

Meine Strümpfe sind zerrissen, meine Stiefel sind entzwei
und draußen auf der Heide, da singt der Vogel frei

Wiederhole Refrain

My socks are ripped, my boots have come apart
And out in the brush the bird sings freely


Repeat chorus

Fourth verse

Und gäb's kein Landstraß nirgends, da säß ich still zu Haus
und gäb's kein Loch im Fasse, da tränk ich gar nicht draus

Wiederhole Refrain

And were there no country roads, I'd be sitting quietly at home
And were there no hole in the cask, I wouldn't be drinking from it

Repeat chorus

Fifth verse

War das 'ne große Freude, als ihn der Herrgott schuf
ein Kerl, wie Samt und Seide, nur schade, daß er suff

Wiederhole Refrain

Wasn't it a great joy when the Lord God created him
A guy like velvet and silk; just a pity that he drank

Repeat chorus

Modern interpretations

German schlager singer Heino included a version of this song on his 1968 album ...und Sehnsucht uns begleitet .

German heavy metal band Accept incorporated this song into "Fast as a Shark" in their 1982 album Restless and Wild .

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References

  1. Lepage, Jean-Denis (2014). An illustrated dictionary of the Third Reich. Jefferson, North Carolina. p. 72. ISBN   9781476603698.{{cite book}}: CS1 maint: location missing publisher (link)
  2. 1 2 3 "Piosenka kojarzona z Wehrmachtem na jarmarku w Gdańsku. Władze tłumaczą, co się stało". NaTemat.pl (in Polish). 7 August 2023. Retrieved 17 August 2023.
  3. Frank Trommler, The Many Faces of Germany (in German), p. 159
  4. Georg Nagel. "Ein Heller und Ein Batzen" (in German). Retrieved 23 April 2017.
  5. Matthews, Brian (2002). Military music & bandsmen of Adolf Hitler's Third Reich, 1933-1945. Winchester: Tomahawk Films. p. 243. ISBN   9780954281205.
  6. 1 2 3 Zaborowska, Malwina (7 August 2023). "Skandal na Jarmarku Dominikańskim. Niemiecki zespół śpiewał piosenkę Werhmachtu". RMF 24 (in Polish). Retrieved 17 August 2023.
  7. https://edukacjafilmowa.pl/zakazane-piosenki-1946/
  8. Piesik, Piotr (7 August 2023). "Niemiecka delegacja przeprasza za wykonanie "Heidi, Heido, Heida"". Zawsze Pomorze (in Polish). Retrieved 17 August 2023.
  9. "German delegation apologises for song incident in Gdansk". Polish Press Agency . 7 August 2023. Retrieved 17 August 2023.