Ọdinani, also Omenala,Omenana, Odinana or Ọmenani, are the traditional cultural beliefs and practises of the Igbo people of south east Nigeria. These terms, as used here in the Igbo language, are synonymous with the traditional Igbo "religious system" which was not considered separate from the social norms of ancient or traditional Igbo societies. Theocratic in nature, spirituality played a huge role in their everyday lives. Although it has largely been supplanted by Christianity, the indigenous belief system remains in strong effect among the rural and village populations of the Igbo, where it has at times influenced the colonial religions. Odinani is a pantheistic and polytheistic faith, having a strong central deity at its head. All things spring from this deity. Although a pantheon of other gods and spirits, these being Ala, Amadiọha, Anyanwụ, Ekwensu, Ikenga, exists in the belief system, as it does in many other Traditional African religions, the lesser deities prevalent in Odinani expressly serve as helpers or elements of Chukwu, the central deity.
African art describes the modern and historical paintings, sculptures, installations, and other visual culture from native or indigenous Africans and the African continent. The definition may also include the art of the African diasporas, such as African American, Caribbean or art in South American societies inspired by African traditions. Despite this diversity, there are unifying artistic themes present, when considering the totality of the visual culture from the continent of Africa.
Moai or moʻai are monolithic human figures carved by the Rapa Nui people on Easter Island in eastern Polynesia between the years 1250 and 1500. Nearly half are still at Rano Raraku, the main moai quarry, but hundreds were transported from there and set on stone platforms called ahu around the island's perimeter. Almost all moai have overly large heads three-eighths the size of the whole statue. The moai are chiefly the living faces of deified ancestors. The statues still gazed inland across their clan lands when Europeans first visited the island in 1722, but all of them had fallen by the latter part of the 19th century. The moai were toppled in the late 18th and early 19th centuries, possibly as a result of European contact or internecine tribal wars.
The Ibibio people are a coastal people in southern Nigeria. They are mostly found in Akwa Ibom and Cross River. They are related to the Annang, and Efik peoples. During the colonial period in Nigeria, the Ibibio Union asked for recognition by the British as a sovereign nation.
The Fang people, also known as Fãn or Pahouin, are a Bantu ethnic group found in Equatorial Guinea, northern Gabon, and southern Cameroon. Representing about 85% of the total population of Equatorial Guinea, concentrated in the Río Muni region, the Fang people are its largest ethnic group. The Fang are also the largest ethnic group in Gabon, making up about a quarter of the population. In other countries, in the regions they live, they are one of the most significant and influential ethnic groups notably in Cameroon, where the Fang are part of the Ekang, a tribe that dominates Cameroonian politics with, President Paul Biya belonging to this ethnic group.
The Ìgbómìnà are a subgroup of the Yoruba ethnic group, which originates from the north central and southwest Nigeria. They speak a dialect also called Ìgbómìnà or Igbonna, classified among the Central Yoruba of the three major Yoruba dialectical areas. The Ìgbómìnà spread across what is now southern Kwara State and northern Osun State. Peripheral areas of the dialectical region have some similarities to the adjoining Ekiti, Ijesha and Oyo dialects.
Most African sculpture was historically in wood and other organic materials that have not survived from earlier than at most a few centuries ago; older pottery figures are found from a number of areas. Masks are important elements in the art of many peoples, along with human figures, often highly stylized. There is a vast variety of styles, often varying within the same context of origin depending on the use of the object, but wide regional trends are apparent; sculpture is most common among "groups of settled cultivators in the areas drained by the Niger and Congo rivers" in West Africa. Direct images of African deities are relatively infrequent, but masks in particular are or were often made for traditional African religious ceremonies; today many are made for tourists as "airport art". African masks were an influence on European Modernist art, which was inspired by their lack of concern for naturalistic depiction.
