Elizabeth Abel (born 1945 [1] ) is an American literary scholar who, as of 2024, holds the John F. Hotchkis Chair in English at the University of California, Berkeley.
Abel holds the John F. Hotchkis Chair in English at the University of California, Berkeley. [2] She was an assistant professor at the University of Chicago. [3]
Abel gives her research areas (as of 2024) as "gender and sexuality, psychoanalysis, and twentieth-century fiction" particularly Virginia Woolf, and "race, cultural studies, and visuality". [2]
In 1981 she was guest editor for a special issue of Critical Inquiry , 'Writing and Sexual Difference'. According to Kathryn West in Abel's entry in the Encyclopedia of Feminist Literary Theory, the essays marked a shift in feminist literary theory from "recovering a lost tradition to discovering the terms of confrontation with the dominant tradition", by means of "specific historical studies of the ways women revise prevailing themes and styles". [4]
Abel's Virginia Woolf and the Fictions of Psychoanalysis (1989), an "important study" of the author Virginia Woolf, [5] relates Woolf's work to 1920s social anthropology and the psychoanalytic theories of Sigmund Freud and Melanie Klein. [4] [5] According to the academic Lisa Ruddick, Abel shows that Woolf "absorbed many of Freud's insights" on gender identity, but simultaneously "inflected them in a manner that we would now call feminist". [5]
Her later books include Signs of the Times: The Visual Politics of Jim Crow (2010), a "well-researched, insightful book" on the "aesthetics of signs" associated with racial segregation in the United States; in a generally positive review for The Journal of American History , Christopher P. Lehman criticizes Abel for failing to interview surviving activists. [6] Ulrich Adelt describes the book as the "first comprehensive study" of the subject but writes that it "occasionally borders on over-interpretation" of the images analyzed. [7]
Feminist science fiction is a subgenre of science fiction focused on such feminist themes as: gender inequality, sexuality, race, economics, reproduction, and environment. Feminist SF is political because of its tendency to critique the dominant culture. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice. No other genres so actively invite representations of the ultimate goals of feminism: worlds free of sexism, worlds in which women's contributions are recognized and valued, worlds that explore the diversity of women's desire and sexuality, and worlds that move beyond gender.
Feminist literary criticism is literary criticism informed by feminist theory, or more broadly, by the politics of feminism. It uses the principles and ideology of feminism to critique the language of literature. This school of thought seeks to analyze and describe the ways in which literature portrays the narrative of male domination by exploring the economic, social, political, and psychological forces embedded within literature. This way of thinking and criticizing works can be said to have changed the way literary texts are viewed and studied, as well as changing and expanding the canon of what is commonly taught. It is used a lot in Greek myths.
Gender studies is an interdisciplinary academic field devoted to analysing gender identity and gendered representation. Gender studies originated in the field of women's studies, concerning women, feminism, gender, and politics. The field now overlaps with queer studies and men's studies. Its rise to prominence, especially in Western universities after 1990, coincided with the rise of deconstruction.
Feminist theory is the extension of feminism into theoretical, fictional, or philosophical discourse. It aims to understand the nature of gender inequality. It examines women's and men's social roles, experiences, interests, chores, and feminist politics in a variety of fields, such as anthropology and sociology, communication, media studies, psychoanalysis, political theory, home economics, literature, education, and philosophy.
Nancy Julia Chodorow is an American sociologist and professor. She began teaching at Wellesley College in 1973, then moved to the University of California, Santa Cruz, where she taught from 1974 until 1986. She was a Sociology and Clinical Psychology professor at the University of California, Berkeley until 1986. Subsequently, she taught psychiatry at Harvard Medical School/Cambridge Health Alliance.
Michele Faith Wallace is a black feminist author, cultural critic, and daughter of artist Faith Ringgold. She is best known for her 1979 book Black Macho and the Myth of the Superwoman. Wallace's writings on literature, art, film, and popular culture have been widely published and have made her a leader of African-American intellectuals. She is a Professor of English at the City College of New York and the Graduate Center of the City University of New York (CUNY).
William Veeder is a scholar of 19th-century American and British literature and a Professor Emeritus in the Department of English at the University of Chicago.
The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men." It is not a question of the subject matter or political stance of a particular author, but of her sex, i.e. her position as a woman within the literary world.
