Elizabeth Charleston | |
---|---|
Born | 1910 |
Died | 1997 |
Nationality | American |
Known for | Painting |
Elizabeth Charleston was a San Francisco native [1] who painted impressionist flower and landscape paintings. [2] Charleston began painting at the age of 50, while recovering from an automobile accident. [2]
Elizabeth Charleston was born in San Francisco, California, in 1910, shortly after the devastating San Francisco earthquake of 1906. She attended the Katherine Delmar Burke School and lived the life of a wealthy San Franciscan of the time. During her youth, she lived in France, and those memories later were reflected in her works. [2] Her family was closely connected with the San Francisco Bay Area arts community. [3]
At the age of 50, Charleston was in an automobile accident which limited her activities and mobility. She began painting for the first time while recovering. [2]
The San Francisco Chronicle's late art critic Alfred Frankenstein reviewed her showing at the Pomeroy Gallery in 1968, and said Charleston had a "wonderful eye" for flowers -- "totally charming, decorative and delectable." [2] Most of her works were impressionist oil paintings of flowers and the French countryside. Her works are available widely today, and have been shown in numerous museums and galleries in the US, Brussels, and Paris, [2] [4] including Hammer Galleries in NY (at least four one-woman exhibitions at Armand Hammer's famed galleries), [5] [6] Frank H. Boos Gallery in Bloomfield MI, [7] Conacher Galleries in San Francisco, [8] Salon des Femmes Peintres in Paris in 1974, [5] [9] the Salon exhibition at Société des Artistes Français [9] in 1973, [5] the US Embassy in Brussels, [5] and at the Nationale des Beaux Arts Exposition du Tricentenaire [10] in 1973. [5]
Charleston is listed in Clara, the National Museum of Women in the Arts' database of women in the Arts. [11] Charleston is popular with San Francisco Bay Area collectors, including Laura King Pfaff (chairman of Bonhams & Butterfields, the world's third largest auction house). [12]
Charleston died on April 8, 1997, in San Rafael, California, near San Francisco. [2]
Édouard Manet was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.
Georges Pierre Seurat was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface.
Henri Fantin-Latour was a French painter and lithographer best known for his flower paintings and group portraits of Parisian artists and writers.
The Legion of Honor, formally known as the California Palace of the Legion of Honor, is an art museum in San Francisco, California. Located in Lincoln Park, the Legion of Honor is a component of the Fine Arts Museums of San Francisco, which also administers the de Young Museum.
Lilla Cabot Perry was an American artist who worked in the American Impressionist style, rendering portraits and landscapes in the free form manner of her mentor, Claude Monet. Perry was an early advocate of the French Impressionist style and contributed to its reception in the United States. Perry's early work was shaped by her exposure to the Boston School of artists and her travels in Europe and Japan. She was also greatly influenced by Ralph Waldo Emerson's philosophies and her friendship with Camille Pissarro. Although it was not until the age of thirty-six that Perry received formal training, her work with artists of the Impressionist, Realist, Symbolist, and German Social Realist movements greatly affected the style of her oeuvre.
Théophile "Théo" van Rysselberghe was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the twentieth century.
Luncheon of the Boating Party French: Le Déjeuner des canotiers is an 1881 painting by French impressionist Pierre-Auguste Renoir. Included in the Salon in 1882, it was identified as the best painting in the show by three critics. It was purchased from the artist by the dealer-patron Paul Durand-Ruel and bought in 1923 from his son by industrialist Duncan Phillips, who spent a decade in pursuit of the work. It is now in The Phillips Collection in Washington, D.C. It shows a richness of form, a fluidity of brush stroke, and a flickering light.
Minerva Josephine Chapman (1858–1947) was an American painter. She was known for her work in miniature portraiture, landscape, and still life.
Ellen Day Hale was an American Impressionist painter and printmaker from Boston. She studied art in Paris and during her adult life lived in Paris, London and Boston. She exhibited at the Paris Salon and the Royal Academy of Arts. Hale wrote the book History of Art: A Study of the Lives of Leonardo, Michelangelo, Raphael, Titian, and Albrecht Dürer and mentored the next generation of New England female artists, paving the way for widespread acceptance of female artists.
Joseph Raphael (1869–1950) was an American Impressionist painter who spent most of his career as an expatriate but maintained close ties with the artistic community of San Francisco, California.
Marie Bracquemond was a French Impressionist artist. She was one of four notable women in the Impressionist movement, along with Mary Cassatt (1844-1926), Berthe Morisot (1841-1895), and Eva Gonzalès (1847-1883). Bracquemond studied drawing as a child and began showing her work at the Paris Salon when she was still an adolescent. She never underwent formal art training, but she received limited instruction from Jean-Auguste-Dominique Ingres (1780–1867) and advice from Paul Gauguin (1848–1903) which contributed to her stylistic approach.
Water Lilies is a series of approximately 250 oil paintings by French Impressionist Claude Monet (1840–1926). The paintings depict his flower garden at his home in Giverny, and were the main focus of his artistic production during the last thirty years of his life. Many of the works were painted while Monet suffered from cataracts.
Luxe, Calme et Volupté is a 1904 oil painting by the French artist Henri Matisse. Both foundational in the oeuvre of Matisse and a pivotal work in the history of art, Luxe, Calme et Volupté is considered the starting point of Fauvism. This painting is a dynamic and vibrant work created early on in his career as a painter. It displays an evolution of the Neo-Impressionist style mixed with a new conceptual meaning based in fantasy and leisure that had not been seen in works before.
Fauvism is a style of painting and an art movement that emerged in France at the beginning of the 20th century. It was the style of les Fauves, a group of modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. The leaders of the movement were André Derain and Henri Matisse.
Lucy Angeline Bacon was a Californian artist known for her California Impressionist oil paintings of florals, landscapes and still lifes. She studied in Paris under the Impressionist Camille Pissarro. She is the only known Californian artist to have studied under any of the great French Impressionists.
Jules Alphonse Ernest Renoux was a French painter working during the height of French Impressionism and the Belle Epoque.
Ethel Carrick, later Ethel Carrick Fox was an English Impressionist and Post-Impressionist painter. Much of her career was spent in France and in Australia, where she was associated with the movement known as the Heidelberg School.
Paule Gobillard was a French artist and Post-Impressionist painter who was heavily influenced by the Impressionists. She is the niece of Berthe Morisot and Eugène Manet, the brother of Édouard Manet, who taught her lessons in painting as part of her education upon being orphaned at an early age. She was unknown in the art scene compared to her relatives. She exhibited with the Société des Indépendants in 1904 and in 1926.
Henri Beau was a French-Canadian Impressionist painter. He is noted for Chemin en été, La dispersion des Acadiens, L'arrivée de Champlain à Québec, and Les Noces de Cana. Beau is a largely forgotten artist due to his long absence from Canada. His widow Marie Beau worked towards establishing his reputation as an artist in Canada after his death. He was only recognized as a notable artist decades later, with major retrospectives of his paintings celebrating his career by the Galerie Bernard Desroches in Montréal in 1974, and at the Musée du Québec in Québec City in 1987.
Georges Camille Gabriel Petetin, was a French still life and landscape painter and sculptor.