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Ellen Wallace Sharples was an English painter specialized in portraits in pastel and in watercolor miniatures on ivory. She exhibited five miniatures at the Royal Academy in 1807, and founded the Bristol Fine Arts Academy in 1844 with a substantial gift.
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Theodore Nikolai Lukits was a Romanian American portrait and landscape painter. His initial fame came from his portraits of glamorous actresses of the silent film era, but since his death, his Asian-inspired works, figures drawn from Hispanic California and pastel landscapes have received greater attention.
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Jerry Weiss is an American figurative, landscape, and portrait painter and a writer. He studied classical drawing, and his career has centered on both the figure, and landscape. He says he is "intrigued by the portrait and figure as a most sacred subject."
Janet Fish is a contemporary American realist artist. Through oil painting, lithography, and screenprinting, she explores the interaction of light with everyday objects in the still life genre. Many of her paintings include elements of transparency, reflected light, and multiple overlapping patterns depicted in bold, high color values. She has been credited with revitalizing the still life genre.
Elizabeth Rebecca Coffin (1850–1930) was an American artist, educator and philanthropist who is known for her paintings of Nantucket, Massachusetts. Well-educated and accomplished, she was one of the "New Women" of the 19th century who explored opportunities not traditionally available to women. She was the first person in the United States to earn a Master of Fine Arts degree and was the first woman admitted to the Hague Academy of Fine Arts. She opened a school in Nantucket that had been only open to men and offered several types of trade and crafts work courses to both genders.
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Polly Thayer (Starr) (1904–2006) was a Boston painter and pastel artist. When she was still in her twenties she became known for portraits and figure compositions in the tradition of the Boston School, but took a more Modernist approach after leaving academia. She became increasingly interested in conveying the invisible essences of landscape, flowers and living creatures as her career developed, and was noted for the skilled draftsmanship which provided the substructure of her work.
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Florence Aline Rodway was an Australian artist best known for her portraits. Born in the Tasmanian city of Hobart, she was the second of six children to Leonard Rodway and Louisa Susan, née Phillips. She studied painting at the Hobart Technical College ; after two years her work was sent to London, and she was awarded a three-year scholarship to study painting at the Royal Academy of Arts, London. She is best known for having painted portraits of notable figures in Australian history, including Dame Nellie Melba, William Bridges, J. F. Archibald and Henry Lawson.
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Katherine Schmidt was an American artist and art activist. Early in her career, the figure studies, landscapes, and still lifes she painted drew praise for their "purity and clarity of color," "sound draftsmanship," and "individual choice of subject and its handling." During the 1930s she was known mainly for the quality of her still life paintings which showed, one critic said, "impeccable artistry." At the end of her career, in the 1960s and 1970s, she produced specialized and highly disciplined still lifes of objects such as dead leaves and pieces of crumpled paper, which, said a critic, approached a "magical realism." As an art activist she helped promote the rights of artists for fair remuneration.
Laura Coombs Hills (1859–1952) was an American artist and illustrator who specialized in watercolor and pastel still life paintings, especially of flowers, and miniature portrait paintings on ivory. She became the first miniature painter elected to the Society of American Artists, and she was a founder of the American Society of Miniature Painters. She also worked as a designer and illustrated children's books for authors such as Kate Douglas Wiggin and Anna M. Pratt.
Sigmund Abeles is an American figurative artist and art educator. His work embodies the "expressive and psychological aspects of the human figure; an art focused on the life cycle." He taught art for 27 years at various institutions including Swain School of Design, Wellesley College, Boston University, the National Academy, and the Art Students League of New York. Currently Professor Emeritus at the University of New Hampshire, Abeles works full-time in his NYC and upstate NY studios. He is the recipient of numerous grants and awards for printmaking, drawing, painting, and sculpture, including Pastel Society of America Hall of Fame honoree in 2004 and most recently the Artists' Fellowship 2017 Benjamin West Clinedinst Medal. His work can be found in many public institutions including the Museum of Fine Arts, Boston, Art Institute of Chicago, Metropolitan Museum of Art, Philadelphia Museum of Art, and the Whitney Museum of American Art. Abeles was one of three artists featured in Manfred Kirchheimer's 2012 feature-length independent film Art Is... The Permanent Revolution, on the history of the art of protest in prints.
Sharon Wybrants is an American painter, performance artist, and educator.
Sybilla Mittell Weber (1892–1957) was an American artist known for her etchings and drypoints of dogs and horses. She was trained by an Austrian animal painter at the Academy of Fine Arts Munich and by an American etcher at the Art Students League. With the skills they taught her, she embarked on a long and successful career during which she employed traditional techniques to achieve results that drew consistent critical praise. Admired for her skill in animal portraiture and for her ability to portray animals in action, she was said to use an "economy of line" to achieve a style situated between the extremes of pure realism and pure abstraction.
Dorothy Eaton was an American visual artist best known for rural subjects in a style that merged nineteenth-century regional folk art with mid-century American realism.
Nan Watson (1876–1966) was an American artist known for the flower paintings, portraits, and still lifes she made during the 1920s and 1930s. Showing frequently in group and solo exhibitions, she received praise for both the aesthetic and technical qualities of her work. Critics described her paintings as sincere, forthright, and direct and said they demonstrated good draftsmanship, harmonious composition, and fresh color values. In 1929, the art historian Lloyd Goodrich said, "One knows no other painter of flowers who captures so completely their delicate life without becoming in the least sentimental about it or lapsing into merely technical fireworks." In 1932, Edward Alden Jewell, the principal critic for the New York Times published a lengthy critique of one of her shows. In it, he wrote, "The field is thronged with artists who paint flowers; many of these artists are highly successful, though few are seen to arrive at the goal of superlative distinction. Among those who do attain this coveted goal, Nan Watson must certainly be numbered." At the same time, Margaret Breuning of the Evening Post wrote concerning the flower paintings, "It is the ability of the artist to give lyric transcription of natural forms in terms of design which imbues these canvases with their significance." Concerning Watson's portraits, Breuning noted a "surety of draftsmanship" and Watson's "fine perception that pierces to the essentials". Similarly, an unsigned review of 1928 said Watson succeeded in producing a "candor, directness, [and] fidelity to personal conceptions that one finds delightful in a world where there much conformity to standards of aesthetic performance from which the timid or the conventional may not deviate." This critic concluded, "Not only sensitive perception and technical skill are to be enjoyed in this engaging exhibition, but the revelation of personality that has gone into the making of each canvas."
References
- Biography, Discover Jersey Arts
- Solo Exhibition By Ellen Eagle To Open In May
- "Ellen Eagle: Painting in Pastel from Life". Art Students League of New York. Archived from the original on 2008-11-12. Retrieved 2010-07-23.
- Biography, National Academy of Design
- Zimmer, William (10 October 2004). "ART REVIEWS; Making Photographic Magic the Old-Fashioned Way". The New York Times.