Feminist literature is fiction, nonfiction, drama, or poetry, which supports the feminist goals of defining, establishing, and defending equal civil, political, economic, and social rights for women. It often addresses the roles of women in society particularly as regarding status, privilege, and power – and generally portrays the consequences to women, men, families, communities, and societies as undesirable.
Karen E. Rowe is an American literary critic and a specialist in Renaissance literature. She is a professor of English at UCLA.
Ranjana Khanna is a literary critic and theorist recognized for her interdisciplinary, feminist and internationalist contributions to the fields of post-colonial studies, feminist theory, literature and political philosophy. She is best known for her work on melancholia and psychoanalysis, but has also published extensively on questions of post-colonial agency, film, Algeria, area studies, autobiography, Marxism, the visual and feminist theory. She received her Ph.D in 1993 from the University of York. She has taught at the University of Washington in Seattle and at the University of Utah, and in 2000 began teaching at Duke University, where she is Professor of English, Literature and Women's Studies. Her theorization of subjectivity and sovereignty, including her recent work on disposability, indignity and asylum, engages with the work of diverse thinkers such as Derrida, Irigaray, Kant, Marx, Heidegger, de Beauvoir, and Spivak. From 2007 until 2015, she was the Margaret Taylor Smith Director of Women's Studies, and in July 2017, she was appointed to be the incoming Director of the John Hope Franklin Humanities Institute, both at Duke University.
Feminist political theory is an area of philosophy that focuses on understanding and critiquing the way political philosophy is usually construed and on articulating how political theory might be reconstructed in a way that advances feminist concerns. Feminist political theory combines aspects of both feminist theory and political theory in order to take a feminist approach to traditional questions within political philosophy.
Poststructural feminism is a branch of feminism that engages with insights from post-structuralist thought. Poststructural feminism emphasizes "the contingent and discursive nature of all identities", and in particular the social construction of gendered subjectivities.
Feminist ethics is an approach to ethics that builds on the belief that traditionally ethical theorizing has undervalued and/or underappreciated women's moral experience, which is largely male-dominated, and it therefore chooses to reimagine ethics through a holistic feminist approach to transform it.
Hortense J. Spillers is an American literary critic, Black Feminist scholar and the Gertrude Conaway Vanderbilt Professor at Vanderbilt University. A scholar of the African diaspora, Spillers is known for her essays on African-American literature, collected in Black, White, and In Color: Essays on American Literature and Culture, published by the University of Chicago Press in 2003, and Comparative American Identities: Race, Sex, and Nationality in the Modern Text, a collection edited by Spillers published by Routledge in 1991.
Zillah R. Eisenstein is an American political theorist and gender studies scholar and Emerita Professor of the Department of Politics at Ithaca College, Ithaca, New York. Specializing in political and feminist theory; class, sex, and race politics; and construction of gender, Eisenstein is the author of twelve books and editor of the 1978 collection Capitalist Patriarchy and the Case for Socialist Feminism, which published the Combahee River Collective statement.
Marianne Hirsch is the William Peterfield Trent Professor of English and Comparative Literature at Columbia University and Professor in the Institute for Research on Women, Gender, and Sexuality.
Joanne Schultz Frye was a Professor Emerita of English and Women's Studies at the College of Wooster. Frye is known for her feminist literary criticism and interdisciplinary inquiry into motherhood. She specialized in research on fiction by and about women, such as the work of Virginia Woolf, Tillie Olsen, and Jane Lazarre.
Naomi Ruth Goldenberg is a professor at the University of Ottawa. Her regular undergraduate courses include Gender and Religion, Women and Religions, Psychology of Religion and Method and Theory in the Study of Religion. Goldenberg is best known for her work in the areas of Feminist Theory and Religion, Gender and Religion, as well as the Psychoanalytic Theory and Political Theory of Religion. She is one of the early members of the Women's Caucus at the American Academy of Religion and Society of Biblical Literature and continues to work on and support scholarship in areas of religion and feminism, psychoanalytic theory, women's issues, gender.
Judith Van Herik is an academic who studied Psychology and Religion. Van Herik worked at Pennsylvania State University for 24 years, from September 1977 to her retirement in June of 2001, and is most well-known for her publication Freud on Femininity and Faith.