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El cantar de mis penas | |
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Country | Argentina |
Language | Spanish |
El cantar de mis penas is a 1941 Argentine film of the Golden Age of Argentine cinema.
Martín Fierro, also known as El Gaucho Martín Fierro, is a 2,316-line epic poem by the Argentine writer José Hernández. The poem was originally published in two parts, El Gaucho Martín Fierro (1872) and La Vuelta de Martín Fierro (1879). The poem supplied a historical link to the gauchos' contribution to the national development of Argentina, for the gaucho had played a major role in Argentina's independence from Spain.
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José A(gustín) Ferreyra, popularly known as "Negro Ferreyra", was an early Argentine film director, screenwriter and film producer. He was also sometimes credited as production designer.
El Cantar de mi ciudad is a 1930 Argentine film directed and written by José A. Ferreyra. The film has historical significance as it was the first ever sound film produced in Argentina. The film was released on 3 October 1930.
Orestes Caviglia was an Argentine film actor and film director of the Golden Age of Argentine cinema.
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Colada is one of the two best-known swords, along with Tizona, of El Cid. Won in combat from the Count of Barcelona, the sword was presented to his sons in law. According to the heroic verses of the Cantar de mio Cid, after his sons-in-law beat his daughters and then abandoned them on the side of the road, El Cid asked for his gifts to be returned. Afterward, he bestowed the sword upon one of his knights, Martín Antolínez.
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Antonio Ber Ciani was an Argentine actor and film director notable for his work during the classical era of Argentine cinema. He is known for films such as Don Bildigerno de Pago Milagro.
The Tango Returns to Paris is a 1948 Argentine musical comedy film, written and directed by Manuel Romero. It was premiered on January 16, 1948.
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Raúl del Valle was a Chilean film and theatre actor who performed for most of his career in Argentina.
Violeta Hemsy de Gainza was an Argentine pianist and music pedagogue. She focused on the music education of children, improvisation and music therapy, considering learning music a human right. Her books were translated into many languages. She served in international organisations, as a board member of the International Society for Music Education from 1985 to 1990, and as president of the Latin American Forum of Musical Education from its foundation in 1995 to 2005.
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