This biographical article is written like a résumé .(August 2010) |
Elke Voelker (born April 3, 1968, in Lampertheim, Hesse) is a German organist, church musician and musicologist.
Elke Voelker studied organ, church music, German and Roman languages and musicology at the universities of Mannheim, Mainz and Heidelberg. Among her teachers were Leo Krämer, Mathias Breitschaft, Ludwig Finscher.
A scholarship allowed her to study abroad with Wolfgang Rübsam (Chicago), Nicolas Kynaston (London), Michelle Leclerc (Schola Cantorum de Paris), Jean Guillou and Daniel Roth.
1996-2008 Voelker worked as Choir Organist and Cathedral Music Associate at the UNESCO Heritage St. Marys Imperial Cathedral of Speyer. 2009 she was nominated Interims Music Director and Cathedral Organist. Voelker maintains an activ international concert schedule and teaching career.
She is member of the English Karg-Elert Archive, [1] of the German Gesellschaft der Orgelfreunde (GdO), [2] the American Guild of Organists [3] and Honorary Member of the Associazione Organistica Siciliana. Besides this, she is Founder and Artistic Director of the “Internationaler Orgelherbst Deidesheim” and of the Russian "International Organ Festival Philharmony Perm".
Voelker published numerous articles in Musik in Gegenwart und Geschichte (Bärenreiter), [4] in ORGAN - Journal für die Orgel (Schott) [5] and in Lexikon der Orgel (Laaber). [6]
Sigfrid Karg-Elert was a German composer in the early twentieth century, best known for his compositions for pipe organ and reed organ.
Pieter William Kee was a Dutch organist and composer.
François Daniel Roth is a French organist, composer, musicologist, and pedagogue. He was titular organist from 1985 until 2023 at the church of Saint-Sulpice in France's capital, Paris, alongside Sophie-Véronique Cauchefer-Choplin, and as of February 2023, will remain as emeritus titular organist.
Harald Feller is a German organist, choral conductor and composer teaching at the Hochschule für Musik und Theater München. He was awarded the 1983 Grand Prix du Disque Liszt.
Zsolt Gárdonyi is a German-Hungarian composer, organist and music theorist. He is the son of Zoltán Gárdonyi.
"Jesu, meine Freude" is a hymn in German, written by Johann Franck in 1650, with a melody, Zahn No. 8032, by Johann Crüger. The song first appeared in Crüger's hymnal Praxis pietatis melica in 1653. The text addresses Jesus as joy and support, versus enemies and the vanity of existence. The poetry is bar form, with irregular lines from 5 to 8 syllables. The melody repeats the first line as the last, framing each of the six stanzas.
"O Lamm Gottes, unschuldig" is an early Lutheran hymn, with text and melody attributed to Nikolaus Decius. Originally intended as a German version of the Latin Agnus Dei, it was instead used as a Passion hymn. In both contexts, the hymn has often been set to music, prominently as the cantus firmus in the opening chorus of Bach's St. Matthew Passion. It is included in most German hymnals, and has been translated by Catherine Winkworth, among others.
Oliver Hilmes is a German author who has written several historical biographies. His study of Cosima Wagner, the daughter of the 19th century composer Franz Liszt and his biography of Alma Mahler a Viennese-born socialite, have been translated into English.
"Erschienen ist der herrlich Tag" is a German Easter hymn, with text and tune written by Nikolaus Herman and published in 1561. It has inspired musical settings by composers from the 17th to the 20th century. It appears in several hymnals, including the German Protestant hymnal Evangelisches Gesangbuch. Other hymns, especially Easter hymns, in both German and English, are sung to the same melody.
Carl Franz Edmund Kretschmer was a German organist and composer who worked for the Dresden Court and composed several operas and masses.
Jean-Claude Zehnder is a Swiss organist in church and concert, harpsichordist, and musicologist. In research and playing, he is focused on Baroque music, and has played and recorded at historic organs in Europe. He led the department for organ at the Schola Cantorum Basiliensis from 1972 to 2006. His publications include books and music editions, such as organ works by Johann Sebastian Bach.
Kristin Merscher is a German classical pianist and professor at the Hochschule für Musik Saar in Saarbrücken, Germany.
Konrad Küster is a German musicologist.
Hans-Dieter Karras is a German church musician, composer and organist.
Paul (Edmund) Schenk was a German music theorist.
Arnfried Edler is a German musicologist and university faculty in Kiel and Hanover.
Fritz Reuter was a German musicologist, music educator, composer and Kapellmeister. Reuter was one of the most important German music educators of the 20th century. After studying music and musicology in Dresden and Leipzig, with Teichmüller, Riemann, Schering and Abert, he received his doctorate in 1922. In 1945, he was appointed Kapellmeister at the Volksoper in Dresden. In 1949, he was appointed as the first professor of music education at a German university. He was also director of institutes at the Martin Luther University of Halle-Wittenberg and the Humboldt University Berlin. In 1955, he was one of the initiators of the first Hallische Musiktage.
Bernhardt Hilbrand Edskes was a Dutch-Swiss organist, organologist, and organ builder based in Wohlen.
Reinhard Theodor Kluth was a German church musician and composer.
Gerard Bunk was a German-Dutch organist, pianist, harpsichordist, choirmaster and composer.