The Beembe are a Bantu people living in southern Congo-Brazzaville, precisely in Bouenza and in the cities of Brazzaville, Dolisie, and Pointe-Noire. It is a Kongo subgroup. Beembe society is economically based on agriculture.
Igbo art is any piece of visual art originating from the Igbo people. The Igbo produce a wide variety of art including traditional figures, masks, artifacts and textiles, plus works in metals such as bronze. Artworks from the Igbo have been found from as early as 9th century with the bronze artifacts found at Igbo Ukwu. With processes of colonialism and the opening of Nigeria to Western influences, the vocabulary of fine art and art history came to interact with established traditions. Therefore, the term can also refer to contemporary works of art produced in response to global demands and interactions.
Oron Nation had existed as a free sovereign and egalitarian society for hundreds of years before it was forcibly incorporated into the amalgamated Nigeria in 1914. Oron people share a strong ancestral lineage with the Efik people in Cross River State; Uruan, Ibeno, Andoni people both in Akwa Ibom State and in Rivers State, along with the Balondo-ba-Konja now in Congo. The Oron people (Örö) are a major ethnic group present today in Akwa Ibom State, Nigeria.
The Oron people or Örö people are a multi-ethnic tribal grouping that make up the Akpakip Oro or Oron Nation. The Örö are located primarily in southern Nigeria in the riverine area of Akwa Ibom and the Cross River States and in Cameroon. Akpakip Oro are regarded as an ancient warrior people, speaking the Oro language which is in the Cross River language family of the Benue–Congo languages. They are ancestrally related to the Efik people of the Cross River State, the Ibeno and Eastern Obolo in Akwa Ibom, the Andoni people in Rivers State and the Balondo-ba-Konja in the Congo.
Ikegobo, the Edo term for "altars to the Hand," are a type of cylindrical sculpture from the Benin Empire. Used as a cultural marker of an individual's accomplishments, Ikegobo are dedicated to the hand, from which the people of Benin considered the will for wealth and success to originate. These commemorative objects are made of wood or brass with figures carved in relief around their sides.
Urue-Offong/Oruko is located in the south east of Nigeria and is a Local Government Area of Akwa Ibom State created in September 1991.
The Nigerian National Museum is a national museum of Nigeria, located in the city of Lagos. The museum has a notable collection of Nigerian art, including pieces of statuary and carvings and archaeological and ethnographic exhibits. Of note is a terracotta human head known as the Jemaa Head, part of the Nok culture. The piece is named after Jema'a, the village where it was uncovered. It is located at Onikan, Lagos Island. The museum is administered by the National Commission for Museums and Monuments.
Oron Museum is a museum in Oron, Nigeria. The museum was established in 1958 to accommodate eight hundred known ancestral figures of the Oron people which are believed to be among the oldest and finest surviving wood carvings in Africa. During the civil war, many of the wood carvings were looted and the museum was severely damaged. In 1975, the museum was reinaugurated and today houses the remains of the wooden sculptures and other ethnographic materials from across Nigeria. The museum also has displays of bunkers used during the civil war as well as a crafts village.
Oron is a coastal city and Local Government Area in Akwa Ibom State, Nigeria. It is home to the Maritime Academy of Nigeria and the Oron Museum.
Bulul, also known as bul-ul or tinagtaggu, is a carved wooden figure used to guard the rice crop by the Ifugao peoples of northern Luzon.
Benin ancestral altars are adorned with some of the finest examples of art from the Benin Kingdom of south-central Nigeria.
Nias people are an ethnic group native to Nias, an island off the west coast of North Sumatra, Indonesia. In the Nias language, the Nias people are known as Ono Niha, which literally means 'descendants of human'. Nias island is known as Tanö Niha, with Tanö meaning 'land' in the Nias language.
The Oron people religio-cultural heritage was handed down from generation to generation through oral tradition and sacred institutions. The religion emphasized belief in ancestral spirits, life after death, good moral values, superhuman (transcendental) powers, divinities and a belief in a Supreme Being known as Abazi Oro.
