Emilio Amadei (born 12 March 1867) was an Italian painter.
He was born in Florence. He completed his studies at the Academy of Fine Arts of Florence, under professor Giovanni Fattori with whom he worked for about two years. He exhibited in 1889 at the Promotrice of Florence a figure of a woman outdoors, and an interior with a young girl. He also completed portraits, among them of signore Baldini, signore Puliti, and the painter Giulio Versorese, as well as many studies of the surroundings of Florence painted outdoors, and figures in open air or studio. [1] He displayed in 1892 at Florence Summer Morning, and in 1896, Brutto tempo. He also painted an altarpiece depicting the Beheading of John the Baptist. [2]
Paolo Uccello, born Paolo di Dono, was a Florentine painter and mathematician who was notable for his pioneering work on visual perspective in art. In his book Lives of the Most Excellent Painters, Sculptors, and Architects, Giorgio Vasari wrote that Uccello was obsessed by his interest in perspective and would stay up all night in his study trying to grasp the exact vanishing point. While his contemporaries used perspective to narrate different or succeeding stories, Uccello used perspective to create a feeling of depth in his paintings. His best known works are the three paintings representing the battle of San Romano, which were wrongly entitled the Battle of Sant'Egidio of 1416 for a long period of time.
Pietro da Cortona was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations.
Eugène Louis Boudin was one of the first French landscape painters to paint outdoors. Boudin was a marine painter, and expert in the rendering of all that goes upon the sea and along its shores. His pastels, summary and economic, garnered the splendid eulogy of Baudelaire; and Corot called him the "King of the skies".
Giovanni Fattori was an Italian artist, one of the leaders of the group known as the Macchiaioli. He was initially a painter of historical themes and military subjects. In his middle years, inspired by the Barbizon school, he became one of the leading Italian plein-airists, painting landscapes, rural scenes, and scenes of military life. After 1884, he devoted much energy to etching.
Silvestro Lega was an Italian realist painter. He was one of the leading artists of the Macchiaioli and was also involved with the Mazzini movement.
Cesare Mariani was an Italian painter and architect of the late-19th century, active in Rome and Ascoli Piceno.
Orazio Riminaldi was an Italian painter who painted mainly history subjects in a Caravaggist style.
Telemaco Signorini was an Italian artist who belonged to the group known as the Macchiaioli.
Antonio Veneziano, was an Italian painter who was active mainly in Siena, Florence and Pisa, documented between 1369 and 1419.
Amos Cassiòli was an Italian painter, of battle scenes, historical canvases and portraits. He worked in a Purismo style.
Filippo Palizzi was an Italian painter.
Angiolo Torchi was an Italian painter, mainly of landscapes. He is also known as Angelo Torchi under which Wikipedia has articles in Italian and French.
Luigi Paoletti Vinea was an Italian painter, mainly of landscapes and vedute painted outdoors. Studied with Fattori.
Vincenzo Rocchi was an Italian painter.
Francesco Saverio Netti was an Italian painter.
Raffaello Sorbi was a 19th-20th century Florentine painter, specializing in narrative painting.
Alberto Pisa was an Italian painter, often painting ruins, landscapes, and garden views in bright watercolor.
Roberto Rasinelli was an Italian painter, mainly painting landscapes and genre scenes, in oil and watercolor. He often painted his landscapes on site, outdoors.
Giuseppe Guzzardi was an Italian painter.
Giulio Versorese was an Italian painter.